WINTER STUDY PROGRAM
REMINDERS ABOUT WSP REGISTRATION
All students who will be on campus during the 2001-2002
academic year must register for WSP. Registration will take place in the
early part of fall semester. If you are registered for a senior thesis
in the fall which must be continued through Winter Study by departmental
rules, you will be registered for your Winter Study Project automatically.
In every other case, you must complete registration. First-year
students are required to participate in a Winter Study that will take
place on campus; they are not allowed to do 99's.
Even if you plan to take a 99, or the instructor of
your first choice accepts you during the registration period, there are
many things that can happen between registration and the beginning of
Winter Study to upset your first choice, so you must list five choices.
You should try to make one of your choices a project with a larger enrollment,
not that it will guarantee you a project, but it will increase your chances.
If you think your time may be restricted in any way
(ski meets, interviews, etc.), clear these restrictions with the instructor
before signing up for his/her project.
Remember, for cross-listed projects, you should sign
up for the subject you want to appear on your record.
For many beginning language courses, you are required
to take the WSP Sustaining Program in addition to your regular
project. You will be automatically enrolled in this Sustaining Program,
so no one should list this as a choice.
The grade of honors is reserved for outstanding or exceptional
work. Individual instructors may specify minimum standards for the grade,
but normally, fewer than one out of ten students will qualify. A grade
of pass means the student has performed satisfactorily. A grade of perfunctory
pass signifies that a student's work has been significantly lacking but
is just adequate to deserve a pass.
If you have any questions about a project, see the instructor
before you register.
Finally, all work for WSP must be completed and submitted
to the instructor no later than Friday, January 25th. Only the Dean
can grant an extension beyond this date.
WINTER STUDY 99'S
Sophomores, juniors and seniors are eligible to propose
"99's," independent projects arranged with faculty sponsors,
conducted in lieu of regular Winter Study courses. Perhaps you have encountered
an interesting idea in one of your courses which you would like to study
in more depth, or you may have an interest not covered in the regular
curriculum. In recent years students have undertaken in-depth studies
of particular literary works, interned in government offices, assisted
in foreign and domestic medical clinics, conducted field work in economics
in developing countries, and given performances illustrating the history
of American dance. Although some 99's involve travel away from campus,
there are many opportunities to pursue intellectual or artistic goals
here in Williamstown.
99 forms are available online:
The deadline for submitting the proposals to faculty
sponsors is Thursday, 27 September.
Winter Study Course Offerings
- AMES 026 Experiencing Africa and the Middle East
- AMES 031 Senior Thesis
- AAS 030 Senior Project
- AMST 030 Senior Honors Project
- ANSO 011 Berkshire Farm Internship
- ANSO 012 Children and the Courts: Internship in
the Crisis in Child Abuse
- ANTH 031 Senior Thesis
- SOC 031 Senior Thesis
- ARTH 010 What is New England?
- ARTH 017 Looking at Contemporary Documentary Photography
- ARTH 031 Senior Thesis
- ARTH 033 Honors Independent Study
- ARTS 011 Suburbia (Cancelled)
- ARTS 012 New York City Field Trip
- ARTS 013 Figure Modeling
- ARTS 014 Trade and Artistic Exchange: An Introduction
to the Archaeology of Global Process in the Third and Second Millennia
B.C.
- ARTS 015 Digital Drawing
- ARTS 016 Fresco Painting
- ARTS 017 Structural Model Making
- ARTS 018 Editorial Cartooning (Same As Political
Science 018)
- ARTS 019 Digital Photography
- ARTS 020 Stained Glass Workshop (Same as Biology
020)
- ARTS 022 Introduction to Computer Aided Drafting
and Design (CADD) (Same as Physics 011)
- ARTS 023 Drawing to a Close: Illustrating Disappearing
Farms (Same as Environmental Studies 011 and INTR 011)
- ARTS 033 Honors Independent Project
- ARTS 035 Making Pottery on the Potter's Wheel (Same
as Special 035)
- ASST 013 Feng Shui
- ASST 031 Senior Thesis
- CHIN 025 China for Tourists, China for Peasants
- CHIN 031 Senior Thesis
- JAPN 010 Introduction to the Japanese Language
and Culture (Same as Linguistics 010)
- JAPN 011 Embodied Learning (Same as Theatre 011)
- JAPN 012 Japanese Dyeing: Joy of Kusaki-zome
- JAPN 031 Senior Thesis
- ASTR 016 Observational Astronomy
- ASTR 031 Senior Research
- ASPH 031 Senior Research
- BIOL 010 Electron Microscopy
- BIOL 011 Outbreak Investigations: An Introduction
to Field Epidemiology
- BIOL 012 Gene Quest (Cancelled)
- BIOL 013 Infectious Disease: Causes and Cures
- BIOL 014 Social Justice Issues in Health Care Delivery
(Cancelled)
- BIOL 015 Conservation of Songbirds in North America
(Cancelled)
- BIOL 016 Tiny Footprint: Living Sustainably in
the New Millennium (Same as Environmental Studies 016)
- BIOL 020 Stained Glass Workshop (Same as ArtS 020)
- BIOL 021 Internships in Biology
- BIOL 022 Introduction to Biological Research
- BIOL 023 Introduction to Lipid Biochemistry-A Research
Experience
- BIOL 031 Senior Thesis
- CHEM 011 Science for Kids (Same as Special 011)
- CHEM 012 How to Write Popular Science (Same as
English 012 and Special 012) (Cancelled)
- CHEM 013 The Popular Culture of Football (Soccer)
Around the World
- CHEM 014 Emergency Medical Technician-Basic
- CHEM 015 Epidemiology, Epidemics, and Human Health
- CHEM 017 Introduction to Research in Archaeological
Science
- CHEM 018 Introduction to Research in Biochemistry
- CHEM 019 Introduction to Research in Environmental
Science
- CHEM 023 Introduction to Research in Organic Chemistry
- CHEM 024 Introduction to Research in Physical Chemistry
- CHEM 031 Senior Research and Thesis
- CLAS 013 Biblical Hebrew in a Month (Same as Religion
013)
- CLAS 026 Archaeological Tour of Greece (Same as
Religion 026)
- CLAS 031 Senior Thesis
- COMP 011 The Colonialist Vision (Same as English
024) (Cancelled)
- COMP 012 Roland Barthes: The Romance and Poetry
of Criticism (Same as English 023 and French 012)
(Cancelled)
- COMP 014 Literature and Seduction (Same as English
014)
- CSCI 010 C, UNIX and Software Tools
- CSCI 031 Senior Honor Thesis
- CMAJ 031 Senior Thesis
- ECON 010 The East Asian Miracle
- ECON 011 Public Speaking
- ECON 012 Business Risk Analysis: Inside the Mind
of a Banker
- ECON 013 Real Estate and Community Development
- ECON 014 The Practice of Public Health
- ECON 017 Business Economics
- ECON 030 Honors Project
- ECON 031 Honors Thesis
- ENGL 010 Fan Cultures
- ENGL 011 Ireland in Film: Contemporary Irish Cinema
- ENGL 012 How to Write Popular Science (Same as
Chemistry 012 and Special 012)
- ENGL 013 Your Favorite Author
- ENGL 014 Literature and Seduction (Same as Comparative
Literature 014)
- ENGL 015 Lyric Voices: Subjects and Objects of
Writing
- ENGL 016 Bob Dylan on Film
- ENGL 017 Looking at Contemporary Documentary Photography
(Same as ArtH 017)
- ENGL 018 English Rhymes and Rhythms
(Cancelled)
- ENGL 019 Representing Jazz (Same as Music 019)
- ENGL 020 Journalism
- ENGL 022 Virginia Woolf (Same as Women's and Gender
Studies 022)
- ENGL 023 Roland Barthes: The Romance and Poetry
of Criticism (Same as Comparative Literature 012 and French 012)
(Cancelled)
- ENGL 024 The Colonialist Vision (Same as Comparative
Literature 011) (Cancelled)
- ENGL 025 Documentary Video
- ENGL 027 Humor Writing (Same as Mathematics 010)
- ENGL 028 Fantasy Novels of C.S. Lewis and Charles
Williams (Same as Mathematics 014)
- ENGL 030 Honors Project: Specialization Route
- ENGL 031 Honors Project: Thesis
- ENVI 010 Writing and Drawing-The Naturalist's Journal
- ENVI 011 Drawing to a Close: Illustrating Disappearing
Farms (Same as ArtS 023 and INTR 011)
- ENVI 012 Industrial Ecology
- ENVI 013 Global Climate Change
- ENVI 016 Tiny Footprint: Living Sustainably in
the New Millennium (Same as Biology 016)
- ENVI 019 Introduction to Research in Environmental
Science (Same as Chemistry 019)
- ENVI 031 Senior Research and Thesis
- GEOS 010 Geology of National Parks
- GEOS 015 Survival in a Winter Landscape
- GEOS 031 Senior Thesis
- GERM 010 Marx and Nietzsche
- GERM 025 German in Germany
- GERM 030 Honors Project
- GERM 031 Senior Thesis
- HIST 010 J.R.R. Tolkien, Middle Earth, and Modern
Medievalism
- HIST 011 Film and Empire
- HIST 012 Latina and Latino Migration Stories
- HIST 013 History of Sports in America
- HIST 014 Etics, Journalism and American Society
- HIST 015 Hands-On Investigative Reporting
- HIST 016 Social Justice and Mental Illness in America
(Same as Psychology 016)
- HIST 017 History in Pieces
- HIST 018 American Strategy in World War II: War
Plans and Execution
- HIST 019 The Transnational Life of Food
- HIST 031 Senior Thesis
- HSCI 016 Ayurveda: Art of Healing (Same as Special
016)
- INTR 010 Corporate Leadership and Social Responsibility
- INTR 011 Drawing to a Close: Illustrating Disappearing
Farms (Same as ArtS 023 and Environmental Studies 011)
- INTR 012 Philanthropy
(Cancelled)
- INTR 013 Managing Non-Profits: An Insider's Look
- INTR 017 Presidential Leadership: From Washington
to FDR (Same as Political Science 017)
- INTR 018 Wilderness Leadership
- INTR 021 Power, Authority and Decisionmaking in
the Public Sector (Same as Political Science 021)
- INTR 025 Williams in Washington: Leadership in
Our Nation's Capital
- INTR 026 Panama: Leadership at the Crossroads of
the World (Same as Political Science 026)
- INTR 010 Corporate Leadership and Social Responsibility
- INTR 012 Philanthropy
- INTR 013 Managing Non-Profits: An Insider's Look
- INTR 017 Presidential Leadership: From Washington
to FDR (Same as Political Science 017)
- INTR 018 Wilderness Leadership
- INTR 021 Power, Authority and Decisionmaking in
the Public Sector (Same as Political Science 021)
- INTR 025 Williams in Washington: Leadership in
Our Nation's Capital
- INTR 026 Panama: Leadership at the Crossroads of
the World (Same as Political Science 026)
- LIT 031 Senior Thesis
- LING 010 Introduction to the Japanese Language
and Culture (Same as Japanese 010)
- MATH 010 Humor Writing (Same as English 027)
- MATH 012 The Art of Chess
- MATH 013 Concealing, Stealing and Revealing Data:
The Science and Politics of Encryption
- MATH 014 Fantasy Novels of C.S. Lewis and Charles
Williams (Same as English 028)
- MATH 017 Introduction to Acting (Same as Special
017)
- MATH 025 The San Diego Mathematics Meeting
(Cancelled)
- MATH 030 Senior Project
- MATH 031 Senior Thesis
- MUS 010 Chamber Music Performance
- MUS 011 Music and Film
- MUS 012 The Art of Musical Storytelling
(Cancelled)
- MUS 013 The Contemporary Singer/Songwriter
- MUS 014 Advanced Songwriting Workshop
- MUS 019 Representing Jazz (Same as English 019)
- MUS 021 Individual Vocal and Instrumental Instruction
(Can only be taken IN ADDITION to a regular WSP course.)
- MUS 025 Cuban Music and Dance
- MUS 031 Senior Thesis
- NSCI 031 Senior Thesis
- PHIL 010 The Possibilities of Hypertext
(Cancelled)
- PHIL 011 Why New Englanders Eat What They Eat
- PHIL 031 Senior Thesis
- PHYS 010 Light and Holography
- PHYS 011 Introduction to Computer Aided Drafting
and Design (CADD) (Same as ArtS 022)
- PHYS 012 Meet the Right Side of Your Brain: Drawing
as a Learnable Skill)
- PHYS 013 Automotive Mechanics
- PHYS 014 The Making of the Atomic Bomb
- PHYS 022 Research Participation
- PHYS 031 Senior Thesis
- POEC 026 Healthcare in Havana: A Comparative Study
of Resource Allocation and Public Health Policy (Same as Special 026)
- POEC 031 Honors Thesis
- PSCI 010 Controversial Issues in Education
- PSCI 011 The Development of Inuit Art
- PSCI 012 Presidential Elections
- PSCI 013 Assessing Race in Communities of Interest
(Cancelled)
- PSCI 014 Civil Rights Law
- PSCI 015 Charismatic Leadership as a Democratic
Virtue (Cancelled)
- PSCI 017 Presidential Leadership: From Washington
to FDR (Same as INTR 017)
- PSCI 018 Editorial Cartooning (Same as ArtS 018)
- PSCI 021 Power, Authority and Decisionmaking in
the Public Sector (Same as INTR 021)
- PSCI 026 Panama: Leadership at the Crossroads of
the World
- PSYC 010 The Popularization of Psychological Disorders
- PSYC 011 From Segregation to Accommodation: Changing
Perspectives on Disabilities
- PSYC 012 Introduction to Counseling Skills
(Cancelled)
- PSYC 013 Public Access Television Production
(Cancelled)
- PSYC 014 Science and Television Commercials
- PSYC 015 Principles of Psychotherapy
- PSYC 016 Social Justice and Mental Illness in America
(Same as History 016)
- PSYC 017 Teaching Practicum
- PSYC 018 Institutional Placement
- PSYC 031 Senior Thesis
- REL 010 Training the Body-Mind: Introduction to
Traditional Karate (Cancelled)
- REL 012 Tibetan Buddhism and the Practice of Meditation
(Cancelled)
- REL 013 Biblical Hebrew in a Month (Same as Classics
013)
- (See under Classics for full description.)
- REL 014 Language of the Holocaust
- REL 025 Explorations in Solidarity: A Meeting of
Minds and Hearts in Rural and Urban Nicaragua
- REL 026 Archaeological Tour of Greece (Same as Classics
026)
- REL 031 Senior Thesis
- RLFR 010 Asterix the Gaul: French Culture through
the Prism of the Comic
- RLFR 012 Roland Barthes: The Romance and Poetry
of Criticism (Same as Comparative Literature 012 and English 023)
(Cancelled)
- RLFR 030 Honors Essay
- RLFR 031 Senior Thesis
- RLSP 030 Honors Essay
- RLSP 031 Senior Thesis
- RUSS 013 Food on Film (Same as Special 013)
- RUSS 025 Williams in Georgia (Same as Special 025)
- RUSS 030 Honors Project
- RUSS 031 Senior Thesis
- THEA 010 Shakespeare in Performance
- THEA 011 Embodied Learning (Same as Japanese 011)
- THEA 012 Puppets and Puppet Traditions
- THEA 025 Performance in New York City
- THEA 030 Senior Production
- THEA 031 Senior Thesis
- WGST 022 Virginia Woolfe (Same as English 022)
- WGST 030 Honors Project
- SPEC 010 Quest for College: Early Awareness in
Berkshire County Schools
- SPEC 011 Science for Kids (Same as Chemistry 011)
- SPEC 012 How to Write Popular Science (Same as
Chemistry 012 and English 012)
- SPEC 013 Food on Film (Same as Russian 013)
- SPEC 014 Winter Emergency Care, CPR, Ski Patrol
Rescue Techniques
- SPEC 015 Deaf and Proud: An Introduction to Deaf
Language and Culture
- SPEC 016 Ayurveda: Art of Healing (Same as History
of Science 016)
- SPEC 017 Introduction to Acting (Same as Mathematics
017)
- SPEC 018 Sports Writing
- SPEC 019 Medical Apprenticeship
- SPEC 025 Williams in Georgia (Same as Russian 025)
- SPEC 026 Healthcare in Havana: A Comparative Study
of Resource Allocation and Public Health Policy (Same as Political Economy
026)
- SPEC 027 Teaching and Writing at Theodore Roosevelt
High School
- SPEC 028 Teaching Practicum, the Bronx and Manhattan
- SPEC 029 Junior High School Teaching Practicum,
the Bronx and Manhattan
- SPEC 035 Making Pottery on the Potter's Wheel (Same
as ArtS 035)
- SPEC 036 Teaching Practicum: St. Aloysius School,
Harlem
- SPEC 039 Composing A Life: Finding Success and
Balance in Life After Williams
AFRICAN AND MIDDLE EASTERN STUDIES
AMES 026 Experiencing Africa and
the Middle East
CANCELLED!
AMES 031 Senior Thesis
To be taken by candidates for honors by the thesis route
in African and Middle Eastern Studies.
AFRICAN-AMERICAN STUDIES
AAS 030 Senior Project
To be taken by students registered for Afro-American
Studies 491 who are candidates for honors.
AMERICAN STUDIES
AMST 030 Senior Honors Project
To be taken by students registered for American Studies
491 or 492.
ANTHROPOLOGY AND SOCIOLOGY
ANSO 011 Berkshire Farm Internship
A field placement at Berkshire Farm Center and Services
for Youth in Canaan, New York. Berkshire Farm Center is a residential
treatment facility for troubled, at-risk adolescent boys who have been
remanded to the Farm by the Family Court. These youths come primarily
from lower socio-economic strata, are very ethnically diverse, and hail
from both urban and rural areas throughout New York State. The problems
that they bring to Berkshire Farm are multiple. These include: the psychological
scars of dysfunctional families, including those of physical, emotional,
and sexual abuse; chemical dependency; juvenile delinquency; inability
to function in school settings; and various other issues. Residential
treatment is a multi-modal approach that includes anger-replacement training,
social skills training, and behavioral modification.
Williams students will commute to Berkshire Farm and work under supervision
in one of the following areas: school, cottage life, chemical dependency
unit, research, recreation, performing arts, or in individual tutoring.
Students will keep a journal reflecting on their experiences. A weekly
seminar with the instructor will draw on service learning experience.
Prerequisite: Placement is only through interview with instructor before
registering for course. Enrollment limit: 13. (All queries
about this course should be directed to the instructor, who can be reached
at 518-781-4567, ext. 322.)
Cost to student: none.
LARI BRANDSTEIN (Instructor)
D. EDWARDS (Sponsor)
Lari Brandstein is Director of Volunteer Services at
Berkshire Farm Center and Services for Youth.
Budget: $600 in rental of college vehicles for students who need transportation
to Berkshire Farm Center in Canaan, NY, approx. 50 miles from Williamstown.
ANSO 012 Children and the Courts:
Internship in the Crisis in Child Abuse
The incidence of reported child abuse and neglect has
reached epidemic proportions and shows no signs of decreasing. Preventive
and prophylactic social programs, court intervention, and legislative
mandates have not successfully addressed this crisis. This course allows
students to observe the Massachusetts Department of Social Services attorney
in courtroom proceedings related to the care and protection of children.
Students will have access to Department records for purposes of analysis
and will also work with social workers who will provide a clinical perspective
on the legal cases under study. The class will meet regularly to discuss
court proceedings, assigned readings, and the students' interactions with
local human services agencies.
Requirements: access to an automobile is desirable but not required; some
transportation will be provided as part of the course. Evaluation will
be based on keeping a journal and submitting a 10-page paper at the end
of the course. Full participation in the course is expected.
Enrollment limit: 15. (All queries about this course must be directed
to the instructor, Judge Locke. Phone messages may be left at 458-4833.)
Meeting time: mornings and afternoons.
Cost to student: $25 for books and photocopies.
JUDITH LOCKE (Instructor)
D. EDWARDS (Sponsor)
Judith Locke is Associate Justice of the Juvenile Court,
Commonwealth of Massachusetts
ANTHROPOLOGY
ANTH 031 Senior Thesis
To be taken by students registered for Anthropology
493-494.
SOCIOLOGY
SOC 031 Senior Thesis
To be taken by students registered for Sociology 493-494.
ART
ART HISTORY
ARTH 010 What is New England?
Employing a variety of media, we will seek to answer
the question of whether New England is: what it thinks it is, what others
in America think it is, what it is that it is "documented" as
being. Should this region be seen as being special, and even revered,
and why? Is its main attribute simply "oldness" and of what
does that consist? The hope is to "see" something that is multifarious,
maybe even contradictory, and whether there is some kind of Puritan, colonial
core-mythical or otherwise-and how its present day ripples may be made
manifest. Towards this end we will explore a variety of sources, including
Bennington tombstone inscriptions, Governor Bradford's diary, Sibley's
Harvard Graduates, farmers' journals, Boston trustee's statements of what
"corpus" is, letters from the Lowell girls and from Irish immigrants,
several colleges' acts of incorporation, and bio-technology prospectuses
(for the arguable world center of that nascent industry, near Kendall
Square, Cambridge). Attention will be given to visual documents or artifacts
(besides tombstones), in the works (inter alia) of Ralph Earl, Charles
Sprague Sargent, Emma Coleman, John Marin, Paul Strand, and Neil Rappaport.
From this welter of evidence, does New England seem old and spent or increasingly
like the rest of America or something fragmented and disjunctive or even
cutting-edge: whether the landscape or site be littoral or montane or
interfluvial? An optional three-day field session during the third week
will visit some sites or habitats at first-hand.
Requirements: a presentation and paper, by each class member, on a selected
aspect of New England will conclude this course. Besides the final paper
there will be notetaking assignments. A passing grade will be determined
on the basis of assiduous class attendance and participation as well as
the successful completion of written and oral assignments.
Enrollment limit: 15. (The class is especially intended for
students from other regions of the United States, or abroad, and preference
will be given to them. Natives, however, will not be shunted.)
Meeting time: mornings.
Cost to student: $250,texts, $10 local field sessions, and $150 for an
optional three-day field session.
SATTERTHWAITE
ARTH 017 Looking at Contemporary
Documentary Photography (Same as English 017)
(See under English for full description.)
ARTH 031 Senior Thesis
To be taken by students registered for ArtH 493, 494.
ARTH 033 Honors Independent Study
To be taken by candidates for honors by the independent
study route.
ART STUDIO
ARTS 011 Suburbia
CANCELLED!
ARTS 012 New York City Field Trip
This studio course will involve two day-long field trips
to New York City to view and critique contemporary art at museums and
galleries, and to make artwork in response to that critique. In addition
to readings and discussions about the exhibitions, students are expected
to keep visual journals as documentation/sketchbooks and to finish one
drawing project that is related to the New York work in concept or style.
This project will involve six or more extensive drawings. Although there
is an element of "apprenticeship" in this approach, students
are expected to create their own individual, unique works.
Evaluation will be based on attendance at the two field trips, participation
in discussions, and the quality of the student's journal and month-long
project.
We will meet once a week during the two weeks of field trips-we will leave
Williamstown at 8:00 a.m. and return at 9:00 p.m. During the other two
weeks of WSP, we will meet twice a week for three hours in the Spencer
Studio Art Building on campus. Students are expected to work outside of
class time to finish their journals and projects.
Prerequisite: ArtS 100. Enrollment limit: 10.
Meeting time: afternoons.
Cost to student: $100 to help cover transportation costs (van rental,
subways), dinners in New York, journal/drawing supplies, and reading packets.
TAKENAGA
ARTS 013 Figure Modeling
This course is designed as an introduction to the challenges
of working with the figure in a sculptural context. The class will be
structured as a working studio with the students sculpting in clay from
a live model. The first half of the course will emphasize learning the
technical and physiological aspects of the human figure; structure, proportion,
gesture, and basic anatomy. The latter half of the course will be concerned
with the creative aspects of working with the figure and of developing
individual interpretations of the human form. In addition to working studio
sessions, there will be two slide lectures on the human form in art. Each
student will be evaluated on the success of their sculpture, attendance,
participation, and effort. This course requires approximately 15 hours
per week of individual investigations into the human form.
Prerequisite: ArtS 100. Enrollment limit: 15.
Meeting time: TR, 9 a.m.-noon.
Lab fee: $95.00.
PODMORE
ARTS 014 Trade and Artistic Exchange:
An Introduction to the Archaeology of Global Process in the Third and
Second Millennia B.C.
In the mid-second millennium B.C. the International
Style was prevalent in the Eastern Mediterranean, incorporating iconographic
and stylistic elements from the Aegean, Egypt and the Near East. Such
an artistic environment is both diagnostic and an integral part of interaction
among these different regions. This course will explore how these relationship
grew up over time, discuss the role of polities, states and individuals
in the demand and production of prestige goods, and investigate how art
can act as a form of communication capable of crossing language, politically
drawn geographic boundaries, and ethnic barriers. The exchange of raw
materials and finished goods will be examined alongside the artistic relationships.
Classes will be a mixture of lecture and discussion. Students will participate
in a hands-on experimental archaeology lab involving an ancient gold-smithing
technique. This will emphasize production variability, skill, labor and
time investments. In addition to the lab component, students will be expected
to prepare reading prior to seminar style discussion once a week. A final
10- to 15-page paper will also be required.
Enrollment limit: 12.
Meeting time: afternoons.
Cost to students: $30.
THEA POLITIS (Instructor)
M. LEWIS (Sponsor)
Thea Politis was a recent Joint Athens-Jerusalem Kress
Fellow while researching her Ph.D. in archaeology on the early technology
of gold granulation. She has lived and traveled extensively abroad. As
a former member of the curatorial staff of the Metropolitan Museum of
Art, she has been involved in researching Egyptian international relations
during the Bronze Age. Her current research interests include Bronze Age
iconographic systems, international relations in the period, and ancient
materials and industries.
ARTS 015 Digital Drawing
This is a studio drawing course that will use computer
to create a digital drawing. Unlike a conventional drawing medium, computer
provides a unique drawing ground in which the physical relationship between
the artist and art work seems somewhat distanced. It also carries an unfortunate
burden of being looked at as something unreal to be an art object even
today because of what we are so used to seeing on monitor (be it computer
monitor or TV). What is fascinating about it is the fact that it is a
drawing of lights.
This course will cover basic techniques of drawing using a digital drawing
tablet with a software such as Adobe Photoshop. It will focus on not only
a creation of a drawing but also the understanding of seeing the image
on screen as something concrete as a
drawing on other materials. There will be discussion on net art through
various web sites in class using a projector. The students will be assigned
to explore other art on the web.
The class will also have prints made from the image students created on
a monitor to examine and understand the transformation of one medium to
another. This will enable students to see two images generated from the
same source, yet entirely different pieces of art work. The class will
end with an exhibition of drawings both on monitors and prints and a web
site of the drawings created in the class.
Evaluation will be based on class participation, the body of drawings
created and the final exhibition of the work.
No experience in drawing or computer knowledge is required. Enrollment
limit: 10.
Meeting time: afternoons.
Cost to student: $150 for printing.
HIDEYO OKAMURA (Instructor)
M. LEWIS (Sponsor)
Hideyo Okamura is a painter and has recently been working
with digital imagery. His work has been exhibited throughout the United
States, and in Germany and Mexico. His digital drawings can be viewed
at www.williams.edu/CTAH.
ARTS 016 Fresco Painting
Fresco is one the oldest painting techniques in Western
Art. Learn how to paint in the same medium that Michaelangelo used to
paint the Sistine Chapel. In this course students will learn to paint
in this ancient medium on portable panels. Students will slake lime, mix
plaster, grind pigments and paint on the wet plaster. Projects will include
copying a section of a Renaissance fresco as well as creating frescos
of individual student's own design. This course will provide a greater
understanding of the process of painting as well as enhance one's understanding
of Renaissance Art. No prerequisites. Evaluation will be based on participation
in all aspects of the workshop and completion of the projects.
Enrollment limit: 18. Preference given to art majors.
Meeting time: TW, 10 a.m.-4 p.m. All work will be completed during class
time with the exception of the drawing notebook and some background readings.
Cost to student: $15.
WALTER O'NEILL (Instructor)
M. LEWIS (Sponsor)
Walter O'Neill, a fresco painter, has painted public
and private commissions. He has conducted the fresco program at the Skowhegan
School and The Cloisters, Medieval Collection of the Metropolitan Museum
of Art and has been a visiting artist/lecturer on fresco at many institutions
including The J. Paul Getty Museum, Los Angeles County Museum of Art,
University of Southern California and Adelphi University.
ARTS 017 Structural Model Making
An introduction to the principal structural systems
and how they are constructed, by means of making accurate, working, table-top
models. These models of variously shaped arches, barrel and groin vaults,
flying buttresses, domes on pendentives and squinches, truss and suspension
bridges produced in this class are intended to serve in the future as
teaching aids, and the emphasis will therefore be on making them both
clear and accurate. Participants will design and build models that not
only demonstrate how a variety of structural systems work, but how they
were built as well; in the case of arches, vaults and domes, as much attention
will be paid to the design of efficient and easily removable and reusable
centering as to the space-spanning parts themselves. One of the primary
issues to be considered is the relative strength-to-weight ratio of the
model and the system it represents, and the problem of making structural
models that accurately reflect the scale of weights and thrusts. Although
models of centering will be constructed of wood, and probably most of
the systems as well, the possibility of making effective models in other
materials, particularly stone and plaster, will also be investigated.
Evaluation will be based on participation in class discussion, the quality
of the models, and written manuals for their use as teaching devices.
No prerequisites. Enrollment limit: 15.
Meeting time: For the first week, class will meet every day for a
two-hour morning session of the discussion of structural systems, brainstorming
and model planning, as well as an introduction to the tools in the sculpture
studio. Most of the remainder of the course will be spent in studio work.
There will be three two-hour morning periods of supervised lab time a
week, and discussion meetings for progress reports. It is expected that
the projects will require a good deal more time than just the hours spent
in class.
RALPH LIEBERMAN (Instructor)
M. LEWIS (Sponsor)
Ralph Lieberman is an art historian and photographer
who lives in Williamstown. He has a PhD from the Institute of Fine Arts,
and has taught history of architecture at many schools including Williams,
Harvard and the Rhode Island School of Design. He made the structural
models that are currently used in Art 101, and would like to see better
ones available.
ARTS 018 Editorial Cartooning
(Same as Political Science 018)
This course, taught by an editorial cartoonist for a
major metropolitan daily newspaper, introduces students to the "Ungentlemanly
Art" through discussion and an emphasis on the creation of their
own work. It is not an art course so much as an exercise in disciplining
the mind to distill abstract concepts and opinions into visual and verbal
symbols that can be clearly, economically and persuasively communicated
to the reader. Previous drawing experience, while helpful, is not a prerequisite
for the course. In fact, non-art majors are particularly encouraged to
enroll. The basics of perspective, proportion, and shading will be covered
as needed to provide all students with the necessary skills to express
themselves. What is much more important is that the prospective student
have an inquisitive mind, a healthy interest in current events, a willingness
to enter into spirited classroom discussion, and an appreciation of satire.
Former students have indicated that they found the intellectual skills
they acquired in this course to be useful in many different areas. In
addition, several overcame fear to discover drawing abilities that they
did not know they possessed. Class assignments will be critiqued in a
non-threatening atmosphere. The instructor, who will be continuously producing
daily cartoons for his newspaper, will also present his own work for criticism.
Evaluation of student performance will be based upon classroom participation
and completion of assigned material.
Enrollment limit: 15.
Meeting time: afternoons.
Cost to student: $75 for art materials.
CHAN LOWE '75 (Instructor)
M. LEWIS (Sponsor)
Chan Lowe, Williams '75 , is the editorial cartoonist
for the South Florida Sun- Sentinel. His work is nationally syndicated
and appears regularly in newspapers and magazines throughout the country.
Most recently, he was given the National Press Foundation's Berryman Award
for Cartoonist of the Year 2000.
ARTS 019 Digital Photography
A hybrid of video and photography, montage and painting,
digital photography has changed our expectations and largely redefined
"photography." This course is an introduction to digital, art
photography. Students will learn to operate a digital camera and manipulate
their files, in Photoshop, on a Macintosh computer. (All equipment will
be provided by the college.) Students should be prepared to make a five
day per week commitment to attending either labs or class meetings in
order to complete the work required for this class.
No prerequisites, but ArtS 100 or other college level beginning drawing
or design class highly recommended. Enrollment limit: 12.
Meeting time: afternoons.
Lab fee: $100.
LALEIAN
ARTS 020 Stained Glass Workshop
(Same as Biology 020)
(See under Biology for full description.)
ARTS 022 Introduction to Computer
Aided Drafting and Design (CADD) (Same as Physics 011)
(See under Physics for full description.)
ARTS 023 Drawing to a Close: Illustrating
Disappearing Farms (Same as Environmental Studies 011 and INTR 011)
(See under IPECS-INTR 011 full full description.)
ARTS 033 Honors Independent Project
Independent study to be taken by candidates for honors
in Art Studio.
ARTS 035 Making Pottery on the
Potter's Wheel (Same as Special 035)
(See under Special for full description.)
ASIAN STUDIES
ASST 013 Feng Shui
Feng shui is the study of the way in which our environments
affect every aspect of our lives. The selection of a property site and
the placement of buildings on a property, of rooms within a building and
of furniture within a room influence us, sometimes in obvious ways, often
in very subtle ways. The goal in this course is to give students a foundation
in the history and concepts of feng shui that will lead to the practical
application of feng shui. We will explore the origins and principles of
this ancient Chinese discipline and analyze how this Eastern philosophy
is applicable in our Western society. Our in-depth analysis of the many
levels of feng shui, from the mundane to the transcendental, will include
a comparison of feng shui to the similar architectural designs, traditions
and rituals of other cultures and of the animal world. We will also consider
the correlation between an environment and the individuals who inhabit
that particular space. By the end of the course, we will analyze properties
on or near the Williams campus, including spaces in which the students
have a special interest. We will determine what changes can be made in
those environments to improve the lives of the occupants.
We will meet five times a week for two-hour sessions. Field trips in the
Williamstown, North Adams and Hancock area to analyze specific properties
will be held during class.
Evaluation will be based on class participation, class assignments and
a research paper or design analysis.
No prerequisites. Enrollment limit: 18.
Meeting time: mornings
Cost to student: $50 for book, handouts, and materials.
VINCENT SMITH (Instructor)
CRANE (Sponsor)
Vincent Smith is a feng shui consultant, lecturer and
author who is based in New York City. He was graduated from Harvard College
and Yale Law School. He practiced law for 25 years before forming the
VMS Feng Shui Design Co. Vincent Smith has traveled and studied with Professor
Lin Yun, who is considered by many to be the leading feng shui master
in the United States. He recently taught a course in feng shui at Berea
College in Kentucky.
ASST 031 Senior Thesis
To be taken by all students who are candidates for honors
in Asian Studies.
CHINESE
CHIN S.P. Sustaining Program for Chinese 101-102
Students registered for Chinese 101-102 are required
to attend and pass the Chinese Sustaining Program.
Requirements: regular attendance and active class participation.
Prerequisite: Chinese 101.
Meeting time: Mondays, Tuesdays, and Thursdays from 9:00-9:50.
Cost to student: one Xerox packet.
LANGUAGE FELLOW
CHIN 025 China for Tourists, China
for Peasants
In this travel course to a remote mountain village and
a tourist must-see in China, and two towns in between, we will explore
the possibilities of mutual understanding in a variety of cross-cultural
encounters. We will fly to Guilin and begin our journey on a boat down
the scenic Li River to Yangshuo, where "West[ern] Street" offers
an opportunity to investigate the ways the local landscape and Chinese
and Western cultures are commodified for tourists from both China and
abroad. Our destination is a village in Hunan, where we will spend a total
of 10 days living in the homes of farming families and learning about
the realities of their lives, to understand the concrete effects of national
policy that focuses on development of cities at the expense of the countryside.
Students will choose in advance a specific topic for investigation (rice
farming, the raising of hogs, citrus growing, education, health care,
care of the elderly, how the village got running water or electricity,
the story of the pagoda, marriage or funeral practices, ghosts, etc.)
and present an oral report to classmates and villagers, which we'll follow
with a discussion in town about our research experiences. We will also
visit the county seat, where we will conduct two day-long workshops for
county English teachers, to give something back to the wider community
that welcomes us. We'll have orientation sessions in the fall to choose
topics, select readings on tourism studies and rural China, prepare English
instruction materials, and prepare ourselves for the trip.
Requirements: a few preliminary readings, active participation, journal,
oral report in Chinese, and a 5-page essay in English synthesizing what
you have learned.
Prerequisite: Chinese 301, or comparable Mandarin speaking ability, or
permission of instructor; students from urban China are encouraged to
participate, for you will be surprised by what you learn. Good physical
and mental health. A willingness and ability to endure more primitive
living conditions than you are accustomed to. Qualified students already
studying in China are welcome to join the course in Guilin.
Enrollment limit: 8. (Interested students should consult the instructor
before registration.)
Cost to student: $1,995 (includes round-trip air fare from New York City,
transportation in China, food and lodging; does not include gifts for
host families, snacks, or incidental expenses.) Interested students on
financial aid and concerned about cost should speak with the instructor.
SILBER
CHIN 031 Senior Thesis
To be taken by all students who are candidates for honors
in Chinese.
JAPANESE
JAPN S.P. Sustaining Program for Japanese 101-102
Students registered for Japanese 101-102 are required
to attend and pass the Japanese Sustaining Program.
Requirements: regular attendance and active class participation.
Prerequisite: Japanese 101.
Meeting time: Mondays, Tuesdays, and Thursdays from 9:00-9:50.
Cost to student: one Xerox packet.
LANGUAGE FELLOW
JAPN 010 Introduction to the Japanese
Language and Culture (Same as Linguistics 010)
Have you ever studied Japanese or thought of studying
Japanese? This is an ideal course for students who are curious about the
Japanese language and culture. It will examine different aspects of the
Japanese language through broader theoretical perspectives specifically,
its history, lexicon, phonology, grammatical structures, sociolinguistics,
and discursive-cultural dimension. For example, what is the origin of
the Japanese language and how does it relate to Chinese or Korean? Why
does Japanese have three different writing systems? (historical linguistics)
How does Japanese differ from English? (typology, phonology and syntax)
Why can children learn Japanese so easily? (psycholinguistics) Are there
gender and generational differences in Japanese? (sociolinguistics)
Requirement: Class participation and reading, research project and presentation
on selected issues on Japanese language.
No prerequisites.
Meeting time: mornings.
Cost to student: $50 for books and printed materials.
YAMAMOTO
JAPN 011 Embodied Learning (Same
as Theatre 011)
Performance has outgrown its rather narrow theatrical
meaning and has come to serve as a paradigm for the means by which we
participate in our culture and in our world. With that sea change in understanding
comes a necessary rethinking of the roles of "learning" and
"training". The notion of "embodied learning" describes
the vivid interplay between the intellect and the viscera, necessary to
successfully engage in any number of performances, from combat, to dance,
to participating in the language and behavior of a target culture.
While the goals of the course (and the reading materials) are far-reaching,
the methods of the studio activity are comparatively focused. The instructor
will draw on experiences training with artists associated with the Japanese
butoh dance movement. These exercises provide an intensive physical challenge,
while inviting the imaginative release necessary to successfully improvise
within a carefully defined subtextual structure. This is an experience-based
course that explores ways in which the body participates in learning.
The class will meet 12 hours per week (in four 3-hour installments, or
according to the availability of space). It will be a highly physical
class, consisting of exercises that move through the space, and those
that require direct physical interaction among students and between instructor
and student. Assignments will include reading materials addressing issues
of embodied learning from a variety of viewpoints, written summaries of
one or more of those selections, and regular journal writing.
No prerequisites. Students are encouraged to make an honest assessment
of their own health, conditioning and readiness to respond to the physical
demands of the course. Enrollment limit: 15.
Meeting time: mornings (12 hours a week).
Cost to student: $40 for materials and course packet.
TOM O'CONNOR (Instructor)
KAGAYA (Sponsor)
Tom O'Connor has been a professional actor and movement
artist for twenty years. He developed and implemented a movement program
for the West Virginia University Division of Theatre and Dance that included
a curriculum of human movement, composition for movement-theatre performance,
and other performance specializations. Recently he moved to the Berkshires
where he hopes to establish a non-profit dance and theatre collective.
JAPN 012 Japanese Dyeing: Joy
of Kusaki-zome
Kusaki-zome is the traditional Japanese art of dyeing
with plant dye. Using a simple technique, it brings out the wonderful
colors in vegetables, flowers, tree leaves and twigs. For instance, tea
leaves provide a light brown. What color do you think onion skins would
give? The most interesting thing is that the color is never the same since
the hue of colors differs greatly depending on the season when the plants
were harvested. The technique is simple; if you can boil eggs, you can
enjoy Kusaki-zome. This class requires no previous artistic training.
The course will include lectures on the history of Kusaki-zome as well
as hands-on experience.
Evaluation will be based on the completion of two projects, with a journal
describing the projects, as well as participation in the final class exhibition.
No prerequisites. Enrollment limit: 15 per section. (To accommodate
student demand, two sections of this course will be offered.)
Meeting time: mornings.
Lab fee: $35.
KYOKO KABASAWA (Instructor)
CRANE (Sponsor)
Kyoko Kabasawa is a Japanese textile and dyeing artist
who teaches at Hokkaido Women's College. In addition to a number of prizes
awarded in Japan, she won an originality award in the Hawai'i Handweavers'
Hui 45th Anniversary Biennial Exhibition in August 1998.
JAPN 031 Senior Thesis
To be taken by all students who are candidates for honors
in Japanese.
ASTRONOMY
ASTR 016 Observational Astronomy
This course, meant for non-majors, will focus on the
most basic aspects of astronomy and will be observing-intensive, taking
full advantage of various telescopes housed on the Williams College observing
deck. Topics to be covered will include the constellations and night sky
in general, planets, the moon, the sun, stars, and galaxies. Study of
these topics will require a mix of both day and night class sessions during
which students will make observations using binoculars, telescopes, and
the naked eye. Observing will take place on all class dates during which
the sky is clear. On those days when the sky is cloudy, we will do in-class
exercises or discuss current topics in astronomy such as results from
the Hubble Space Telescope. Student observations will be recorded in drawings,
notes, and computer printouts and/or photographs. The class will take
a field trip to the new Rose Center for Earth and Space at the Hayden
Planetarium in New York City
Evaluation will be based on an oral presentation and detailed wrtieup
of the student's observations (equivalent to a 10-page paper).
No prerequisites. Enrollment limit: 25. Preference to students with
no previous astronomy observing experience.
Meeting time: 3 two-hour EVENING observing sessions each week plus additional
self-scheduled observing or World Wide Web work; separate daytime sessions
for solar observing; and a few afternoon sessions, mainly to make arrangements
for observing.
Cost to student: $75 for books, materials, and field trip.
STEPHAN MARTIN (Instructor)
KWITTER (Sponsor)
Stephan Martin is Instructor of Astronomy and Observatory
Supervisor at Williams College.
ASTR 031 Senior Research
To be taken by students registered for Astronomy 493,
494.
ASTROPHYSICS
ASPH 031 Senior Research
To be taken by students registered for Astrophysics
493, 494.
BIOLOGY
BIOL 010 Electron Microscopy
Students will undertake an independent project in which
they will learn the theory and practice of transmission and scanning electron
microscopy. they will do their own sample preparation, operate the two
electron microscopes, and take pictures of relevant structures, go digital
and manipulate those images in Photoshop (do you want your erythrocytes
red or blue?) or go conventional and do tried-but-true black and white
photography. there will be brief reading assignments, a guest speaker
and a 10-page paper with 6 really good micrographs required.
No prerequisites. Enrollment limit: 8. No preference given.
Meeting time: afternoons. Class will meet for two hours, three times a
week, plus scope time.
Cost to student: $40 for text and readings.
NANCY PIATCZYC (Instructor)
H. WILLIAMS (Sponsor)
Nancy Piatczyc received her B.S. in Biology from Tufts
University. She attended the school of Electron Microscopy in Albany,
NY. She is a trained electron microscopist who operates and maintains
the electron microscope facility at Williams.
BIOL 011 Outbreak Investigations:
An Introduction to Field Epidemiology
This course will introduce students to the practical
and exciting science of epidemiology, as it relates to the control of
communicable diseases. How do epidemiologists ("disease detectives")
detect outbreaks of illness, and how do they investigate outbreaks to
determine how to stop the spread of the disease? How can they determine
if their interventions were helpful? Specific diseases and their control
will be used as examples, such as polio, AIDS, tuberculosis, Lyme disease,
West Nile Virus, and "mad-cow disease." Class activities will
include a field data collection exercise, a computer lab using the CDC
software program "Epi-Info", and discussion of assigned articles
or book chapters. Two or three guest speakers will give first-hand accounts
of epidemic investigations. Application of these tools to chronic disease
epidemiology will also be discussed. Readings include textbook chapters
introducing epidemiologic concepts, original classic articles from medical
journals about specific outbreak investigations, and popular fictional
and non-fictional accounts of epidemics and their control.
Evaluation will be based on a 10-page paper on some aspect of infectious
disease epidemiology, selected from a broad list of potential topics,
and a brief class presentation on the same topic.
No prerequisites. Basic statistical methods will be introduced but no
prior familiarity with statistics is assumed. Enrollment limit: 15.
Meeting time: afternoons. The course will meet two afternoons a week for
three hours.
Cost to student: $50.00 for books and course reading packet.
MARGARET OXTOBY, MD (Instructor)
H. WILLIAMS (Sponsor)
Dr. Oxtoby received her B.A. from Harvard and her M.D.
from Case Western Reserve University. She currently works in the Division
of Epidemiology, NYS Department of Health, Albany, NY.
BIOL 012 Gene Quest
(Cancelled)
This course offers the opportunity to participate in
a research project whose aims are to identify highly conserved genes in
diverse animals using polymerase chain reaction and other standard molecular
biology techniques. The basic genetic mechanisms that define the types
of cells in a body and those that define the shape of the developing animal
are remarkably similar from flies to frogs. Although regulatory genes
are shared between animal groups, their function may or may not be conserved.
This is likely to account for the tremendous morphological variation observed
in animals. The first step in understanding changing gene function in
animals is to identify the highly conserved genes. In order to clone their
gene of interest, students will examine sequence data, design primers,
and amplify fragments from genomic DNA. The course will meet twice a week
for three hours in addition to independent work outside of scheduled class.
Evaluation will be based on a laboratory notebook, poster, oral presentation,
and a 10-page paper.
No prerequisite. Enrollment limit: 10.
Meeting time: mornings.
SAVAGE
BIOL 013 Infectious Disease: Causes
and Cures
This course offers an introduction to the causes of
infectious disease and to the drugs and vaccines that are used to limit
their destructive power. The first half of the course will be devoted
to a discussion of bacterial pathogens, antibiotics, and antibiotic resistance.
The second half of the course will focus on viruses, in particular, poliovirus
and HIV, and on the development and distribution of effective vaccines.
Other sorts of infectious agents, such as prions and amoeboid parasites,
will be briefly discussed.
Evaluation will be based on two 5-page papers and an oral presentation.
No prerequisites. Enrollment limit: 20. Preference to Biology majors.
Meeting time: mornings.
Cost to student: $40 includes book and photocopies.
KAREN PEPPER (Instructor)
H. WILLIAMS (Sponsor)
Karen Pepper received her Ph.D. from the University
of Paris (Paris VII). Her thesis research was completed at the Pasteur
Institute. She has published a number of scientific papers on antibiotic
resistance.
BIOL 014 Social Justice Issues
in Health Care Delivery (Cancelled)
Widening economic disparities, both domestic and global,
threaten to derail the progress achieved over the last century in the
arena of universal public health. Is basic health care a human right?
How is the delivery of health care in the twenty-first century influenced
by prejudice, inequality, and injustice? Readings and in-class discussions
will focus on four case studies: perceptions of disability and access
to reproductive technologies, distribution of AIDS drugs to resource-poor
individuals and countries, health care provision to migrant farm workers,
and the Dutch experience with euthanasia. This course includes a major
experiential learning component, in which you will carry out an internship
in a clinical or social service setting. Throughout the month, we will
reflect individually and as a group on the field placement experiences
and the social justice issues encountered in these settings.
Evaluation will be based upon a 10-page paper placing the internship experience
in the broader context of social justice concerns.
Requirements: serious commitment to internship (15-20 hours/week), journal
reflecting on field experience, one presentation on the social justice
issues surrounding a specific infectious disease, active participation
in classroom discussions (three two-hour meetings per week).
No prerequisites, but students will be asked to meet with their field
placement supervisor once prior to Winter break to discuss expectations
and potential contributions to be made by the student. Enrollment
limit: 12. Student selection criteria: Interested students must consult
instructor prior to registration.
Meeting time: mornings for in-class discussions, times for field placement
to be arranged to best suit the needs of the host organization.
Cost to student: $30 for one book and reading packet.
BANTA
BIOL 015 Conservation of Songbirds
in North America (Cancelled)
Songbird populations in North America are increasingly
threatened from anthropogenic changes to the landscape they inhabit. Because
they are an intensively studied taxa, birds provide a model system to
explore issues in conservation. This course combines discussion, data
analysis, and independent inquiry into the conservation status and population
trends of North American birds, emphasizing songbirds. We will discuss
past examples, analyze current status and population trends of birds by
exploring data from the Breeding Bird Survey, and evaluate current institutional
efforts to conserve songbirds in North America.
Evaluation will be based on the completion of course assignments including
an independent project and presentation (equivalent to a 10-page paper).
Attendance and participation will also be taken into account. Assignments
and analysis will be completed outside of class.
No prerequisites, however previous courses in ecology are useful.
Enrollment limit: 14. Priority given to Biology majors and Environmental
Studies concentrators.
Meeting time: afternoons, two three-hour sessions each week.
Cost to student: $50.
SCHMIDT
BIOL 016 Tiny Footprint: Living
Sustainably in the New Millennium (Same as Environmental Studies 016)
(See under Environmental Studies for full description.)
BIOL 020 Stained Glass Workshop
(Same as ArtS 020)
This is a studio/workshop course designed to introduce
the student to the techniques involved in working with stained glass.
Lectures will describe the use and manufacture of stained glass windows
from medieval to modern times. Demonstrations will illustrate how to design,
cut and assemble stained glass forms using the copper foil technique.
Techniques related to etching designs in glass will be demonstrated as
well. Each student will complete a small assigned project during class
to learn the basics of the technique. Students will then complete a larger
independent project as their "journeyman piece." This may consist
of a traditional window, a free-form mobile or a three dimensional form.
Evaluation will be based upon class participation as well as upon the
design and execution of the journeyman piece. Attendance at all scheduled
meetings is mandatory. Additional time outside of class will be necessary
to design and complete the independent project.
No prerequisites. Enrollment limit: 12.
Meeting time: afternoons, two three-hour sesssions each week.
Cost to student: $70 for materials.
ADLER
BIOL 021 Internships in Biology
Sophomores, juniors and seniors wishing to do internships
with conservation organizations, national or state parks, field research,
or laboratory research at other institutions should sign up for Biology
021 as their winter study course. Students must make all the arrangements
for the internships directly with the sponsoring organization. The costs
of travel and room and board must be borne by the student. In addition,
the student must independently design the project and have it approved
by Professor Swoap before October 5, 2001. The form for this proposal
is on the biology web site (www.williams.edu/Biology/)-follow the "courses"
link. Upon approval of the project, the student can register for the course.
Previous internships have included such diverse programs as working on
the problem of introduced species with a local or national environmental
organization, monkey census within Equitorial Guinea, working at a raptor
rehabilitation center, and working with their home state's department
of environmental management.
Evaluation will be based on a daily field notebook/daily journal and a
10-page summary paper or laboratory report.
Prerequisites: Depends on the program chosen. Not open to first-year
students.
Cost to student: Will vary with the program.
SWOAP
BIOL 022 Introduction to Biological
Research
An experimental research project will be carried out
under the supervision of a member of the Biology Department. It is expected
that the student will spend 20 hours per week in the lab at a minimum,
and a 10-page written report is required. This experience is intended
for, but not limited to, first-year students and sophomores, and requires
the permission of the instructor. Interested students should contact Professor
Swoap for more information before registering.
Prerequisites: Biology 101. Enrollment limit: 15.
Meeting time: mornings.
Cost to student: none.
SWOAP
BIOL 023 Introduction to Lipid
Biochemistry -A Research Experience
This class will introduce students to techniques in
lipidology through the scientific literature and working in the research
lab. While the readings will include a range of topics exploring the structure
and function of lipids in cells and organisms, the laboratory component
will entail a research project and introduce students to techniques used
to analyze lipid structure and composition and to assay procedures of
enzymes involved in lipid metabolism. It is expected that the students
will devote at least 20 hours per week to the projects.
Evaluation will be based on a short paper on the literature component
of the course and a comprehensive report on the laboratory component of
the course.
Prerequisite: Biology 101. Enrollment limit: 6.
Meeting time: MTWR, mornings and afternoons.
Cost to student: $5 for reading packet.
D. LYNCH
BIOL 031 Senior Thesis
To be taken by students registered for Biology 493,
494.
CHEMISTRY
CHEM 011 Science for Kids (Same
as Special 011)
(See under Special for full description.)
CHEM 012 How to Write Popular
Science (Same as English 012 and Special 012)
(Cancelled)
(See under Special for full description.)
CHEM 013 The Popular Culture of
Football (Soccer) Around the World
Football, or, as erroneously called in the USA, soccer,
is the most popular sport in the world. In many countries the sport goes
beyond playing the game; it becomes part of your daily life. After losing
the European cup, the fan's passion for the local or national teams has
been criticized for the aggressive behavior in the stands and the rioting
in the streets. Is this behavior part of football or just our human nature?
The course looks at the women's NCAA basketball final four tournament
and the riots by Purdue fans to answer the question.
In this course we explore the beauty, fanaticism, ethics and social change
that football brings with it, and the differences and similarities of
the culture of football in several parts of the world. Students learn
of the culture through the assigned readings. Some of the readings include:
The Miracle of Castel di Sangro, by J. McGinniss; Ethnic
and Religious Identity in Modern Scotland: Culture, Politics, and Football,
by J. M. Bradley; Passion of the People? Football in South America
(Critical Studies in Latin American and Iberian Culture), by Tony
Mason; British Football and Social Change: Getting in to Europe,
by J. Williams; The Culture of Fear: Why Americans are Afraid of the
Wrong Things, by B. Glassner; and Soccer Madness: Brazil's Passion
for the World's Most Popular Sport, by Janet Lever. Finally, students
explore the role of gender and the differences and similarities between
football in the USA and other countries.
Format: lecture/discussion. Evaluation is based on two short papers (2
pages) relating to assigned readings, a third paper on a topic of personal
interest and participation in class discussions.
No prerequisites. Enrollment limit: 30.
Meeting time: afternoons. The course will meet three times a week with
occasional extra meetings for special projects.
Cost to student: $100 for books.
PEACOCK-LÓPEZ
CHEM 014 Emergency Medical Technician-Basic
A course designed to prepare students for the Massachusetts
EMT exam and to provide training to become certified as an Emergency Medical
Technician. The course teaches the new national standard curriculum which
makes reciprocity with many other states possible. This is a time-intensive
course involving approximately 130 hours of class time plus optional emergency
room observation and ambulance work. Students will learn, among other
skills, basic life support techniques, patient assessment techniques,
defibrillation, how to use an epi-pen, safe transportation and immobilization
skills, as well as the treatment of various medical emergencies including
shock, bleeding, soft-tissue injuries, and child birth. In order to reduce
the number of class meetings required during Winter Study Period, the
course will hold a few meetings beginning in the fall semester. These
class meetings, which are mandatory, are held on Sundays with the following
schedule: 4 November (orientation), 11 November, and 18 November.
Format: lecture/laboratory. Evaluation is based upon class participation
and performance on class exams, quizzes and practical exercises.
Prerequisite: recommended that students have American Heart Association
Level C BLS Provider CPR Cards or American Red Cross BLS provider CPR
cards before entering the EMT Class. A CPR class will be offered in October
for those students wishing to take the EMT class who don't already have
CPR cards. Enrollment limit: 24.
Meeting time: mornings and afternoons; schedule TBA in October.
Cost to student: $300/student plus approximately $75 for textbook, stethoscope,
and BP cuff.
KEVIN GARVEY (Instructor)
D. RICHARDSON (Sponsor)
Kevin Garvey is a Massachusetts state and nationally
approved EMT-I (Intermediate) and an EMT-IC (Instructor/Coordinator).
He had been involved with Emergency Medical Services for 15-20 years.
Mr. Garvey currently works for Baystate Health Systems as an RN (registered
nurse) and EMT-I and also works as an EMT-I for Village Ambulance in Williamstown.
Mr. Garvey is also an EMT training instructor at Greenfield Community
College.
CHEM 015 Epidemiology, Epidemics,
and Human Health
Epidemiology is about the distribution of, and determinants
of disease in human populations. While the discipline first developed
around epidemics of infectious diseases, its low technology approaches
have been usefully employed to study most of the major acute and chronic
non-infectious disease epidemics of the last 50-100 years, including pellagra,
coronary heart disease, and lung cancer, and some of the minor epidemics,
for example, occupational asbestos exposure and lung disease, and even
the use (and misuse) of C-section in delivering babies.
The main purpose of this course is to stimulate critical thinking and
impart an understanding of the logic and scientific methods of epidemiology
in answering questions or hypotheses related to the etiology of specific
human diseases, their prevention, their early detection, their prognoses,
and the effectiveness of treatments used to cure or alleviate their effects.
We will be interested primarily in the observational and experimental
methods of epidemiological inquiry in human populations, and their application
to new questions, rather than the acquisition of specialized information
or arcane facts.
It has been said that at least 50% of the basic science you will learn
as an undergraduate and in medical school will be proved wrong, perhaps
within 10 years. While this might be a bit of an exaggeration, it is no
exaggeration to suggest that no one really knows which 50%! For future
health professionals, an understanding of epidemiologic methods will make
it easier for you to keep up with the rapid pace of knowledge, and help
you deliver the best, evidence-driven care.
By means of a few introductory lectures, and more class discussion, including
unknown exercises (Whodunnits, in the New Yorker style of the late Burton
Rouche), perhaps presented by groups of students working collaboratively,
the review of current and some classical papers in the medical and public
health literature, and the reading of selected chapters of a condensed,
basic text in epidemiology, we will come to an appreciation of the rules
of evidence in epidemiologic research. While some explanation of biostatistical
applications will be necessary to understand the literature, this will
not be a course in biostatistics.
This course is aimed towards students who are committed to the liberal
arts and have an interest in health issues beyond the cellular level,
including those with an interest in medicine, public health, other health-related
careers, the law, economics, etc.
Format: lecture/discussion. Evaluation is based on class participation
and a circa 10-page paper, perhaps done collaboratively, on a mutually
agreeable health issue. We may ask that papers be presented to the whole
group at the final sessions.
No prerequisites. Enrollment limit: 20.
Meeting time: afternoons. The course will meet three times a week with
occasional extra meetings for special projects. There will be several
evening sessions where outside speakers will address issues related to
the course. Unless excused, students are expected to attend these meetings.
Cost to student: $50 for books and copied materials.
NICHOLAS H. WRIGHT '57 (Instructor)
D. RICHARDSON (Sponsor)
Dr. Nicholas H. Wright (Williams Class of 1957), a medical
epidemiologist with a longstanding interest in family planning/population
and international health issues, recently retired from the Robert Wood
Johnson Medical School, New Jersey, and now lives in Williamstown.
CHEM 017 Introduction to Research
in Archaeological Science
An independent experimental project in archaeological
science is carried out in collaboration with Dr. Skinner whose research
involves two types of studies: dating fossil material and establishing
the sources of ancient artifacts.
Format: laboratory research. A 10-page written report is required.
Prerequisite: Variable, depending on the project (at least Chemistry 101)
and permission of the Department. Since projects involve work in a faculty
research lab, interested students must consult Dr. Skinner and with the
Department Chair before electing this course. Non-science majors are invited
to participate. Enrollment limited to space in faculty research lab.
Meeting time: mornings.
Cost to student: none.
ANNE SKINNER (Instructor)
D. RICHARDSON (Sponsor)
Anne Skinner is a Senior Lecturer in Chemistry at Williams.
CHEM 018 Introduction to Research
in Biochemistry
An independent experimental project in biochemistry
is carried out in collaboration with a member of the Department with expertise
in biochemistry. Biochemistry is a branch of chemistry that deals with
the molecular details of living systems including the interaction of biologically
important molecules. In the Chemistry Department, studies are underway
to investigate the structure/function relationship of proteins, the interaction
between proteins and RNA and DNA, DNA structure and repair, and the molecular
basis of gene regulation.
Format: laboratory research. A 10-page written report is required.
Prerequisite: Variable, depending on the project (at least CHEM 101) and
permission of the Department. Since projects involve work in faculty research
labs, interested students must consult with one or more of the faculty
instructors listed below and with the Department Chair before electing
this course. Non-science majors are invited to participate. Enrollment
limited to space in faculty research labs.
Meeting time: mornings.
Cost to student: none.
CHIHADE, KAPLAN, and LOVETT
CHEM 019 Introduction to Research
in Environmental Science (Same as Environmental Science 019)
(See under Environmental Studies for full description.)
CHEM 023 Introduction to Research
in Organic Chemistry
An independent experimental project in organic chemistry
is carried out in collaboration with a member of the Department with expertise
in organic chemistry. One representative project involves isolation of
the bioactive constituents of Southeast Asian dart poisons from their
natural sources and the elucidation of their three-dimensional structures.
Another line of investigation probes new and efficient methods for the
creation of molecules of medicinal interest. Some targets include the
kavalactones-the active principles of the herbal extract KAVA KAVA which
is promoted as an alternative anti-anxiety remedy, and octalactin A-an
interesting 8-membered ring compound isolated from marine microorganisms
that has shown significant toxicity toward human cancer cells.
Format: laboratory research. A 10-page written report is required.
Prerequisite: Variable, depending on the project (at least Chemistry 101)
and permission of the Department. Since projects involve work in faculty
research labs, interested students must consult with one or more of the
faculty instructors listed below and with the Department Chair before
electing this course. Non-science majors are invited to participate.
Enrollment limited to space in faculty research labs.
Meeting time: mornings.
Cost to student: none.
D. RICHARDSON
CHEM 024 Introduction to Research
in Physical Chemistry
An independent experimental project in physical chemistry
is carried out in collaboration with a member of the Department with expertise
in physical chemistry. Current research projects in the Department include
computer modeling of non-linear, chaotic chemical and biochemical systems,
molecular modeling of water clusters, laser spectroscopy of chlorofluorocarbon
substitutes, and experimental studies of the oxidation of sulfur dioxide
on atmospheric aerosols.
Format: laboratory research. A 10-page written report is required.
Prerequisite: Variable, depending on the project (at least Chemistry 101)
and permission of the Department. Since projects involve work in faculty
research labs, interested students must consult with one or more of the
faculty instructors listed below and with the Department Chair before
electing this course. Non-science majors are invited to participate.
Enrollment limited to space in faculty research labs.
Meeting time: mornings.
Cost to student: none.
KOEHLER, PEACOCK-LóPEZ, THOMAN
CHEM 031 Senior Research and Thesis
To be taken by students registered for Chemistry 493,
494.
CLASSICS
CLAS 013 Biblical Hebrew in a
Month (Same as Religion 013)
This course will enable students to read the Bible in
the original Hebrew in a fast, fun, and focused way. Topics include the
difference between BeGeD-KeFeT, BuMaF, K'MiNPaTS, and the Throaty Five.
Meet sentences without verbs, the extra pronoun, and word pairs. Discover
a word's three letter root and explore the mysteries of the Shwa and Dagesh.
Learn the seven "buildings" of the Hebrew verb and find the
missing letters. In addition to this intensive study of Hebrew vocabulary
and grammar, attention will also be given to the polyvalence of biblical
discourse. The paratactic and terse character of the TaNaKH produce narratives
tantalizingly "fraught with background" that virtually cry out
to the reader "interpret me". Thus, by the end of the course,
students will have read the Book of Ruth with an understanding of both
biblical language and biblical style.
Students will be evaluated on the basis of regular attendance, preparation,
and class participation. In addition, students will be required to prepare
a translation and grammatical commentary of 10-15 verses selected from
the Book of Genesis as a final project. In order to facilitate the learning
of Hebrew in a month, the course includes frequent quizzes and homework
assignments. The course will meet three days a week for three hours a
day covering three chapters/session. Students are expected to spend at
least four hours preparing for each class. Because of the intensive nature
of this course regular attendance and preparation is mandatory.
No prerequisites or previous experience in Hebrew required. Enrollment
limited: 20.
Meeting time: mornings.
Cost to student: $35.00 covering textbook and copies.
KRAUS
CLAS 026 Archaeological Tour of
Greece (Same as Religion 026)
This trip offers a unique opportunity to see how material
culture both enriches and complicates our understanding of ancient Greek
culture and early Christianity as it emerges from the textual evidence.
Our goal is to explore the various and diverse aspects of Greek culture
as these are recorded in the physical space. Our additional goal is to
experience the Greece of today, so that you can also reflect on the continuities
and discontinuities of this culture. We will visit archaeological sites,
museums, and churches on mainland Greece and the island of Crete.
Requirements: a travel journal; one brief oral presentation to group following
a site visit; a 10-page paper.
NOTE: There will be two mandatory orientation sessions held during the
fall semester. Enrollment limit: 12.
Cost to student: $3,500.
PANOUSSI and BUELL
CLAS 031 Senior Thesis
May be taken by students registered for Classics 493,
494.
COMPARATIVE LITERATURE
COMP 011 The Colonialist Vision
(Same as English 024)
CANCELLED!
COMP 012 Roland Barthes: The Romance
and Poetry of Criticism (Same as English 023 and French 012)
CANCELLED!
For most of his life the French philosopher and cultural
critic Roland Barthes used critical theory as a substitute for the "novel"
he never brought himself to write. One could call his theoretical and
critical essays a fiction and a poetry by other means. In the course we
will study the imaginative and metaphorical elements of Barthes's writing,
especially in works concerning the mythification of culture (Mythologies,
1957), the primacy of textuality (The Death of the Author, 1968),
the erotics of reading and writing (The Pleasure of the Text,
1973), the redefinition of subjectivity (Roland Barthes by Roland
Barthes, 1975), the rhetoric of love (A Lover's Discourse,
1977), and the representation of death and loss (Camera Lucida: Reflections
on Photography, 1980). Discussion will be given as well to Barthes's
theory of the sign, his fascination with the body, his investigation of
the languages of desire, and his study of the imaginary (l'imaginaire)
in literature, the plastic arts, society and popular culture (fashion,
music, and advertising). All readings in English.
Requirements: class participation, one class oral presentation, one 12-page
final paper.
No prerequisites. Enrollment limit: 12.
Meeting time: mornings. The course will meet for three, 2-hour meetings
per week.
Cost to students: $70 for books and reading packet.
STAMELMAN
COMP 014 Literature and Seduction
(Same as English 014)
(See under English for full description.)
COMP 031 Senior Thesis
To be taken by students registered for Comparative Literature
493, 494.
LIT 031 Senior Thesis
To be taken by students registered for Literary Studies
493, 494.
COMPUTER SCIENCE
CSCI 010 C, UNIX and Software
Tools
This course serves as a guided tour of programming methods
in the UNIX operating system. The course is designed for individuals who
understand basic program development techniques as discussed in an introductory
programming course (Computer Science 134 or equivalent), but who wish
to become familiar with a broader variety of computer systems and programming
languages. Students in this course will work on UNIX workstations, available
in one of the Department's laboratories. By the end of the course, students
will have developed basic proficiency in the C programming language.
The increasing success of UNIX as a modern operating system stems from
its unique ability to "prototype" programs quickly. Students
will use prototyping tools, such as Awk and "shell scripts"
to write "filters" for transforming data from a variety of sources.
It will become clear that in many cases the overhead of programming in
languages such as C, Pascal, or FORTRAN is unnecessary. Moreover, students
will learn to effectively use software tools such as debuggers, profilers,
and make files.
Evaluation will be based on several programming assignments and shell
scripts due throughout the term. While none of the projects in the course
will be particularly large, the successful student will develop a tool
chest, which will extend their computing "effectiveness" in
their particular field. Students with computing needs particular to their
field are encouraged to advise the instructor before the first meeting.
Prerequisite: Computer Science 134 or equivalent programming experience.
Enrollment limited to 20.
Meeting time: mornings.
Cost to student: texts.
LERNER
CSCI 031 Senior Honor Thesis
To be taken by students registered for Computer Science
493-494.
CONTRACT MAJOR
CMAJ 031 Senior Thesis
To be taken by students registered for Contract Major
493, 494.
ECONOMICS
ECON 010 The East Asian Miracle
This course is intended to help CDE fellows integrate
the material they studied in the first semester by applying it to the
circumstances of a particular group of countries. During the 2002 Winter
Term session we will focus on a case study of what are widely perceived
to be successful development experiences-those of the East and Southeast
Asian "miracle" economies. We will consider issues such as the
desirability of the economic transformations that have taken place in
these countries, the conditions that may have made such transformations
possible, the roles that specific policies may have played in bringing
them about, the causes of the recent economic crisis in the region and
its implications for future growth in the affected countries, as well
as the lessons that the East and Southeast Asian experience may hold for
other developing countries.
MONTIEL
ECON 011 Public Speaking
It has been said that most people fear public speaking
more than death. In a world in which most of us are asked at one time
or another to say something to a group, public speaking is a skill which
everyone should learn. This course will help you become an organized and
persuasive public speaker. You will create your own public speaking style
that is comfortable, confident, and conversational. We will focus on organizational
techniques, handling visual aids effectively, eye contact and body language.
A supportive atmosphere will give each person an opportunity to receive
feedback.
Students will be required to give five to six oral presentations to the
class; most of these presentations will be videotaped. Students will also
be required to review their videotapes and write a critique of their presentations.
Evaluation will be based on in-class presentations, class participation,
and the written critique of presentations.
No prerequisites. Enrollment limit: 12.
Meeting time: afternoons.
Cost to student: $25.
BRAINERD
ECON 012 Business Risk Analysis:
Inside the Mind of a Banker
So you think that business and finance are a big mystery
and potentially boring? Discover how easy it is to understand how a company
works and how interesting risk analysis can be. Do you feel that a career
in business is not for you, but want to know enough to invest your millions
wisely? Or are you, perhaps, considering business or finance as a career
and would like a head start (not to mention a leg up in the interview
process)? Or maybe you picture yourself as the boss someday, no matter
what your field. Then this is the course for you! This experience will
provide a basic overview of financial analysis with a particular emphasis
on the banker's perspective. Among the topics that we will discuss are:
the qualitative and quantitative aspects of risk analysis, understanding
financial statements, how businessmen and bankers manage and mitigate
the risks in their businesses, the principles of financing international
trade and projects, and how bankers decide on the structure and pricing
of loans. We will also explore some of the concepts used in determining
a reasonable price to pay for a particular stock.
Evaluation will be based on attendance, classroom participation, and group
and individual assignments, including a final project involving the written
and/or oral analysis of a company.
No prerequisites. Enrollment limit: 20. Preference for juniors
and seniors. Not intended for students with extensive prior financial
experience.
Meeting time: afternoons.
Cost to students: $40 for texts and reading packet.
JAMES SUTHERLAND (Instructor)
BRADBURD (Sponsor)
James Sutherland worked for The Chase Manhattan Bank
for over 21 years including 17 in Latin America and 3 as an instructor
in the credit training program in New York. For the last 7 years he has
worked as an international consultant and trainer in finance and banking,
in Asia, Africa, Eastern and Western Europe, and Latin America.
ECON 013 Real Estate and Community
Development
Real estate development is an engine in urban environments
and can be either destructive to existing neighborhoods or a powerful
positive force for community development. For non-profit developers, public
officials, lenders and investors, and nonprofit community development
directors all need to know the same real estate development principles
to make judgements and make new projects work. This course will examine
the process and prospects of real estate development as an economic activity
and how it can be a positive force for community development. The course
will combine classroom meetings and extensive analysis and discussion
of actual case histories of real estate development projects, along with
examination of their community development impacts. The course will involve
fieldwork in Boston with site visits to selected projects and meetings
with principals involved in some of the developments studied.
Students will be expected to attend class sessions and site visits, and
will work in small teams to prepare analyses and observations based on
cases studied. A limited familiarity with Microsoft Excel will be expected.
Prerequisite: permission of instructor. Enrollment limit: 12.
Meeting time: afternoons.
Cost to student: $85. Students will be responsible for
their own accommodations and living expenses while in Boston.
B. MITCHELL and S. SHEPPARD
Bart Mitchell is the current President of Mitchell Properties
in Boston, MA, a real estate development company which undertakes housing
development projects in the Boston area and provides project management
and advisory services for other large real estate ventures.
ECON 014 The Practice of Public
Health
Dollar for dollar, improvements in public health measures
are often more effective in improving health than traditional "medical"
responses to illness, but the advantages of public health approaches are
often overlooked. This course will introduce students to the field of
public health and community health improvement. Topics for discussion
will focus on important public health movements such as the campaigns
to address smoking, fluoridation, global warming and AIDS. Students will
examine the theory and practice of modern public health and will be able
to conduct their own research projects and design interventions for health
issues of interest to them.
Students will be evaluated at the end of each course component for a basic
understanding of public health principles and they will also be evaluated
on class participation. The major portion of a student's evaluation will
come from a 10-page research paper in which students will identify an
important health issue, analyze the issue and develop an intervention
that addresses the issue from theoretical perspectives presented in class.
Students will be expected to identify possible resources for this intervention,
budget an intervention and receive the endorsement of a local health official
or government officer for their proposed project.
Class will be held in an informal lecture setting. Readings will be assigned
at each lecture.
No prerequisites. Enrollment limit: 15.
Meeting time: MWF, 2-4 p.m.
Cost to students: $40.
PAMELA NATHENSON, MPH (Instructor)
BRADBURD (Sponsor)
Pamela Nathenson is Coordinator of Research, Planning,
Grant Writing and Evaluation at the REACH Community Health Foundation
in North Adams, Massachusetts.
ECON 017 Business Economics
In this course, the class will carry out a real-time
forecast of the U.S. economy and explore its implications for the bond
and stock markets. The course will build upon principles of both macro
and micro-economics. It will provide an introduction to the work done
by business economists and the techniques they use. An economic database,
chart-generating software and a statistical analysis program will be available
to each student on the Jessup computers and, if necessary, on a disk for
IBM-compatible computers.
The first week will focus on becoming familiar with the database, looking
for relationships between key economic variables, and studying movements
in interest rates over the period 1960-2000. Early in the first week,
the class will be divided into teams of 2 students with each team choosing
a particular aspect of the economy to forecast.
During the second and third weeks, the class will work with various leading
indicators of economic activity and will prepare forecasts of the key
components of gross domestic product and other key variables. The fourth
week will feature a formal presentation of the economic forecast with
invited guests from the Wall Street investment world.
To put the forecasting exercise in context, there will be class discussions
of business cycles, credit cycles, long waves in inflation and interest
rates and the impact of the Internet on the economy and the stock market.
There will also be a 3-page paper summarizing the result of the forecast
project. Because essential concepts and tools are covered during the
first week, all students are expected to attend the first class.
No prerequisites, but Economics 101 or another semester course in Economics
is strongly recommended. Enrollment limit: 22.
Meeting time: mornings, 3 times per week. There will be two afternoons
of workshops lasting approximately 30 minutes with hands-on instruction
for each team. Each student should expect to spend a reasonable amount
of time on homework, and to participate in short presentations of their
analyses as the work progresses as well as in the formal presentation
during the last week.
Cost to student: $25 for text and other materials.
THOMAS SYNNOTT (Instructor)
BRADBURD (Sponsor)
Thomas Synnott '58 is Chief Economist, U.S. Trust Company
of New York
ECON 030 Honors Project
The "Specialization Route" to the degree with
Honors in Economics requires that each candidate take an Honors Winter
Study Project in January of their senior year. Students who wish to begin
their honors work in January should submit a detailed proposal. Decisions
on admission to the Honors WSP will be made in the fall. Information on
the procedures will be mailed to senior majors in economics early in the
fall semester.
Seniors who wish to apply for admission to the Honors WSP and thereby
to the Honors Program should register for this WSP as their first choice.
Some seniors will have begun honors work in the fall and wish to complete
it in the WSP. They will be admitted to the WSP if they have made satisfactory
progress. They should register for this WSP as their first choice.
ECON 031 Honors Thesis
To be taken by students participating in year-long thesis
research (ECON 493-W031-494).
ENGLISH
ENGL 010 Fan Cultures
This course will introduce the history of, and current
interest in, fans of popular culture. We will read recent accounts of
X-philes, Barbie collectors, soccer-supporters, Star Trekkers, romance
novel readers, and Civil War battle reenactors, to name but a few. As
well, we will examine some of the ways fans express their interest in
popular cultures-through zines, in on-line discussion groups, at conventions,
in the sampling techniques of rap and techno music, or in the retro styles
of fashion. Chief among our concerns as a class will be: Are fans merely
consumers of mass culture, or are they cultural producers in their own
right? What kinds of television programs, sports events, films, or dance
crazes spark fan interest? Why do fans identify with specific fictional
characters? Are fans radically different from or entirely representative
of "mainstream" society? In what ways do fans appropriate sub-cultural
interests ("alternative" music, folk traditions)? In what ways
do fans resist or reinterpret mass culture? Students will have the opportunity
both to engage in critical analyses of popular culture as well as to document,
either through autobiography or ethnography, a specific example of fan
culture of their own choosing. Readings will include works by Roland Barthes,
Walter Benjamin, Bill Buford, Michael De Certeau, Henry Louis Gates, Horkheimer
and Adorno, Nick Hornby, Tony Horwitz, Wayne Koestenbaum, Henry Jenkins,
George Lipsitz, Tania Modleski, Constance Penley, Jan Radway, Erica Rand,
and Salman Rushdie.
Requirements: two papers (one 4-5 pages, one 6-8 pages).
No prerequisites. Enrollment limit: 25. Preference will be given to
seniors in any major, then English majors.
Meeting time: mornings. The course will meet twice a week for three
hours.
Cost to student: $50.
BEN WEAVER (Instructor)
FIX (Sponsor)
Ben Weaver holds a Ph.D. in English from Duke University.
He has taught at Williams and, most recently, in the English Department
at Colorado College.
ENGL 011 Ireland in Film: Contemporary
Irish Cinema
Ireland has long provided a rich subject for Hollywood
fantasy, being represented in film as either a mythic space for emerald-green
romanticism, or, more darkly, as a place of political terror and enduring
internecine ideological rivalries. In this course we will view and discuss
major films from the recently ascendant indigenous Irish cinema-works
in which Irish directors have begun to offer their own distinctive critique
of the country's political and cultural history, and to interrogate the
master-myths of nationality which still animate the notion of "Irishness."
To characterize the tradition that recent Irish films have sought to refute,
we will start with a Hollywood movie: John Huston's The Quiet Man
(1952), a populist classic which humorously exploits almost every cliche
of Irish cultural tourism. Our subsequent viewing will be drawn from the
following, as time allows: Jim Sheridan's The Field (1990), In
the Name of the Father (1993), and (as writer) Into the West
(1993); Neil Jordan's The Crying Game (1992), Michael
Collins (1996), and The Boxer (1998); Pat O'Connor's The
Ballroom of Romance (1982) and Cal (1984); Cathal Black's
Pigs (1984) and Korea (1995); and Gillies MacKinnon's
The Playboys (1992).
Requirements: regular attendance, active participation in class discussions,
several short "response" papers, and one 6-page final paper.
Prerequisite: A prior film course (such as English 204, 364, 370, 371,
or 395), or English 226, or permission of the instructor. Enrollment
limit: 18.
Meeting time: afternoons. The course will meet three times a week
for two hours.
Cost to student: $5 for a reading packet.
PETHICA
ENGL 012 How to Write Popular
Science (Same as Chemistry 012 and Special 012) Cancelled!
(See under Special for full description.)
ENGL 013 Your Favorite Author
Winter Study is a perfect time to read, and this is
a class for people who would like to deepen their relationship with an
author they have only "dated casually" in a classroom encounter.
It will be run as a colloquium. In the first week, you will choose the
author you want to explore, compile a list of the author's complete works,
decide how much of it you want to read, and assign two or three items
(poems, stories, chapters from novels, acts of plays, essays) to the rest
of the class for reading and discussion. In the second week, you will
compile a list of biographies and autobiography, and do some selective
reading to discover how many "lives" your author had, what kinds
of things the biographers agree and disagree about, whether and how your
author's life illuminates or complicates an understanding of the works.
In the third week, you will find out what's hot and controversial in critical
and scholarly discussions of your author. In the fourth week, you will
draw on your reading to write an imitation or parody of your author, complete
with introductory commentary.
Evaluation will be based on annotated bibliographies and oral presentations
in the first three weeks (60%), and a written 10-page parody-plus-commentary
in the final week (40%).
Requirements: regular attendance is mandatory.
Prerequisite: A 100-level English course (except 150), or any literature
class in the Literary Studies/Comparative Literature program or in any
of the language departments. Enrollment limit: 12. Preference is given
to upper-class literature majors.
Meeting time: mornings. The course will meet three times a week for
two hours.
Cost to student: $25.
KNOPP
ENGL 014 Literature and Seduction
(Same as Comparative Literature 014)
Can literature about seduction tell us something about
the seductiveness of literature? This course will look at literary texts,
and a few films, which involve erotic persuasion in various ways: some
tell about seductions, some-love poetry, for instance-are intended to
be seen as forms for seduction, some simply are seductive. Works will
range from Ovid and Shakespeare to film noir and Cocteau's Beauty
and the Beast. We will also read two novels-Nabokov's Lolita
and J. G. Ballard's Crash-as well as essays by Jean Laplanche,
a psychoanalytic theorist whose work focuses on the logic of seduction.
We'll consider these works in their own rights, of course, but also for
what they suggest about seduction's relationship to some fundamental issues
concerning desire, the self, power, and representation.
Requirements: a 10-page final paper.
Prerequisite: A 100-level English course (except 150), or permission of
the instructor. Enrollment limit: 18.
Meeting time: mornings. The course will meet three times a week for two
hours.
Cost to student: $40.
PYE
ENGL 015 Lyric Voices: Subjects
and Objects of Writing
When we think of lyric, so often what comes to mind
is the singular, expressive voice of the writer. Whether about love, life,
or politics, poems grab their readers by the timbre and tone of voice.
Yet equally often, the "voices" poets and fiction writers adopt
are radically not their own. In the form of personae, imaginative identifications
and appropriations, lyric voices emerge from bodies and landscapes with
an intensity that highlights but also confounds notions of identity-racial
and regional, ethnic and sexual, gendered and economic. What guarantees
the appeal of poetry so often is less authenticity than persuasive performance,
which has consequences both aesthetic and political.
This course will explore from the inside how poetry and fiction lift themselves
off the page, setting the objects of the world into a bizarre motion of
their own. It will explore how we hear and how we project the voices that
make poetry possible. Students will learn about how writers come to a
distinct sense of voice-through critical and creative writings in prose
and poetry. Half-seminar, half-workshop, this course will require students
to complete frequent exercises and to keep a daily writing journal. In
addition to becoming familiar with a range of contemporary writers, students
will report to classmates on current sites of writing-in journals and
anthologies, on-line alternatives, video and vocal recordings. We'll think
about how poetry is represented in popular culture, such as in movies
like Slam!, the documentary Slam Nation, or even Hal
Hartley's recent Henry Fool. Finally, students will organize
two readings-one for their own winter creations and one to feature an
up-and-coming east coast writer, who will visit class and give a public
reading. Featured writers may include: Russell Edson, Anne Carson, George
Oppen, Dorianne Laux, Kim Addonizio, Terrence Hayes, Ai, Junot Diaz, Li-Young
Lee, Wayne Koestenbaum, Frank Bidart, Crystal Williams, Sapphire, Melanie
Rae Thon, Jack Gilbert, Dana Levin, Anne Marie Macari, James McCombs,
and Reetika Vazirani.
Students will be evaluated based on a portfolio of writing and in-class
participation.
No prerequisites. Enrollment limit: 15.
Meeting time: mornings. The course will meet three times a week for
two-and-a-half hours.
Cost to student: $30.
JOSEPH CAMPANA '96 (Instructor)
FIX (Sponsor)
Joseph Campana '96 earned an M.A. from the University
of Sussex and is now a doctoral candidate and instructor at Cornell University.
His poems have appeared in Poetry, Seneca Review, Third
Coast, and Marlboro Review.
ENGL 016 Bob Dylan on Film
Bob Dylan is most commonly thought of as a musician
and songwriter. But ever since he first rose to fame on the Greenwich
Village folk scene in the early 1960s, he has enjoyed a shadow career
as a film artist: as an actor, director, editor, and composer. In this
class, we will look at how Bob Dylan's image has been shaped in film and
video, and how this work relates to Bob Dylan, musician. The class will
view rare TV footage and rarely-viewed works of Dylan's own, like "Eat
the Document" and "Renaldo and Clara," as well as Dylan-related
works by feature filmmakers and documentarians, including Martin Scorsese,
Sam Peckinpah, D. A. Pennebaker, Dennis Hopper, Stephen Frears, and Curtis
Hanson.
Requirements: a 10-page paper or equivalent project. Some mandatory film
screenings may occur outside of regularly-scheduled class times.
No prerequisites. Enrollment limit: 20. Priority given to seniors.
Meeting time: afternoons. This course will meet twice a week for
three hours.
Cost to student: $75.
SETH ROGOVOY '82 (Instructor)
FIX (Sponsor)
Seth Rogovoy '82 is a rock critic who has written for
numerous publications. He has written extensively about Bob Dylan. The
author of The Essential Klezmer, his cultural criticism is heard
weekly on WAMC's Northeast Public Radio Network.
ENGL 017 Looking at Contemporary
Documentary Photography (Same as ArtH 017)
This course explores the evolution of modern documentary
photography. We'll start with Robert Frank's The Americans, and
consider how Frank's singular vision deeply shaped the next generation
of photographers working the American streets and landscape. Diane Arbus,
Bruce Davidson, William Klein, Lee Freidlander, Danny Lyon, Gary Winogrand
are some of the photographers whose work we'll get to know well. We'll
discuss the new wave of independent and Magnum photojournalists (Josef
Koudleka, Susan Meiselas, Gilles Peress, Sebastio Salgado, and Alex Webb)-the
wars they cover from Vietnam to Iraq to Bosnia, and the personal visions
they explore. We'll explore the diverse currents of documentary photography
through the work of Bill Burke, Larry Clark, Lois Conner, Linda Connor,
Larry Fink, Nan Goldin, Emmet Gowin, Sally Mann, Mary Ellen Mark, Nicholas
Nixon, and Abelardo Morell. We'll also explore the gray areas between
photographic fact and personal fiction through the work of Duane Michaels,
Joel Peter Witkin, and Carrie Mae Weems, and also the large-scale epic
photographs of Gregory Crewdson, Jeff Wall, Philip-Lorca diCorcia, and
Andreas Gursky. Slide presentations will occupy half of the first meetings
and give way to discussion of issues in documentary photography.
Requirements: Students will be encouraged to work on individual projects
of their own choice. Each student will make a brief presentation to the
class on a documentary topic of their choice. A final paper expanding
on this documentary topic will be due at the end of the course. Students
will be evaluated on their classroom presentation, general participation,
and their written work. The course involves a field trip to New York City
to visit collections at the Museum of Modern Art, the Whitney Museum of
American Art, and the International Center of Photography, and to meet
with curators of photography at these institutions.
No prerequisites. Enrollment limit: 12.
Meeting time: mornings. The course will meet three days a week for two
hours.
Cost to students: $30 for personal expenses for the New York field trip.
KEVIN BUBRISKI (Instructor)
FIX (Sponsor)
Kevin Bubriski has received photography fellowships
from the Guggenheim Foundation, Fulbright Foundation, and National Endowment
for the Arts. His photographic prints are in the permanent collections
of the Metropolitan Museum of Art, the Museum of Modern Art in New York,
and the Bibliotheque Nationale in Paris.
ENGL 018 English Rhymes and Rhythms
Blest be all metrical rules that forbid automatic responses,
Force us to have second thoughts, free from the fetters of self.
-W. H. Auden
This course is designed to increase awareness of the expressive possibilities
of the traditional sounds of English verse, those established patterns
of rhyme and rhythm from which "free verse" is free. We will
not only read verse, but listen to it, speak it, and write it, in pursuit
of a fuller experience of past and present poetry. Each student will also
create a "memory anthology" of individually chosen poems. Our
goal is to awaken the ear as well as the mind. Though the course should
improve the ability to recognize and analyze poetic forms and prosodic
effects, it will proceed through practical exercises rather than analytical
essays, with a strong tilt toward the actual writing of verse. We will
examine poems by such versifiers as Dr. Seuss, Shakespeare, Hopkins, Wilbur,
and Larkin, with others suggested by the class, and verse written by class
members. We'll end with a reading of Vikram Seth's brilliantly formal
(and informal) novel in verse, The Golden Gate.
Students will be evaluated on the basis of their verse exercises, their
regular and active attendance, and the care and commitment with which
they present their anthologies, to be spoken from memory in the presence
of the instructor.
No prerequisites. Enrollment limit: 15. Priority given to seniors,
then to other students.
Meeting time: afternoons. The course will meet three or four times (as
needed) each week for two hours.
Cost to student: $25.
CLARA CLAIBORNE PARK (Instructor)
FIX (Sponsor)
Clara Claiborne Park is Senior Lecturer Emerita at Williams.
Over the years, she has taught writing, Shakespeare, Milton, Dante, and
Homer. Her most recent book, Exiting Nirvana, has been widely
acclaimed.
ENGL 019 Representing Jazz (Same
as Music 019)
The music called "Jazz" has been, in substance
and in its associations, a rich cultural signifier. This course will examine
various attempts in written and visual media, in commentary and in style,
to define "jazz" and its cultural significance. Texts will include
essays, fiction, poetry, autobiographical works, interviews, journalism,
film clips, photographs, and paintings. We will give particular attention
to musicians such as Louis Armstrong, Duke Ellington, Billie Holiday,
and Charles Mingus. We will read texts by LeRoi Jones (Amiri Baraka),
Ralph Ellison, Albert Murray, Bob Kaufman, Ntozake Shange, Whitney Balliett,
and others.
Requirements: Students will be expected to contribute actively to the
in-class analysis of texts and images. A class presentation and a final
ten-page paper will also be required.
No prerequisites. Enrollment limit: 15. Preference given
to students with prior course work in African-American Studies, jazz,
or photography.
Meeting time: mornings. The course will meet three times a week.
Cost to student: $75.
D. L. SMITH
ENGL 020 Journalism
In this introduction to journalism, students will learn
reporting, writing, and editing skills through written assignments and
in-class exercises. We will examine how different styles of writing serve
different needs, and the practical and legal limits within which journalists
work. Assignments will include writing news stories, feature articles,
a review, and an editorial. Students will also practice the essential
art of rewriting.
Requirements: Each student will submit articles on deadline; read and
discuss current newspapers and magazines; and attend all classes.
No prerequisites. Enrollment limit: 12. Preference given to first-year
students.
Meeting time: mornings. This course will meet four times a week for two
hours.
Cost to student: $30.
SALLY WHITE (Instructor)
FIX (Sponsor)
Sally White worked at Time Inc. magazines in New York
and Washington for thirteen years. She is a graduate of Barnard College
and the Columbia University Graduate School of Journalism. She now works
as a freelance writer.
ENGL 022 Virginia Woolf (Same
as Women's and Gender Studies 022)
This course explores Woolf's lyrical prose style and
experimental form, her reexamination of traditional gender roles, and
the ways in which her fiction transforms life into art. We will read and
discuss Mrs. Dalloway and To The Lighthouse, two of
Woolf's most innovative modern novels; A Room of One's Own, a
revolutionary lecture on women and fiction; Moments of Being,
two short memoirs which reminisce about her childhood and the reverberations
of her parents' deaths; and selections from her private diary.
Requirements: regular attendance at class and a short written or oral
response to each book.
No prerequisites. Enrollment limit: 20. Preference given to majors
or potential majors in English or Women's and Gender Studies.
Meeting time: afternoons, three times a week for two hours.
Cost to student: $55.
I. BELL
ENGL 023 Roland Barthes: The Romance
and Poetry of Criticism (Same as Comparative Literature 012 and French
012)
(See under Comparative Literature for full description.)
ENGL 024 The Colonialist Vision
(Same as Comparative Literature 011)
CANCELLED!
ENGL 025 Documentary Video
CANCELLED!
ENGL 027 Humor Writing (Same as Mathematics 010)
(See under Mathematics for full description.)
ENGL 028 Fantasy Novels of C.S.
Lewis and Charles Williams (Same as Mathematics 014)
(See under Mathematics for full description.)
ENGL 030 Honors Project: Specialization
Route
Required during Winter Study of all seniors admitted
to candidacy for honors via the specialization route.
ENGL 031 Honors Project: Thesis
Required during Winter Study of all seniors admitted
to candidacy for honors via the thesis route.
ENVIRONMENTAL STUDIES
ENVI 010 Writing and Drawing-The
Naturalist's Journal
This course will explore the tools for studying the
natural world through various uses of writing, literature, and drawing.
Students will spend time outdoors learning the ecosystem of the Williamstown
area and time indoors doing observational drawing, reflective writing,
and reading and discussions of nature literature. The month's work will
be contained in a nature journal, to be displayed and discussed as part
of a final project.
Designed for students with interests in environmental studies, natural
history writing, and drawing.
No prerequisites. Enrollment limit: 12.
Meeting time: mornings.
Cost to student: $50 for books and art supplies.
CLARE WALKER LESLIE and CHRISTIAN MCEWEN (Instructors)
K. LEE (Sponsor)
Clare Walker Leslie has written six books on nature
drawing. She illustrated Prof. William T. Fox's At the Sea's Edge.
Christian McEwen is the editor of Jo's Girls: Tomboy Tales of High
Adventure, True Grit and Real Life (Beacon Press,
1997).
ENVI 011 Drawing to a Close: Illustrating
Disappearing Farms (Same as ArtS 023 and INTR 011)
(See under IPECS-INTR 011 full full description.)
ENVI 012 Industrial Ecology
Incredible but true, at current rates by the year 2030
there will be 10 billion people living on this planet. If we assume each
wanting high standards of living like the U.S. then we should expect the
consumption of natural resources to produce 400 billion tons of solid
waste every year. That is enough waste to bury greater Los Angeles 100
meters deep. Industrial ecology is a dynamic systems-based framework utilizing
knowledge of ecological systems towards the design of economically wise
industrial systems on every scale that minimizes the creation of waste
and pollution. Our overly consumptive society has traditionally not paid
adequate attention to issues of waste and pollution. As a result of this
it is now highly important that future leaders in all fields have at least
a basic understanding of what the practice of industrial ecology can bring
to their organization and society as a whole. Journey on a voyage of discovery
as we attempt to apply the waste and pollution free wisdom of natural
systems towards the development of new ways of imagining industrial systems
that mimic nature's efficiency and pollution free processes of production.
This course will utilize Williams College as an educational industrial
site. We will create an ecological footprint of Williams that will help
us to better understand resource consumption and waste production. We
will further generate an input/output model of the college that will serve
to help us track materials movement and energy use. Finally we attempt
to pinpoint areas along the input/output model that are producing waste
and pollution problems. Through group brainstorming, mind mapping, poems,
field trips, and a game simulation activity, participants will learn creative
ways of working towards solving problems of waste and pollution in an
economical way.
Evaluation is based on the quality of the journal writing assignments
and a 10-page final paper.
No prerequisites. Enrollment limit: 16. If demand exceeds
capacity, prospective students will be asked to describe their goals in
a short e-mail application to the instructor.
Meeting time: mornings, TR from 10-1. Some reading material will be assigned
prior to the first class.
Cost to student: $35 for book and reading packet.
ANTHONY SARKIS (Instructor)
K. LEE (Sponsor)
Anthony Sarkis is the creator and co-producer of a widely
distributed video highlighting industrial ecology related practices of
several New England Businesses. He served as project coordinator for Colorado
during the National Town Meeting on Sustainability founded by the President's
Council on Sustainable Development. Anthony recently presented a seminar
on pollution prevention for the government of Nepal. He is currently Associate
Director for a highly ranked M.S. level program in Environmental Management
and Policy at Rensselaer Polytechnic Institute in Troy, New York.
ENVI 013 Global Climate Change
Global warming and the resulting climate change is considered
by many to be the single most threatening environmental issue we will
face in the coming century. While the processes that have led to the current
crisis can be understood by the study of science, solutions to the problem
must come from the intersection of science, economics, and policy.
Specific issues to be covered in this course include:
* What is the scientific basis of global warming?
* Is there consensus within the scientific community as to the severity
of the problem?
* What evidence supports or refutes the claim that anthropogenic sources
are to blame?
* What action is called for on the local, national, and international
level, and is such action economically and politically feasible?
This course is designed to be an interdisciplinary overview of the issues
surrounding global warming, including science, economics, policy, and
politics. Classes will be a mixture of lecture, discussion, and presentations
by guest speakers. We will learn to think critically about information
on global warming that comes from different sources and interest groups.
Readings for the course will include The Heat Is On, by Ross
Gelbspan, scholarly publications, and articles from the mass media.
Evaluation will be based on class participation, a final paper, and a
class presentation.
No prerequisites. Enrollment limit: 15.
Meeting time: afternoons. The course will meet three times per week for
two hours.
Cost to student: $50 for books and photocopies.
RACHEL LOUIS (Instructor)
K. LEE (Sponsor)
Rachel Louis works as the project coordinator at the
Center for Environmental Studies. She holds a Master of Environmental
Studies from the Yale School of Forestry and Environmental Studies and
an MA in International Relations from Yale University.
ENVI 016 Tiny Footprint: Living
Sustainably in the New Millennium (Same as Biology 016)
How much of the earth's natural resource do you currently
consume on a daily basis? What are some of the technologies, changes in
mind-set, and cultural movements that will enable you (or force you!)
to live in a more sustainable way in the near future? How will such changes
affect your quality of life? In this course each participant will address
the first question quantitatively by estimating his or her ecological
footprint. An ecological footprint is the area of land required to sustainably
regenerate the natural resources consumed by daily actions. In class,
we will discuss selected sustainable technologies (e.g., natural building,
renewable energy systems, and hydroponic/aquaponic food production) and
social issues dealing with sustainability. We will also engage in a few
hands-on group projects, and take field trips to see houses built with
renewable materials and talk with sustainable living pioneers. Each participant
will then investigate a selected topic in sustainability, evaluating current
consumption patterns, ways in which technology and/or behavior change
could reduce environmental impact, and hypothesizing how that change would
affect quality of life. Findings will be published on a new sustainable
living website (tinyfootprint.org), which this class will organize and
launch. (Web authoring tools and techniques will be presented if needed.)
Evaluation is based on the research project, a web page design (10-page
paper equivalent), and class participation.
No prerequisites. Enrollment limit: 16. Preference will be
given to Environmental Studies concentrators.
Meeting time: MWR, 10 a.m.-noon, with some Tuesdays, 10 a.m.-4 p.m. reserved
for field trips or web authoring tutorials.
Cost to student: $15 for xeroxing reading packet and $20 for two field
trips.
SILVIO EBERHARDT (Instructor)
K. LEE (Sponsor)
Silvio Eberhardt holds B.S. degrees in Electrical Engineering
and Biology from Lehigh University (where he also pursued a minor in "Humanities
Perspectives in Technology") and a Ph.D. degree from The Johns Hopkins
University. For the past 10 years he has taught computer engineering at
Swarthmore College and Villanova University. During that time, he has
avidly researched sustainable technologies for renewable energy systems,
home construction (he participated in building a straw-bale/cob medical
clinic near Ontario last summer), and food production (he has been running
indoor hydroponic systems for the last 3 years). He plans to dedicate
the rest of his career to sustainability.
ENVI 019 Introduction to Research
in Environmental Science (Same as Chemistry 019)
An independent experimental project in environmental
science is carried out in collaboration with a member of the Department
with expertise in environmental science. Current research projects include
studies of atmospheric chemistry related to global warming and acid deposition,
heavy metals in the local environment, and further development of laboratory
techniques for Environmental Studies 102 Introduction to Environmental
Science.
Format: laboratory research. A 10-page written report is required.
Prerequisite: a one-semester science course and permission of the Department.
Since projects involve work in faculty research labs, interested students
must consult with one or more of the faculty instructors listed below
and with the Department Chair before electing this course. Non-science
majors are invited to participate. Enrollment limited to space in
faculty research labs.
Meeting time: mornings.
Cost to student: none.
KOEHLER and THOMAN
ENVI 031 Senior Research and Thesis
To be taken by students registered for Environmental
Studies 493-494.
GEOSCIENCES
GEOS 010 Geology of the National
Parks
A vicarious trip through selected national parks of
the U.S. and Canada with emphasis on the geological basis for their unique
scenery. Areas to be studied will be chosen in order to illustrate a wide
variety of geologic processes and products. The class will meet most mornings
during the first two weeks for lectures and discussions, supplemented
with lab work devoted to the interpretation of topographic and geologic
maps and to the study of rock samples. Readings will include a paperback
text as well as short publications of the U.S. Geological Survey and of
various natural history associations. The second part of the month will
involve independent study of topics chosen by the students in preparation
for half-hour oral presentations during the last week. The oral reports
will be comprehensive, well illustrated explanations of the geology of
a particular national park or monument of the student's choice, using
maps, slides, and reference materials available within the department
and on the internet. A detailed outline and an accompanying bibliography
will be submitted at the time of the oral presentation.
Evaluation will be based on attendance and participation and on the quality
of the final report.
No prerequisites. Enrollment limit: 15. Open only to students with
no previous college-level study of geology; preference will be given to
first-year students.
Meeting time: most mornings, 10:00-noon.
Cost to student: approximately $60 for the text.
WOBUS
GEOS 015 Survival in a Winter
Landscape
Cold, snow, ice, and extended darkness limit life in
the winter season. In this class we use the winter landscape to explore
the strategies that plants, wild animals, and humans use to survive and
thrive in the season of deprivation. The winter you experience depends
upon where you live. Extreme latitudes, high elevations, and exposed landforms
create more severe conditions for living organisms. The Northeastern United
States is an ideal classroom: we are north of the 42th parallel, peaks
rise up to 6,000 feet, and many ridgelines experience intense weather.
Yet sheltered valleys and a well-developed infrastructure provide safe
avenues to study winter and the lifeforms (including humans) that have
adapted to these challenging conditions. Much of the class will be conducted
in the field; no previous winter outdoor experience is required. However,
students should be enthusiastic about experiencing the cold-fun and laughter
are required. A progression of outdoor sessions will culminate with a
three-day winter camping trip in Northern New England. Class topics include:
climate and winter weather, snow science, avalanche safety, cold and freezing
tolerance of plants and animals, winter plant identification, tracking,
observation skills, winter shelter building, human industrial response
to winter, travel over snow, and winter camping.
Assignments include a daily field journal, preparation of a lesson designed
to educate classmates about some aspect of the winter landscape and a
10-page paper (or equivalent).
Enrollment limit: 12.
Cost to student: $90 for materials, equipment and field trip. Access to
skis or snowshoes will be helpful. Meeting time: we will meet 4 days a
wee for the first two weeks and less frequently thereafter.
WILLARD MORGAN '96 (Instructor) DETHIER (Sponsor)
Willard Morgan '96 (Geology, Environmental Studies)
is a M.S. candidate in the Field Naturalist Program at the University
of Vermont. He has taught courses in geology, botany, environmental science,
and winter ecology. Willard instructed mountaineering courses for the
Pacific Crest Outward Bound School as well as backcountry ski and avalanche
courses for Alpine Skills International. CPR-C, WFR, Avalanche III certified.
GEOS 031 Senior Thesis
To be taken by students registered for Geology 493-494.
GERMAN
GERM S.P. Sustaining Program for German 101-102
Something new and different for students enrolled in
German 101-102. Practice in the use of German for everyday purposes; creation
and performance of short dramatic sketches through group collaboration;
games; songs; storytelling; reading. No homework.
Requirements: active participation and regular attendance earn a "Pass"
grade.
Prerequisite: German 101 or equivalent. Limited to German 101-102 students.
Meeting time: 9:00-9:50 a.m. Class meets three times a week for 50 minutes.
Cost to student: approximately $5 for photocopied materials.
GERM 010 Marx and Nietzsche
Though radically opposed in their basic world views,
Karl Marx (1818-83) and Friedrich Nietzsche (1844-1900) exhibited striking
similarities in their critiques of modern bourgeois society as it was
emerging in the nineteenth century. Their analyses of the religious, economic,
political, sexual and linguistic predilections of the rising middle class
continue to exert enormous influence on social critics today, even as
the middle class reigns triumphant. We will compare and contrast their
ideas in the context of German society from the final defeat of Napoleon
(1815) to the start of the First World War (1914). We will also consider
whether their relevance today is more than academic. Among works to be
read: by Marx, "Early Writings," "The Communist Manifesto,"
"Capital" (selections), and by Nietzsche, "On the Use and
Abuse of History," "The Gay Science" (selections), and
"The Anti-Christ."
Evaluation will be based on two short papers.
No prerequisites. Enrollment limit: 15.
Meeting time: mornings. We will meet three times a week for two-hour sessions.
Cost to student: $60 for books.
B. KIEFFER
GERM 025 German in Germany
Begin or continue study of the German language at the
Goethe Institute in Germany. The Goethe Institute program attracts students
from all over the world. A typical course meets for four weeks, 18 hours/week,
generally providing the equivalent of one semester course at Williams.
To earn a pass, the student must receive the Goethe Institute's Teilnahme-Bestätigung
which denotes regular attendance at classes, completion of homework, and
successful completion of a final test. Students wishing to apply must
fill out an application, obtainable in the office of the Center for Foreign
Languages, Literatures, and Cultures in Weston, and return it to the Goethe
Institute as soon as possible (admission is on a first-come, first-served
basis).
No prerequisites, but any student interested in beginning German with
this course and then entering German 102 at Williams should contact Professor
Newman by December 1, at the latest. Enrollment limit: 15. Not open
to first-year students.
Cost to student: $1300 to $1800 for tuition and room and board, plus round
trip travel costs. The Goethe Institute arranges for room and board at
various levels upon students' request, but students must make their own
travel arrangements. This course is not defined as a "trip"
for financial aid purposes. The maximum reimbursement to financial aid
students is $300.
G. NEWMAN
GERM 030 Honors Project
To be taken by honors candidates following other than
the normal thesis route.
GERM 031 Senior Thesis
To be taken by students registered for German 493-494.
HISTORY
HIST 010 J.R.R. Tolkien, Middle
Earth, and Modern Medievalism
This Winter Study explores how an Oxford professor of
medieval English and Scandinavian linguistics wrote the two most influential
works of fantasy literature, The Hobbit and The Lord of the
Rings. We will investigate how Tolkien's mastery of Anglo-Saxon and
Old Norse literature, as well as the culture of post-war Britain, shaped
the creation of his fantasy-universe known as Middle Earth. By
examining the works of Tolkien within their larger intellectual, social,
and cultural contexts, we will uncover how an author of children's fantasy
came to define the image of the Middle Ages in modern British and American
popular culture.
Format: seminar. Evaluation will be based on class participation and a
10-page paper.
No prerequisites. Enrollment limit: 10-30.
Meeting time: mornings.
Cost to student: $40 for books and photocopies.
GOLDBERG
HIST 011 Film and Empire
This course examines the ways in which colonial categories
of race, class, sexuality, and ethnicity are represented in film. We will
also discuss colonial violence and resistances in Africa and Asia. Gandhi,
The War of Algiers, Lawrence of Arabia, Zulu,
Chocalat, Cry the Beloved Country, are some of the films
we will discuss.
Format: seminar. Evaluation will be based on class participation and a
10-page paper.
No prerequisites. Enrollment limit: 25.
Meeting time: afternoons.
Cost to student: $40 for books and photocopies.
MUTONGI
HIST 012 Latina and Latino Migration
Stories
Migration is often understood in the aggregate, as the
mass movements of people. Yet migration is also an intensely personal
experience. This course will explore how Latinas and Latinos have told
their migration stories. After a brief historical overview of a particular
group's migration history, we will read fictional and autobiographical
accounts to address what life was like in the home country, the experience
of the journey, and the challenges of adjusting to life in the United
States.
Format: seminar. Evaluation will be based on class participation and a
10-page essay.
No prerequisites. Enrollment limit: 20.
Meeting time: mornings. This course will meet twice a week for three hours.
Cost to students: $30 for books and photocopies.
WHALEN
HIST 013 History of Sports in
America
This course examines the development and explores the
meanings of American sports from the colonial era through the twentieth
century. Historically, sports have offered Americans an arena in which
to play out many of the nation's most important and contentious cultural
issues. Precisely because sports are largely seen as "apolitical,"
the meanings of race, gender, and class are worked out on the field with
a candor not possible elsewhere. Through discussions of primary documents,
both written and visual, and through an individual research project, we
will examine the relationship between Americans and sports. In particular,
we will focus on the links between sports and America's sense of itself
as a nation, explore the effects of industrialization, urbanization, and
immigration on sporting life and practice, and discuss the ways in which
sports both reinforce and challenge historical meanings of racial and
gender identity. We may even get in a game or two ourselves.
Format: seminar. Evaluation will be based on class participation and a
10-page research paper on a topic approved by the instructor. Required
film viewing outside of scheduled class.
No prerequisites. Enrollment limit: 20.
Meeting time: afternoons. The course will meet twice weekly for three
hours.
Cost to student: $45 for books and photocopies.
MATTHEW RAFFETY '94 (Instructor)
W. WAGNER (Sponsor)
Matthew Raffety '94 is a Doctoral Candidate in American
History at Columbia University and an instructor at Barnard College and
Columbia College.
HIST 014 Ethics, Journalism and
American Society
Why did scores of reporters shove microphones at Monica
Lewinsky, even after she made it clear she was not granting interviews?
Under what conditions, if any, should journalists lie to get a story?
Should news organizations publish nasty allegations from anonymous sources?
Is it ever proper for investigative reporters to go undercover? When,
if ever, should hidden cameras and secret recording devices be deployed?
Should reporters take big bucks to appear on TV talk shows?
Journalism used to be considered an honorable profession. And now? Recent
opinion polls indicate that Americans trust reporters no more so than
they do lawyers. Of late, journalists have been portrayed in mainstream
American movies as bumbling, arrogant fools. The question is: To what
degree have media ethics gone astray? This course will examine contemporary
ethics in American journalism. Special focus will be given to the undercurrents
in our society that are shaping today's interactions between the public
and the media. The course will involve case studies, outside reading,
movies and visits from working journalists.
Requirements: one 10-page paper and active participation in class discussions.
No prerequisites. Enrollment limit: 30. Preference to those who have
taken History 015.
Meeting time: TR mornings.
Cost to student: $30 for reading packet.
WILLY STERN '83 (Instructor)
W. WAGNER (Sponsor)
Willy Stern, '83, has worked as an investigative reporter
throughout the United States and around the world.
HIST 015 Hands-On Investigative
Reporting
So, you've always been intrigued by investigative reporters-or
at least wondered how they dig up all that stuff.
Students will learn how to obtain information-confidential and otherwise-in
a moral, responsible and effective fashion. First, the course will provide
a hands-on approach to how investigative reporters gather information.
What methods are actually used?
Second, this course will first take a hard look at investigative reporting
in the U.S. Increasingly, American journalists are delving into topics
in politics, in business, and in the lives of individuals that previously
have been off-limits. At what point will the media have gone too far?
Do prying journalists make for a better or worse American society? The
course will include case studies, movies, outside readings and visits
from working investigative journalists and a media attorney.
Requirements: an investigative project. Working in groups, students will
be required to go out and search for hard-to-locate information in Williamstown.
No prerequisites, other than an insatiably curious mind. Enrollment
limit: 30.
Meeting time: MWF mornings.
Cost to student: $30 for reading packet.
WILLY STERN '83 (Instructor)
W. WAGNER (Sponsor)
Willy Stern, '83, has worked as an investigative reporter
throughout the United States and around the world.
HIST 016 Social Justice and Mental
Illness in America (Same as Psychology 016)
The historical and current treatment of mentally ill
people in the United States reflects our social and political beliefs
and values as much as it does the state of scientific knowledge. By studying
the history of, and making intensive visits to, institutions for treating
people who are mentally ill, we will seek to answer questions such as:
how and why did "asylums" evolve? Why are so many people with
mental illness found in jails today and why do some hospitals resemble
jails? How are social justice and civil rights issues related to the practical
issues facing mental patients and their families? Throughout the course,
we will integrate historical and psychological perspectives.
Evaluation will be based on class participation and a 10-page paper.
Prerequisites: At least one regular semester course in Psychology. Enrollment
limit: 20.
Meeting time: mornings.
Cost to student: $30 for books and Xeroxes.
WILDER and HEATHERINGTON
HIST 017 History in Pieces
Burgoyne Surrounded, Mexican Cross, Log Cabin, Texas
Star, Mariner's Compass, Storm at Sea, Drunkard's Path, Underground Railway
are just a few of the many quilt patterns designed by our American ancestors,
representing events, political or social, in this country in the eighteenth
and nineteenth centuries. In this course students will study American
history through quilts. At the same time, they will learn traditional
and contemporary methods of quilt making. Each student will select a traditional
American quilt pattern and reproduce that pattern in the form of a "sampler"
block. In addition, each student will design and translate a twentieth-century
event into a quilted wall hanging or lap quilt. Both completed pieces
will be the basis of a quilt show to be scheduled during the second semester.
Evaluation will be based on regular participation in class and completion
of the two quilt projects. Students should understand that these are time
consuming projects and they must be prepared to put in considerable time
beyond actual class hours.
No prerequisites, but sewing experience is useful. Enrollment limit:
15.
Meeting time: MWR mornings.
Cost to student: $100 for quilting supplies and reading materials. Students
need to supply their own portable sewing machines.
SYBIL SHERMAN (Instructor)
W. WAGNER (Sponsor)
Ms. Sherman has 28 years experience as a quilter. She
taught Fabric Palette, Quilt Canvas for the Williams College Art Department
in January 2000 and 2001.
HIST 018 American Strategy in
World War II: War Plans and Execution
During the Second World War, the United States fought
a global conflict. By late 1943, for example, American forces were in
combat in Italy, New Guinea, the Solomon Islands and the Central Pacific.
The war against the U Boat threat and the air war against Germany continued
with increasing intensity, and the allied staffs were engaged in planning
the 1944 invasion of France. To achieve the nation's basic political objective-the
unconditional surrender of Germany and Japan-the United States devised
a series of strategic and operational war plans for both the European
and Pacific areas of operation. A number of factors including inter-allied
and inter-service disputes, logistics, and enemy actions frequently led
to results that were quite different from the planner's expectations.
The course will examine the major US war plans using selected readings
and a number of actual plans. The course will then explore the realities
of battle and the differences between plans and execution.
Requirements: class participation, attendance and a 10-page essay.
No prerequisites.
Meeting time: afternoons. The course will meet twice a week for three
hours.
Cost to student: $30 for books and xeroxes.
STEVEN ROSS '59 (Instructor)
W. WAGNER (Sponsor)
Steven Ross, '59, holds the Admiral William V. Pratt
Chair of Military History at the Naval War College in Newport, Rhode Island.
HIST 019 The Transnational
Life of Food
This course will meet over meals, where we will discuss
how issues of globalization-past, present, and future-are reflected in
the food we eat (and don't eat, as the case may be). Topics will include
the internationalization of cuisine at home and abroad, including the
McDonaldization of Europe and Asia; histories of transnational food flows
(think sugar, peanuts, and potatoes, among others); international food
aid and its impact; and class-based food issues. Readings will include
authors Watson, Braudel, Von Laue, and Bourdieu, among others. There will
be two field trips to Boston and an ethnic cooking demonstration by a
noted chef and food scholar. Requirements: active involvement, an ability
to talk with your mouth full, and an imaginative final project. Evaluation
will be based on class participation and the final project (equivalent
to a 10-page paper), such as a narrated meal, a web presentation, or more
conventional research paper reflecting a topic of your choosing (with
instructor's permission). No prerequisites.
Enrollment limit: 15. Meeting time: afternoon and evenings. The course
will meet at least 6 hours a week over lunch or dinner (or both, when
a field trip is involved). Those who register for this course must have
a fairly flexible schedule.
Cost to student: approximately $40 for food and materials.
REEVES
HIST 031 Senior Thesis
To be taken by students registered for History 493-494.
HISTORY OF SCIENCE
HSCI 016 Ayurveda: Art of Healing
(Same as Special 016)
This course will cover the history and roots of Ayurveda.
We will study and discuss the cosmic evolution of this system as it is
seen through Yoga. We will delve into ancient Vedic knowledge and discover
how this science of health and longevity grew out of these ancient traditions.
The students will be taught the basics of Ayurveda and its approach to
health and balance through the study of the Doshas or biological humors
and the four elements that govern them. The student will be exposed to
pulse diagnosis, the use of herbs, the use of mantra in healing, jyotish
( eastern astrology) and meditation. The student should leave with an
understanding of their own make-up and how to keep themselves balanced
and an understanding of the inherent balances found in nature and how
they are applied to humans.
Students will be required to complete readings, participate in class discussions,
keep a journal and submit a 10-page final paper.
No prerequisites. Enrollment limit: 15.
Meeting time: afternoons, 2 hours 3 times per week.
Cost to student: $50.00.
Hilary Garivaltis, D.Ay is an Ayurvedic Practitioner
trained through the New England Institute of Ayurvedic Medicine in Worcester
Massachusetts and the Rishikesh College of Ayurveda in Rishikesh, India.
Ms. Garivaltis has also studied extensively with teachers in the US to
further her training in the art of Pancha Karma and meditation. She has
a Diplomat of Ayurveda status recognized by the WHO and is a member in
good standing of the American Association of Ayurveda. Ms. Garivaltis
maintains a practice in Florida, MA.
INTERDEPARTMENTAL PROGRAM FOR EXPERIMENTAL AND CROSS-DISCIPLINARY
STUDIES
INTR 010 Corporate Leadership
and Social Responsibility
(See under Leadership Studies for full description.)
INTR 011 Drawing to a Close: Illustrating
Disappearing Farms (Same as ArtS 023 and Environmental Studies 011)
This studio/field course will illustrate, document,
and interpret the abandonment of farms in the region over the past 50
years. In the 1950s there were dozens of dairy farms in Williamstown and
now there are just two. The stories of why farms have disappeared are
both intriguing and varied and will be explored through students using
visual media (sketching, drawing, painting, and mixed media). Early in
the course participants will study the landscape history of the region
as well as learning drawing techniques. Then participants will be assigned
to individual farms and farmers to interpret the past and present farmscapes
and gain insights into the transitions out of agriculture. The course
is taught by Mary Natalizia, a local artist and art teacher and Henry
W. Art (ENVI/BIOL) who is a fellow of the Williams Center for Technology
in the Arts and Humanities for the year. Professor Art is working on a
project, Half a Century of Land Use Change in Williamstown, that
explores the decline of farms through oral history, aerial and ground
level photography. The creations of this course will be publicly displayed
and may be included in a multi-media product on disappearing dairy farms
that Prof. Art is producing.
Evaluation will be based on course participation, a journal, and creations.
No prerequisites. Enrollment limit: 12. Selection will be based on
a short e-mail statement, should the course be over-enrolled.
Meeting time: mornings.
Cost to students: $45 for materials.
ART and MARY NATALIZIA
Mary E. Natalizia has been a visual artist for over
twenty years. She received a B.F.A. from the University of Massachusetts,
Dartmouth and an M.A. from the Rhode Island School of Design. She has
exhibited widely in the United States and has work in numerous collections.
Her current work consists of large scale mixed media drawings which combine
careful observation of nature with dreams and memories.
INTR 012 Philanthropy (Cancelled)
(See under Leadership Studies for full description.)
INTR 013 Managing Non-Profits:
An Insider's Look
(See under Leadership Studies for full description.)
INTR 017 Presidential Leadership:
From Washington to FDR (Same as Political Science 017)
(See under Leadership Studies for full description.)
INTR 018 Wilderness Leadership
(See under Leadership Studies for full description.)
INTR 021 Power, Authority and
Decisionmaking in the Public Sector (Same as Political Science 021)
(See under Leadership Studies for full description.)
INTR 025 Williams In Washington:
Leadership in Our Nation's Capital
CANCELLED!
INTR 026 Panama: Leadership at
the Crossroads of the World (Same as Political Science 026)
(See under Leadership Studies for full description.)
LEADERSHIP STUDIES
INTR 010 Corporate Leadership
and Social Responsibility
This course considers the responsibilities of leadership
in corporate life through the perspectives of visiting alumni who hold
leadership positions in American corporations. It examines the social
obligations created by success in business, the risks versus rewards of
corporate leadership, the benefits and the costs of fulfilling or exceeding
expectations, and the range of professional, social, and personal dilemmas
faced by leading figures in modern corporations and institutions. Readings
will include material from philosophy and psychology, as well as relevant
biography and autobiography.
Evaluation will be based on attendance and participation in class discussions
and a final 10-page paper.
No prerequisites. Enrollment limited to 22.
Cost to student: approximately $30 for books.
Meeting time: mornings.
(This course is part of the Leadership Studies cluster.)
ZIMMERMAN
INTR 012 Philanthropy
(Cancelled)
This course will introduce students to the history of
American philanthropy, its role in the support of cultural and social
services, and its relevance to personal enrichment and fulfillment. Through
a process that involves: (1) the identification and study of non-profit
organizations in Berkshire County; (2) the evaluation of their missions
and the effectiveness of their programs; and (3) the awarding of grants
(with funds made available for that purpose), students will develop experientially-based
knowledge of the non-profit organizations serving their community, the
challenges of reconciling needs and resources, and the value of charitable
giving as part of a balanced life.
Students enrolled in the course will be responsible for determining the
structure of its grant-making process. The students will be responsible
for discussing and deciding: (1) the types of organizations or activities
they will consider for support; (2) the manner in which they will evaluate
an organization's programs and needs; and (3) the number and size of grants.
Each student will be responsible for choosing one non-profit organization
to study and to present to the class for its consideration.
The students' deliberations will be shaped and informed by guest speakers
with professional and personal experience as philanthropists and by readings
in the history and impact of American philanthropy. The course instructor
will not serve any determining role in the allocation of funds. There
will be no limits placed on how the students choose to execute their duties
except that: (1) all grants must be made to non-profit (501(c)(3)) organizations
in the local Berkshire community and (2) no grants may be made for political
purposes or to Williams College. After grants have been awarded, students
will evaluate and summarize their grant-making process in a written document
submitted as part of the course requirement.
Students' evaluations will be based on the quality of their presentations
on the non-profit organizations selected for advocacy, the quality of
contributions to the class's discussion of granting policies and decisions,
and final papers.
No prerequisites. Enrollment limit: 15. Preference is given to juniors
and seniors.
Meeting time: variable days, in the morning.
Cost to student: $25.
ROBERT I. LIPP '60 (Instructor)
G. GOETHALS (Sponsor)
Robert I. Lipp '60 is the chairman of Travelers Property
Casualty Corporation. He recently stepped down as vice chairman and CEO
of the Global Consumer Business of Citigroup to devote more time to philanthropy.
He is a trustee of Williams College, Carnegie Hall, and MASS MoCA, president
of the New York City Ballet, and chairman of Dance-On, a philanthropy
dedicated to preparing dancers for second careers.
INTR 013 Managing Non-Profits:
An Insider's Look
This course will focus on the study of the particular
skills needed to run a successful non-profit organization, which include
administration, creative vision, financial management, fund raising, and
public accountability. It will also consider, absent the profit motive,
what spurs a non-profit's pursuit of excellence. The syllabus is based
on a series of case studies and presentations by administrators and directors
from arts, social service, educational, and environmental organizations.
Notable institutions, such as the New York City Ballet, the Children's
Aid Society, and MASS MoCA, will be represented. Class discussion will
be informed by assigned readings and organizational materials. A two-
or three-day mid-week trip to New York City to visit non-profits and to
attend performances by non-profit companies is also planned.
Student evaluation will be based on class attendance (which is required)
and acceptable preparation as evidenced by class participation and familiarity
with the assigned readings and other materials. Two students will be assigned
to each class to act as co-leaders of the class discussion. They will
be responsible for: (1) familiarizing themselves with the materials about
the organization and the guest speaker; (2) undertaking additional reading
and research on the subject of the organization's mission, and (3) preparing
questions and discussion points. Finally, a 10-page paper will be due
by the last day of class in which the student: (1) evaluates the organizations
and executives s/he has studied in terms of integrity of mission and effectiveness
in forwarding its cause; and (2) identifies the common characteristics
or traits shared by the non-profit executives whom s/he considers most
successful.
No prerequisites. Enrollment limit: 15.
Meeting time: variable days, in the afternoon; also a 2-day field trip
to New York City.
Cost to student: $50 for books and readings.
ROBERT I. LIPP '60 and MARY ELLEN CZERNIAK (Instructors)
G. GOETHALS (Sponsor)
Robert I. Lipp '60 is the chairman of Travelers Property
Casualty Corporation. He recently stepped down as vice chairman and CEO
of the Global Consumer Business of Citigroup to devote more time to philanthropy.
He is a trustee of Williams College, Carnegie Hall, and MASS MoCA; president
of the New York City Ballet; and chairman of Dance-On, a philanthropy
dedicated to preparing dancers for second careers.
Mary Ellen Czerniak has served as director of corporate and foundation
relations at Williams since 1988. Her professional career has been spent
in the non-profit sector, working in public relations and development
in health care and higher education.
INTR 017 Presidential Leadership:
From Washington to FDR (Same as Political Science 017)
In this course we will focus on the leadership of three
of the greatest American presidents -George Washington, Theodore Roosevelt,
and Franklin D. Roosevelt. We will study and discuss their political philosophies
and accomplishments and analyze different aspects of their leadership
strategies. What do these presidents teach us about character, conviction,
presidential power, political ideology, class warfare, "big government,"
the role of followers, and our constitutional system of checks and balances?
Requirements: In addition to three class meetings per week, students will
write one 15-page research paper.
No prerequisites, but students with a background in American History and
Political Science will be given preference. Enrollment limit: 12.
Meeting time: afternoons.
Cost to student: $60 for books and $24 for luncheons with the guest lecturers.
DUNN and JAMES MACGREGOR BURNS
Woodrow Wilson Professor Emeritus of Government
Dunn and Burns are co-authors of The Three Roosevelts:
Patrician Leaders Who Transformed America. Professor Burns is also
the author of Roosevelt: The Lion and the Fox and also Roosevelt:
The Soldier of Freedom, which won the Pulitzer Prize.
INTR 018 Wilderness Leadership
This Winter Study project is for students who would
like to participate in an off-campus experiential education opportunity.
Students will be required to research an appropriate accredited program
i.e. National Outdoor Leadership School, Outward Bound etc., that will
provide a suitable learning environment and be at least 22 days in length.
The Director of the Williams Outing Club will assist students in their
search if necessary. Upon choosing a program and being accepted, students
will meet with the Director in a pre-program meeting in December to create
a framework for observing group dynamics and studying a variety of leadership
styles. A required ten-page paper based on their journals will be required
immediately after their return to campus for the start of third quarter.
There will also be a follow up class to debrief the experience in the
last week of February. All programs must meet with the approval of the
Outing Club Director.
Requirements: course approval by WOC Director, daily journal writing with
focus on leadership and group dynamics, 10-page paper and 2 class meetings
pre and post trip. Evaluation will be based on a 10-page paper and class
discussions.
No prerequisites. Enrollment limit: 20. Not open to first-year students.
Interested sophomores, juniors and seniors must consult with WOC Director
before registration.
Cost to student: varies depending on the program selected-range is generally
from $1,500-3,000.
S. LEWIS
INTR 021 Power, Authority and
Decisionmaking in the Public Sector (Same as Political Science 021)
(See under Political Science for full description.)
INTR 025 Williams In Washington:
Leadership in Our Nation's Capital
An on-site study of leadership in America's capital
city. Students will spend two weeks in Washington, DC meeting with leaders
in government, business, and the not-for-profit world. During the initial
classes, students will study leadership theory, as well as participate
in an assessment of their own leadership styles. While the focus of the
course is leadership, the course also provides an overview of the political
and public policy process, through the stories of guest speakers. The
following issues are just some of those that will be considered: Is politics
corrupt? What role does the media play in setting national policy? How
do forces outside the nation's capital influence government? This course
will be of interest to anyone who wants to understand Washington, D.C.
and the people who live and work there.
Students will stay downtown, and will travel by metro to meeting locations
around the district. A variety of activities will be available on both
weekends and weekdays, including an informal meeting with D.C. area alumni.
Travel to D.C. and housing is covered in the course fee-metro fares and
most meals will be the responsibility of participants.
Requirements: three short essays and one final paper of five pages; active
participation in daily discussions.
Prerequisites: Preference will be given to Leadership Studies students.
All students should consult with the instructor prior to registering.
Enrollment limit: 10 (10 students will also be admitted from UMD).
Meeting time: daily. Time will vary depending on speaker availability.
Students can expect to have the occasional "full" day.
Cost to student: $800 includes travel (air and roundtrip van to Albany
and BWI airport), course materials, and downtown lodging. Students will
be responsible for local transportation via metro, most meals and other
incidentals.
LISA CAREY MOORE and GEORGIA SORENSON (Instructors)
G. GOETHALS (Sponsor)
Dr. Sorenson is a Senior Scholar at The James MacGregor
Burns Academy of Leadership at the University of Maryland. She is an established
Leadership scholar, and has written a number of articles on the subject,
and most recently, coauthored the book "Dead Center: Clinton-Gore
Leadership and the Perils of Moderation" with James MacGregor Burns.
Her undergraduate teaching includes courses on Presidential Leadership,
Leadership Theory, Group and Organization Behavior, and Theories of Feminism.
The course will be co-taught by Lisa Carey Moore, Leadership Programs
Coordinator. Prior to joining the Leadership Studies program at Williams,
Ms. Carey Moore was the Director of Public Policy for a regional non-profit
group, and worked extensively in Washington as an advocate for issues
pertaining to clean water and the environment.
INTR 026 Panama: Leadership at
the Crossroads of the World (Same as Political Science 026)
At the "crossroads of the world," Panama provides
an ideal venue from which students can study leadership in a multicultural
and international context. As a gateway, Panama and its canal are symbols
of globalization that can help students understand many of the forces
affecting the contemporary world. Students will spend nearly the entire
January term in Panama, where they will reside in newly renovated apartments
at the Ciudad del Saber or the City of Knowledge, located near the Pacific
entrance of the Panama Canal and within a short distance from Panama City
(www.ciudaddelsaber.org.pa). A former military base for U.S. forces during
their administration of the Canal Zone (and with all the recreational
resources of a former command post of high import), the area now serves
as a research center, technology park and residence for visiting universities
from around the world.
During their stay, students will be engaged in classes and field trip
with ample time for independent exploration. Topics include: Latin American
History; Society and Politics; The New World Economy; The Social and Ecological
Ramifications of Globalization; and New Technologies and Future Opportunities.
The course is team-taught by Professors from Williams, professionals in
Panama, and visiting experts from the Smithsonian Tropic Research Institute
based in Panama. Field trips include such itineraries as a visit to Parliament
and other government building in Panama City, a transit of the Panama
Canal (and a visit to the Panama Canal Authority and Museum), an overnight
to the archeological site Cerro Juan Diaz on the Pacific side of the country,
and a visit to the new Galeta Marine Laboratory in Colon at the Atlantic
entrance of the Canal. Opportunities for interaction with students from
other universities will be offered, both in the classroom setting, and
in less formal, social outings.
Evaluation will be based on class participation; completion of an interview
of a Panamanian citizen, and a 10-page paper at the conclusion of the
course.
No prerequisites, but while a working knowledge of Spanish isn't required,
familiarity with the language will enhance a student's experience while
in Panama. Enrollment limit: 15. Preference will be given to students
with course work in Latin-American Studies, Leadership Studies, and/or
Political Science.
Cost to student: $1,775.
G. GOETHALS, MAHON and CARLOS GUEVARA MANN, PhD
Dr. Guevara Mann was born in Panama City, Republic of
Panama. He received his PhD in Government and International Studies from
the University of Notre Dame. He has served in both the public and private
sector in Panama. Between September 1999 and 2000, he was the Director-General
of Foreign Policy, Secretary of the national Foreign Relations Council,
and Political Advisor to the Foreign Minister. He has also worked as chief
Credit Analysis and consultant at Lloyds TSB Bank Plc, and other financial
institutions from 1993-1997. He serves on numerous boards and is currently
working as a political and business consultant.
LINGUISTICS
LING 010 Introduction to the Japanese
Language and Culture (Same as Japanese 010)
(See under Japanese for full description.)
MATHEMATICS and STATISTICS
MATH 010 Humor Writing (Same as
English 027)
What is humor? The dichotomy inherent in the pursuit
of comedic intent while confronting the reality of attempting to comprehend
the transient nature of adversity can ratchet up the devolving psyche's
penchant for explication to a catastrophic threshold, thwarting the ecstatic
impulse and pushing the natural proclivity for causative norms beyond
the possibility of pre-situational adaptation.
Do you know what that means? If so, this is not the course for you. No,
we will write funny stuff, day in and day out. Or at the very least, we
will think it's funny. Stories, essays, plays, fiction, nonfiction, we'll
try a little of each. And we'll read some humor, too.
Is laughter the body's attempt to eject excess phlegm? Why did Plato write
dialogues instead of monologues? Who backed into my car in the Bronfman
parking lot on the afternoon of March 2, 2001? These are just a few of
the questions we will not explore in this course. No, we won't have time
because we will be busy writing. (But if you know the answer to the third
question, there's a $10 reward.) Produce or become produce. We will publish
the best student work to distribute on campus.
Requirements: reading, attendance, participation and writing at least
20 pages of material.
Prerequisites: Sense of humor (broadly interpreted). Enrollment limit:
15. (No slackers need apply.)
Meeting time: mornings. Plan to meet 6 hours a week, and to spend at least
20 hours a week on the course.
Cost to student: $30.
C. ADAMS
Colin Adams is the humor columnist for the Mathematical
Intelligencer.
MATH 012 The Art of Chess
Chess is a beautiful and very inspiring game. No game
has surpassed chess in its popularity in all countries for many centuries.
One of the oldest games, it has a history spanning 1400 years and has
offered inspiration to scientists, artists, and writers. Such is the subtlety
of the game that no one has been able to determine whether it is an art,
a science, a sport, or a combination of them all. This course will be
an introduction to the beautiful and inspiring world of chess.
Topics include basic principles: openings, middle-game and endings; mathematical
aspects of chess; general theory of a middle-game play; end-game strategies.
We will look at some famous games, discuss chess problems and organize
a tournament among students and computer programs.
Evaluation will be based on class participation and problem assignments.
No prerequisites. Enrollment limit: 20.
Meeting time: afternoons.
Cost to student: $30 for Xeroxed materials and miscellaneous supplies.
CHKHENKELI
MATH 013 Concealing, Stealing
and Revealing Data: The Science and Politics of Encryption
Throughout history, wars have been won and lost based
on a military's ability to successfully send secret messages and to break
the enemy's secret codes. In fact, until the last century, most uses for
encryption were related to the military. Since the invention of high-powered
computers and the Internet, however, there has been an explosion in the
need for and usage of encryption. In the 1970's, public-key encryption
was invented, allowing two parties who want to communicate in a secure
way to do so even without already sharing a secret "key". Today,
there are numerous mathematical methods used for encryption - many which
are surprisingly simple. In this course, we will study some of the more
popular methods, including the Diffie-Hellman public-key exchange, RSA,
and PGP. We will also discuss the increasing number of uses of encryption,
including the securing of transactions on the Internet, "digital
fingerprints," and recent attempts to digitally protect copyrighted
text, music and video. Finally, we will discuss the opportunities and
challenges that the invention of these cryptosystems has presented individuals,
businesses and the United States government. Until about two years ago
it was illegal to export "strong" encryption. Today companies
with copyright concerns are attempting to literally remove certain simple
and relatively well known decryption algorithms from the realm of public
knowledge. In this course, we will study the history and political atmosphere
surrounding these issues, and discuss some of the controversies that are
shaping up for the years to come.
Evaluation will be based on daily homework, participation in class discussions
and a project. Students should expect to spend at least 20 hours per week
(not including class time) on the course.
No prerequisites. Enrollment limit: 20.
Meeting time: mornings-six hours per week.
Cost to student: $40 for books.
LOEPP and IAN ROBERTSON (Instructors)
O. R. BEAVER (Sponsor)
Ian Robertson holds a Ph.D. in mathematics from the
University of Chicago. He currently works for eZiba.com in North Adams
as a software development engineer.
MATH 014 Fantasy Novels of C.S.
Lewis and Charles Williams (Same as English 028)
Both Lewis and Williams were members of The Inklings,
the remarkable group of British authors and thinkers who met regularly
at "The Eagle and Child" Pub in Oxford, where writers (including
Tolkien) read their works in progress to one another. Lewis is well-known;
the works of Williams have received less recognition, but were admired
by W.H. Auden, Dorothy L. Sayers, and T.S. Eliot. Both Lewis and Williams
approached their work as staunch Anglican Christians, and their point
of view will be respected in this course; however, their novels can speak
to the lives of all readers who are sensitive to their own world and to
human relationships.
Readings will include the Ransom Trilogy of Lewis: Out of
the Silent Planet, Perelandra, and That Hideous Strength
(often called "the Charles Williams novel written by C.S. Lewis"),
and Williams's War in Heaven and Descent into Hell (which
Lewis listed as one of the ten books which most influenced his own thinking).
The month will conclude with Lewis's final novel Till We Have Faces.
Evaluation will be based on attendance and participation in all discussions.
The final project will be a 10- to 20-page short story in the style of,
incorporating some ideas of, or using literary techniques of the novels
read. Alternatively, students may choose to write an expository or critical
paper of about 15 pages relating some or all of the novels read to other
fiction by these two authors or to works of comparable writers such as
George MacDonald, Madeleine l'Engle, or J.K. Rowling.
No prerequisites. Enrollment limit: 14.
Meeting time: mornings.
Cost to student: $40-50 for books.
V. HILL
MATH 017 Introduction to Acting
(Same as Special 017)
In this course students will learn basic acting techniques
and methods. Improvisation, theater games, script evaluation and characterization
analysis will be used to explore and create characters in a given scene
or monologue. No experience is required. At the end of the course, students
will present a public performance.
Admission into the class will be based on interviews. Evaluation will
be based on final performance and class participation. Course attendance
is mandatory.
Enrollment limit: 15.
Meeting time: mornings, 10a.m.-noon., 3 times per week.
Cost to student: $25.
A. ADAMS (Instructor)
O. R. BEAVER (Sponsor)
Amelia Adams is a regional actor who has performed in
a variety of theatrical and commercial venues over the last ten years.
She is a member of the Actor's Equity Association and the American Federation
of Radio and Television actors.
MATH 025 The San Diego Mathematics
Meetings (Cancelled)
We will attend the Joint Annual Mathematics Meetings
in San Diego, California, January 4-10, 2002, with some necessary preparations
beforehand and follow-up activities back at Williams. At the meetings
in San Diego, students will attend talks and other events, interview mathematicians,
and possibly make presentations or organize events themselves. Back at
Williams, they will pursue topics of interest, make presentations, write
articles, and submit them to periodicals or other media, including my
Math Chat column at MathChat.org.
Evaluation will be based on all activities and products.
Prerequisite: Mathematics 103 or high school calculus. Enrollment
limit: 12. Students need to consult the instructor before registration.
Meeting time: mornings, MWF at Williams.
Cost to student: $1000 for travel expenses.
MORGAN
MATH 030 Senior Project
To be taken by candidates for honors in Mathematics
other than by thesis route.
MATH 031 Senior Thesis
To be taken by students registered for Mathematics 493-494.
MUSIC
MUS 010 Chamber Music Performance
A project offering focused rehearsal and performance
of chamber music for string and piano players (a few wind players might
be accommodated). The repertoire might include, but is not limited to,
string trios, quartets, quintets; piano trios, quartets, quintets; string
quartets or quintets with one wind instrument; and piano plus one string
instrument sonatas. Ensembles will explore various works from the repertoire
at the beginning of the course and select a program for performance. Small
ensembles may combine to perform works for larger ensembles. Small ensembles
will rehearse daily, and large ensembles three times a week. Students
are expected to maintain a regular schedule of individual practice.
During each of the second and third weeks, one two-hour class will be
held for all participants to meet together in addition to ensemble coachings.
Activities will include discussion of performance-related questions, guided
listening to selected repertoire, and ensembles performing for each other.
Performances of all ensembles will be scheduled, both on campus and off,
during the final week of Winter Study.
Evaluation will be based on faithful attendance at rehearsals, classes,
coaching sessions, and appropriate performances.
Prerequisites: approval of instructor. You must see Mr. Feldman during
fall registration period. Previous participation in music department ensembles
suggested; audition (in the fall) may be necessary for placing student
with others of similar ability. Enrollment limit: 19.
Meeting time: MTWR, 1-3 p.m.
Cost to student: none, although students may prefer to purchase their
own copies of the music.
RONALD FELDMAN
Artist in Residence in Orchestral and Instrumental Performance
MUS 011 Music and Film
This course will involve an intensive study of the history,
theory, and interpretation of film music. We will begin by creatively
considering how film and music might be united in the cinema and with
introductory readings in film music theory and history. We will then focus
our interpretive and analytical work and class discussions on selected
films. While most of our attention will be devoted to the work of major
composers and directors of American and European film (with possible examples
from Japanese and Indian cinema), we will also consider more specialized
subjects related to the instructor's research. Sample topics to be explored
include: music and the silent film; Hollywood musicals; opera and film;
Herrmann and Hitchcock; Rota and Fellini; music's role in cinematic propaganda;
rock music video; Kubrick's musical decisions; psychoanalytic interpretations
of film sound.
This course will meet for two hours three times a week in the morning.
Students are also required to attend three 90-120 minute film screenings
each week either in the late afternoon or early evening in addition to
completing the assigned reading before each class meeting.
Evaluation will be based on active participation in class discussions
and one 12- to 14-page paper or a creative film music project approved
by the instructor.
No prerequisites, although prior experience in film studies or some musical
background will enable students to engage more fully in the course's interpretive
and analytical work.| Enrollment limit: 15. Preference will be given
to those applicants with demonstrated successful experience in music,
film, or theater courses or with documented experience in film or multimedia
creative work.
Meeting time: TWR, 10 a.m.-noon. Film screenings, MTW either in the late
afternoon or early evening.
Cost to student: $60 for two paperback books and photocopies.
A. SHEPPARD
MUS 012 The Art of Musical Storytelling
(Cancelled)
How can music tell a story? How do composers convey
shifts in time (e.g., flashbacks and foreshadowings), physical description,
dramatic action, and point of view? This seminar will explore narrative
techniques in a range of vocal and instrumental genres. Readings in literary
and musical theory, criticism, and aesthetics. Musical works by Schubert,
Bach, Verdi, Wagner, Berlioz, Chopin, and Beethoven, among others.
Evaluation will be based on class participation and several papers.
Prerequisites: ability to read music. Enrollment limit: 19.
Meeting time: MTWR, 10 a.m.-noon.
Cost to student: none.
HIRSCH
MUS 013 The Contemporary Singer/Songwriter
This course will focus on learning how to write and
perform songs in a contemporary style. Topics addressed will include song
structure, how to create a lyric that communicates, vocal and instrument
presentation, performing techniques, publicity for events, and today's
music industry. This class will culminate in a public performance of material
written during the course.
In order to pass this course, each student will be expected to complete
a minimum of two songs, both music and lyrics. One of these songs will
be presented during the final performance, preferably by the student.
If not, the student must arrange for someone else in the class to assist
him or her. Also, a 2-page paper will be passed in on the last day of
class.
No prerequisites, although students with musical backgrounds and the ability
to play an instrument may be given preference for entry. Enrollment
limit: 15.
Meeting time: afternoons,TWR for two-hour sessions.
Cost to student: $75 for books and xeroxing costs.
BERNICE LEWIS (Instructor)
D. MOORE (Sponsor)
Bernice Lewis is an accomplished singer and songwriter
who has performed her work throughout the country. She lives in Williamstown.
MUS 014 Advanced Songwriting Workshop
This course will be a continuum of the WSP The Contemporary
Singer/Songwriter. We will go deeper into the songwriting process here.
Students will be responsible for completing at least one song per week.
We will spend at least one session per week listening and critiquing recorded
music. We will use the remaining time to listen to and critique each other.
We will continue using journal writing as a creative tool.
Further vocal instruction will be provided as well as a deeper understanding
of performing techniques.
Requirements: consistent class attendance is mandatory. Students will
be expected to produce at least one song per week, to edit and re-write
their work based on class feedback. They will also be required to arrange,
promote, and perform in a public performance. They will be expected to
present twenty minutes of original material, the bulk of which was created
during this course.
Prerequisite: Only students who have successfully completed WSP course
The Contemporary Singer/Songwriter will be accepted in the Advanced
Songwriting Workshop. Enrollment limit: 10. Preference will be given
to seniors and juniors who have taken The Contemporary Singer/Songwriter.
Meeting time: TWR, 10 a.m.-noon.
Cost to student: $75.00 for books and xeroxing costs.
BERNICE LEWIS (Instructor)
D. MOORE (Sponsor)
Bernice Lewis is an accomplished singer and songwriter
who has performed her work throughout the country. She lives in Williamstown.
MUS 019 Representing Jazz (Same
as English 019)
(See under English for full description.)
MUS 021 Individual Vocal and Instrumental
Instruction (Can only be taken IN ADDITION to a regular WSP course.)
CONTACT THE MUSIC DEPARTMENT ABOUT SIGNING UP FOR THIS
COURSE!!!
Individual lessons in voice, keyboard and most orchestral instruments
offered during Winter Study. Four lessons, given at approximate one week
intervals (TBA). Student is expected to practice at least two hours per
day. All individual instruction involves an extra fee which is partially
subsidized by the department. For further information and guidelines,
or to secure a contract for lessons, see the Department Chair, Douglas
Moore.
Prerequisite: Music 103 or permission of the Department Chair.
Cost to student: $100.
Staff
MUS 025 Cuban Music and Dance
In the form of salsa, Latin jazz, mambo, or rumba, Afro-Cuban
music and dance has had a world-wide impact for more than seventy years.
This intensive winter study course will take students to Cuba to study
Afro-Cuban music and dance (primarily rumba and son) on one of two tracks-either
as composers or as performers (musicians or dancers).
On Mondays, Wednesdays, and Fridays, performers and composers will have
4 hours per day of instruction with members of Afro-Cuba, a renowned folkloric
performing ensemble. Founded in 1957, members of this group trace their
ancestry to Nigeria and the Congo, they perform religious and secular
music derived from these traditions.
On Tuesdays and Thursdays, performers will practice and discuss what they
have learned from Afro-Cuba and work with Prof. Ernest Brown and KweYao
Agyapon, artist in residence in dance, learning about Cuban music and
dance-their history, role in Cuban culture, and world-wide impact. On
these days, composers will practice what they have learned from Afro-Cuba
and work with Prof. Ileana Perez Velasquez on compositions inspired by
their encounter with Afro-Cuban music and dance. Students who play guitar,
bass, trumpet, or other instruments should bring them. A piano will be
provided. Up to 8 student composers will work with Prof. Perez Velasquez
and 12 musicians or dancers with Prof. Brown and Mr. Agyapon. If feasible,
this course will culminate in a free public performance of materials learned.
Evaluation in both sections of the course will be based on participation,
progress in the development of performance or compositional skills, and
a 10-page paper or its equivalent. Students must attend every class and
may not miss more than one class and pass this course.
No prerequisites, but experience and skill as a composer, musician, or
dancer preferred. Fluency in Spanish is not required but is very helpful.
For composers, write a letter to Prof. Perez Velasquez, explaining your
experience and interest in this course. For dancers and musicians, write
a letter to Prof. Brown explaining your experience and interest in this
course. Enrollment limit: 8 composers, 12 musicians or dancers .
Cost to student: approximately $2800.
E. D. BROWN and PEREZ VELASQUEZ
MUS 031 Senior Thesis
To be taken by students registered for Music 493, 494.
NEUROSCIENCE
NSCI 031 Senior Thesis
To be taken by students registered for Neuroscience
493-494.
PHILOSOPHY
PHIL 010 The Possibilities of
Hypertext (Cancelled)
Text is linear: you read it in a straight line, from
beginning to end. Hypertext is non-linear: you start reading somewhere,
proceed until you encounter an interesting link, click, and poof - you're
transported somewhere else. Some people claim this makes hypertext capable
of changing the way we think. Traditional text, so the claim goes, can
communicate only those thoughts or contents that are amenable to expression
in a linear form. By employing the non-linear form of hypertext, then,
we might be able to express thoughts that simply cannot be communicated
in books or essays. This course will explore the possibilities of hypertext.
We will read hypertexts and discussions of hypertext, and each student
will create his or her own hypertext as a final project.
Evaluation will be based on the quality of the final hypertext project,
and on attendance and participation. We will meet three times a week for
two-hour sessions, with additional computer-lab times scheduled as needed.
Most work on the hypertext projects will be completed outside of class.
No prerequisites. Enrollment limit: 15.Preference given to seniors.
Meeting time: mornings.
Cost to student: $50-$100 for software and reading materials.
DUDLEY
PHIL 011 Why New Englanders Eat
What They Eat
Have you ever wondered why the food of New England is
sugary and bland: is it the people, the land, the economy? Do New Englanders
like their diets or are they forced into them? This course will investigate
these kinds of questions by looking at the political, economic, cultural,
and climatic factors that have shaped the diet and culture of New Englanders.
We will begin our course by learning about the ecology and culture of
food developed by Native Americans: how did they hunt, gather and farm,
and how did their methods of procuring food form their relationship to
nature and to each other? Then we will consider the diet of the first
European settlers and their interaction with Native Americans. Issues
such as differing uses of the land, what was considered by the term "property,"
and what was being sold by the Native Americans to the settlers will be
considered. Next we will examine how food was used to try to socialize
the next wave of immigrants to New England and how women used food to
gain entrance to higher education, which also opened the door to science
in food. Finally we will look at international issues such as genetically
modified foods, the economic and cultural impact of agribusiness, over-fishing
the seas and pollution as it relates to our food. We will enjoy a historically
accurate demonstration of life in the 1700's at Historic Deerfield and
a guest speaker.
Reading list: Change in the Land, William Cronon; Unredeemed
Captive, John Demos; Cod, Mark Kurlansky; Perfection
Salad, Laura Shapiro; Runaway World, Anthony Giddens.
Requirements: a 10-page essay on a topic of your choosing.
Meeting time: afternoons.
Cost to students: $50-$100 for books.
ROBIN LENZ MACDONALD (Instructor)
A. WHITE (Sponsor)
Robin MacDonald received her B.A. and M.A. in Political
Science from UC Berkeley. She has written several articles about "food
and its history" and has extensive experience in her field.
PHIL 031 Senior Thesis
To be taken by students registered for Philosophy 493-494.
PHYSICS
PHYS 010 Light and Holography
This course will examine the art and science of holography.
It will introduce modern optics at a level appropriate for a non-science
major, giving the necessary theoretical background in lectures and discussion.
Demonstrations will be presented and students will make several kinds
of holograms in the lab. Thanks to a grant from the National Science Foundation,
we have 7 well-equipped holography darkrooms available for student use.
Students will be evaluated on the basis of regular attendance, completion
of 4 laboratory exercises, and a holography laboratory project or a 10-page
paper.
No prerequisites. Enrollment limit: 28. Preference will be given to
students with no previous college course in physics more advanced than
Physics 100.
Meeting time: At the beginning of WSP, the class will meet for lecture
and discussion three mornings a week and for lab twice a week. Later classes
will be mainly laboratory.
Cost to student: $50 for holographic film, chemicals, and photocopies.
STRAIT
PHYS 011 Introduction to Computer
Aided Drafting and Design (CADD) (Same as ArtS 022)
Students will gain a fundamental knowledge of techniques
used in two dimensional (2D) and three dimensional (3D) computer aided
drafting. The course begins with an emphasis on CADD nomenclature as applied
to drawing in 2D . We then become concerned with drawing in 3D and visualizing
spatial relationships by creating wireframe entities of shapes found in
everyday life. This will lead to 3D surface and solid modeling techniques
including Boolean operations, mass recognition and shape manipulation.
Following this introduction, the students will be challenged to explore
creating objects of their choosing and develop photorealistic renderings
with differing light sources and changing textures. Art, science, mathematics,
and other students who are interested in communicating their design ideas
in a 3D form will find this course interesting, as well as those students
seeking exposure to an engineering point of view. Students will create
a computer solid model of a design idea and develop the photorealistic
rendering that optimizes their design's presentation. This rendering together
with the student's 2D and 3D drawings will form the basis for evaluating
his/her success.
No prerequisites other than a familiarity with the Windows operating system.
Enrollment limit: 15.
Meeting time: 1-4 p.m. three times per week. This is a fast moving course.
The creative renderings will reward the student's commitment to attendance
and lab time.
Cost to student: $200 for the CADKEY Windows software package.
JOHN MUELLER (Instructor)
STRAIT (Sponsor)
John L. Mueller is Professor Emeritus at the City University
of New York. His work encompasses a wide range of product design and Rapid
Prototyping. He received his B.M.E. from the Cooper Union and M.M.E. from
Columbia University.
PHYS 012 Meet the Right Side of
Your Brain: Drawing as a Learnable Skill
Representational drawing is not merely a gift of birth
or a magical ability granted by angels, but a learnable skill. If you
ever wanted to draw, but doubted you had the ability or believed you could
not learn, then this course is for you. This intensive course utilizes
discoveries in brain research to teach representational drawing. By using
simple techniques and extensive exercises you will discover and develop
the perceptual shift from your symbol based left hemisphere to your visually
based right hemisphere. This cognitive shift enables you to accurately
see and realistically represent the physical world. You will learn to
draw a convincing portrait, and a still life drawn from a plaster cast.
This course is designed to develop your powers of observation and enhance
your innate creative problem solving abilities, which are applicable in
any field. Students need no previous artistic experience, just the willingness
and desire to learn a new skill. Students will be expected to attend and
participate in all sessions. They will also be required to keep a sketchbook
recording their progress and complete a final project.
Evaluation will be based on participation, effort, and development.
No prerequisites. Enrollment limit: 30. Preference given to juniors
and seniors. The course will meet in two sections of 15.
Meeting time: two times per week (3 hours a class) in the afternoon with
substantial additional independent student work.
Cost to student: $30 for text and drawing materials.
FRED X. BROWNSTEIN (Instructor)
K. JONES (Sponsor)
Fred X. Brownstein is teaching part time at the Lyme
Academy of Fine Arts in Old Lyme, CT. He teaches workshops in the summer
at the Carving Studio in West Rutland, VT and one at the Scottsdale Artists'
School in Scottsdale, AZ. He graduated from the San Francisco Art Institute
with a B.F.A. in 1970 and then studied the figure with Signorina Nerima
Simi at her studio in Florence, Italy. He also apprenticed in the marble
studio of Enzo Pasquini in Querceta, Italy for four years to learn the
Italian carving techniques.
PHYS 013 Automotive Mechanics
The purpose of this course will be to provide an understanding
of the basic function of the major components of the modern automobile.
Through lectures, demonstrations, and hands-on experience, individuals
will learn basic maintenance of an automobile. In addition, students will
be expected to study in depth one of the major automotive systems which
include carburetor or fuel-injection systems, the lubrication and cooling
system, the electrical system, the steering, brake and suspension system,
and the power train for both manual and automatic transmissions.
Students will be required to attend class regularly, read assigned material
from the text, actively participate in work at the garage, and pass written
midterm and final examinations.
No prerequisites. Enrollment limit: 30. The class will be broken into
three sections for lab work. Preference given to seniors.
Meeting time: two hours a day, three times a week in the morning for classroom
instruction. In addition, students will meet at the Flamingo Motors in
Williamstown one evening each week for practical demonstrations and hands-on
activity.
Cost to student: $45 for text.
MICHAEL FRANCO (Instructor)
K. JONES (Sponsor)
Michael Franco is the owner of Flamingo Motors in Williamstown.
PHYS 014 The Making of the Atomic
Bomb
We will delve into the science of the atomic bomb and
its technological impact. Richard Rhodes' Pulitzer Prize winning account
of the Manhattan Project plus movies, plays, and biographies of participants
will form the basis for explosive discussions, posters, papers, presentations,
and a few simple calculations. (1000 pages to read thoughtfully).
Prerequisites: High school physics. Enrollment limit: 15.
Meeting time: afternoons.
Cost to student: $50.
AALBERTS
PHYS 022 Research Participation
Several members of the department will have student
projects available dealing with their own research or that of current
senior thesis students. Approximately 35 hours per week of study and actual
research participation will be expected from each student. Students will
be required to keep a notebook and write a five-page paper summarizing
their work. Those interested should consult with members of the department
as early as possible in the registration period or before to determine
details of projects then expected to be available.
Prerequisite: Permission of specific instructor. Enrollment limited
to 1 or 2 per project.
Meeting time: to be arranged with instructor.
Cost to student: none.
K. JONES and members of the department
PHYS 031 Senior Thesis
To be taken by students registered for Physics 493,
494.
POLITICAL ECONOMY
POEC 026 Healthcare in Havana:
A Comparative Study of Resource Allocation and Public Health Policy (Same
as Special 026)
The claim is frequently made that the American healthcare
system is the best in the world. What constitutes a "good" healthcare
system? What tools can we use to comparatively evaluate systems of healthcare
delivery? By what measures can we gauge their abilities to meet the needs
of their societies? Is there a role for principles of equity and distributive
justice in prioritizing and allocating healthcare resources? This Winter
Study course aims to explore these and many other questions by spending
three weeks in Cuba investigating a healthcare system very different from
our own. We plan to visit a number of sites to gain a deeper understanding
of Cuban healthcare: hospitals; free clinics; pharmaceutical offices;
government offices; and community health centers, among others. The course
will focus on issues such as HIV and AIDS prevention and management in
a developing country; maternal-child health and prenatal preventive care;
the impact of a non-market, centralized economy on healthcare delivery;
end-of-life care; and the unique ability of a nationalized healthcare
system to promote a unified public health agenda. Our base will be in
Havana, where we will stay in the dormitories of the National School of
Public Health. From Havana, we will take several day and weekend trips
to rural Cuban communities and points of interest around the island. We
will involve ourselves in many aspects of Cuban culture, from history
and politics to the local art and music scene. Readings, formal and informal
discussions with Cuban citizens and healthcare professionals, small-group
workshops, and sharing of journal reflections will complement our experiences.
We have been coordinating with MEDICC, an organization that routinely
organizes trips of this sort for American medical students.
No prerequisites, but previous Spanish language experience is preferred.
Enrollment limit: 10-15.
Cost to student: $2000 per person (includes airfare, 3 weeks lodging,
transportation, most expenses on the island, and most meals.)
MEGAN MOORE, JAMES MURA, DAVID ELPERN (Instructors)
MAHON (Sponsor)
Megan Moore (Williams '98 and Harvard Medical School
'02), James Mura (Williams '97 and Albany Medical College '03), and David
Elpern, MD.
POEC 031 Honors Thesis
To be taken by students registered for Political Economy
493.
POLITICAL SCIENCE
PSCI 010 Controversial Issues
in Education
This seminar is designed to explore controversies in
primary and secondary education in the United States. We will begin by
considering the major challenges facing public education, including retaining
qualified teachers and administrators, curbing school violence, and addressing
inequities in funding. We then will consider the main proposals for and
the likely consequences of various proposals for reform. In particular,
the course will address debates about "high stake" testing,
bilingual education, special and gifted education; charter schools, vouchers,
and education-for-profit program; and curriculum theory and the role of
character education. While evaluating the sides of each issue, students
will consider the philosophy grounding each perspective and the political
and social effects of the different methods of reform. Texts will include:
James Wm. Noll, Taking Sides: Clashing Views on Controversial Educational
Issues; Alfie Kohn, The Schools our Children Deserve; E.D.
Hirsch, The Schools We Need and Why We Don't Have Them; and a
reader of articles and essays.
Requirements: Students enrolled in the seminar are expected to complete
reading assignments and engage actively in class discussions. Each student
will select an educational issue to research in depth and present in a
10- to 12-page paper at close of the term.
No prerequisites. Enrollment limit: 15.
Meeting time: MW EVENINGS.
Cost to students: books and reading materials.
MARY ALVORD (Instructor)
JACOBSOHN (Sponsor)
Mary Alvord has extensive experience as a teacher and
administrator within the New York City public school system. Currently,
she is a doctoral candidate at Teachers College, Columbia University where
she has an appointment in the Department of Arts and Humanities.
PSCI 011 The Development of Inuit
Art
Inuit art (which includes the following genre of art:
sculpture, graphic arts, as well as jewelry, wall hangings, pottery and
other modes) is a very modern development. It can be dated very precisely
to the early 1950s. Since that beginning it has gained world-wide attention.
There are galleries of Inuit art not only through out Canada and the United
States but also Europe and Asia. Inuit art is included in the collections
of major museums throughout the world. The production of Inuit art developed
in response to the sudden change in Inuit life from nomadic subsistence
in the norther arctic regions of Canada to fixed settlements on Baffin
Island and regions around Hudson Bay and the consequent need to create
a cash based economy. The course will cover the development of Inuit art
focusing on the major centers (Cape Dorset, Baker Lake, Arviat, etc.),
the major artists (Kenojuak, Oonark, George Arlook, Latcholassie, Parr,
Pauta, etc.) and the major forms of sculpture and print making. The changing
character of Inuit life and governance (the Canadian government recently
completed a major reconstitution granting much of the people of the arctic
north autonomy as a self-governing region called Nunavut). In addition
to the technical development of the art, its history and the biography
of the major artists, we will be exploring the cultural context of Inuit
art to the Inuit as well as to the international market. There will be
assigned readings and a paper assignment with students choosing from the
following topics: a study of a particular work of art, the work of a particular
artist, some aspect of Inuit life or politics, or economic analyses (e.g.,
using Inuit art auction results over the years). There will be visiting
lectures by major Inuit art dealers.
Evaluation will be based on the paper, class attendance and participation.
No prerequisites. Enrollment limit: 25.
Meeting time: afternoons, three classes per week.
Cost to student: $50 for readings.
MARCUS
PSCI 012 Presidential Elections
This course traces the electoral problems of the presidential
election of 2000 back to the root causes from the drafting of the U.S.
Constitution to the U.S. Supreme Court decision of Bush v. Gore. This
course includes a mix of political history, constitutional law, state
elections laws, and the presidential electoral process. Guest speakers,
subject to availability, involved with various aspects of the presidential
electoral process will offer their perspectives regarding such elections.
Students will be required to prepare a 10-page paper on the topic of retaining
or changing the presidential election system which in addition to being
submitted to the Instructor, will also be sent by the students to their
two respective U.S. Senators and their U.S. Representative.
No prerequisites, except for an interest in politics. Enrollment limit:
15.
Meeting time: afternoons.
Cost to student: reading packet.
ROBERT F. JAKUBOWICZ (Instructor)
JACOBSOHN (Sponsor)
Mr. Jakubowicz is a lawyer who has served in the Massachusetts
legislature. He writes a monthly column on law and politics for the Berkshire
Eagle. His articles have also appeared in the Boston Globe, Boston Herald,
and Cape Cod Times.
PSCI 013 Assessing Race in Communities
of Interest (Cancelled)
The class is concerned with an interesting convergence
in the area of public policy (concerning the constitutional status of
federal voting law) and political theory (pertaining to assessments of
community in contemporary social relations). The key question involves
the impact of minority race claims on community where the claims come
under legal protection in civil rights laws. The issue is developing in
sharp relief in the wake of the 2000 census and the redistricting of electoral
offices. The U. S. Supreme Court, in a series of opinions associated with
the Shaw cases, set the stage for consideration in the legal
area as to how and whether "community" in the traditional sense,
has been replaced by new, essentially "virtual," relationships
and, if so, how traditional racial claims-racist or benign-may interact
in the new settings. Readings will include key court opinions to set the
problem and then move to writings that may help assess the outcomes through
a review of alternative definitions of community and the evolution of
relationships of identity that may be subsumed at a sub-national level.
Requirements: a short 10-page paper.
No prerequisites. Enrollment limit: 15.
Meeting time: mornings.
Cost to student: reading packet.
A. WILLINGHAM
PSCI 014 Civil Rights Law
This course will examine contemporary civil rights law
including application of constitutional and statutory law to modern civil
liberties issues. The course will address discrimination, employment,
privacy, sex harassment and police misconduct issues. The course will
emphasize analysis of cases and related materials, as opposed to a historical
perspective. Students will analyze appellate court decisions and related
materials, mostly U.S. Supreme Court decisions and select federal statutes.
A substantial portion of the class time will be devoted to discussion
of the cases and students will be expected to participate in class discussion
and will "argue" from positions taken in some of the cases.
The course will also likely utilize a "model case" whereby students
will be distributed a factual scenario at the inception of the class which
will be discussed from time to time throughout the term as the class covers
applicable legal principles and theories.
Requirements: one 8- to 10-page research paper, addressing a civil rights
topic to be decided by student and instructor. Evaluation will be based
on the analysis of a student paper and class participation. This course
will necessitate reading of court decisions and statutes prior to class
so there can be meaningful in-class discussion.
No prerequisites, although an interest in civil rights issues is recommended.
Enrollment limit: 20. Preference given to juniors and seniors.
Meeting time: mornings, two or three times per week.
Cost to student: $65 for materials (copies of court decisions).
J. MICHAEL MCGUINNESS (Instructor)
JACOBSOHN (Sponsor)
J. Michael McGuinness is a practicing civil rights lawyer
and has lectured and published heavily in the civil rights field. Mr.
McGuinness has litigated a broad variety of civil rights cases before
trial and appellate courts including the U.S. Supreme Court.
PSCI 015 Charismatic Leadership
as a Democratic Virtue
CANCELLED!
PSCI 017 Presidential Leadership:
From Washington to FDR (Same as INTR 017)
(See under IPECS-INTR 017 for full description.)
PSCI 018 Editorial Cartooning
(Same as ArtS 018)
(See under ART-ArtS 018 for full description.)
PSCI 021 Power, Authority and
Decisionmaking in the Public Sector (Same as INTR 021)
This course is an internship experience in which students
both work in and analyze government and related nongovernmental organizations.
The goal of the course is to develop student ability to analyze power,
authority and decisionmaking in public organizations; in short, to better
understand leadership. Students may have internships in government and
nonprofit organizations. They may have internships in for-profit organizations
if the internship involves significant involvement with public issues.
Examples include: town government offices; state or federal administrative
offices such as TANF, WIC, housing authorities; interest groups that lobby
government such as Chamber of Commerce, NOW, or the Sierra Club; nonprofit
agencies such as Parenting Partners. Internship arrangements are made
in advance of the Winter Term during which the student serves as an intern.
The instructor works with each student to arrange an internship. Students
are expected to spend the better part of the day, five days a week, with
the organization. Each student's internship mentor sends a confirmation
letter to the instructor verifying the internship and describing the nature
of the work to be performed by the intern. Students with Berkshire area
internships will read a few short reading assignments in common and meet
with the instructor once a week as a group to compare and analyze their
experiences. Students whose internships are in their home community will
meet as a group before and after winter study to discuss their experiences.
During winter study, they are expected to maintain weekly contact with
the instructor. Finally, students will write a 10-page paper on their
experience.
Requirements: internship work and a 10-page paper analyzing issues of
power, authority, and decisionmaking in the organization. Evaluation will
be based on the mentor's evaluation, participation in the group discussions
and the 10-page paper.
Enrollment limit: 15. At the time of registration, interested students
should send a brief resume and letter of interest. Materials should be
sent to the Leadership Programs Coordinator.
Cost to student: none, except for transportation.
PAULA CONSOLINI (Instructor)
JACOBSOHN (Sponsor)
Paula Consolini (Ph.D., Berkeley) teaches and manages
local government internships at Union College in Schenectady.
PSCI 026 Panama: Leadership at
the Crossroads of the World (Same as INTR 026)
(See under IPECS-INTR 026 for full description.)
PSCI 030 Senior Essay
To be taken by students registered for Political Science
491 or 492.
PSCI 031 Senior Thesis
To be taken by students registered for Political Science
493-494.
PSCI 032 Individual Project
To be taken by students registered for Political Science
495 or 496.
PSYCHOLOGY
PSYC 010 The Popularization of
Psychological Disorders
In the past decade, psychological disorders have been
popularized to an unprecedented degree in Western societies. Syndromes
like depression, attention deficit disorder, and panic disorder are now
regularly featured on prime-time television, in best-selling books, in
radio and television advertisements, and in magazines. We will explore
these popularized accounts of psychological disorders and treatments,
focusing on their accuracy, on the cultural assumptions and values expressed
in them, and on the possible psychological consequences of their popularization.
Each student will do library research on, and prepare a presentation about,
popular depictions of a particular disorder or treatment.
Evaluation will be based on class participation, paper proposal, and minimum
10-page paper.
Prerequisites: Psychology 252 or permission of instructor. Enrollment
limit: 15.
Meeting time: mornings.
Cost to student: $10 for reading packet.
A. SOLOMON
PSYC 011 From Segregation to Accommodation:
Changing Perspectives on Disabilities
A radical shift in the laws and values shaping the participation
of persons with disabilities in our society has led to motorized carts
in Professional Golf Association tournaments and modified exam procedures
for some students on our own campus. After a brief review of the history
that brought us to the currently accepted principles of normalization
and inclusion, each student will conduct an investigation through interviews
and site visits into changing practices in a specific local context. Alternatively,
a student may focus an inquiry on a personal experience with his or her
own disability or that of a family member. The underlying aim of this
course is to help students become better equipped to participate in our
society's continuing dialogue about the nature of disabilities and what
measures should be taken to accommodate those who have them. Reading selections
will be drawn primarily from the writings of persons with disabilities
and their families.
Evaluation will be based on oral participation and a 10-page paper.
No prerequisites. Enrollment limit: 20.
Meeting time: afternoons.
Cost to student: $60 for books and article reprints.
DALE BORMAN FINK (Instructor)
G. GOETHALS (Sponsor)
Dale Borman Fink earned his B.A. from Harvard and his
Ph.D. in special education from the University of Illinois at Urbana-Champaign.
He is the author of School-Age Children With Special Needs: What Do They
Do When School Is Out? (1988, Boston: The Exceptional Parent Press). and
Making a Place for Kids with Disabilities (2000, Westport, CT: Praeger
Publishers).
PSYC 012 Introduction to Counseling
Skills
CANCELLED!
PSYC 013 Public Access Television Production
This course will focus on the development and use of
public access television to educate the public on various issues of psychosocial
interest. Students will learn the elements of TV show production and will
work in small groups to create an educational show. Topics need to be
well documented. Class time will include viewing of public access productions.
Production will take place at Willinet Studio on Spring Street and will
be aired on Channel 17. Students will use cameras, set, and editing equipment
to produce one thirty minute show each.
Evaluation will be based on the content, effort and quality of one public
access TV show and one 10-page paper evaluating the production.
Prerequisites: Students must be eligible for admission to Willinet Studio.
Students must consult with instructor before registration. Enrollment
limit: 12. (Preference will be given to seniors and members of
the film guild at Williams.)
Meeting time: afternoons, TR, 1-3 p.m. Students will spend additional
time in the Willinet studio creating their own productions at times to
be arranged with the studio.
Cost to student: $50 plus cost of book.
SUSAN CONKLIN (Instructor)
G. GOETHALS (Sponsor)
Susan Conklin is a licensed independent clinical social
worker, board certified diplomate, in private practice in Williamstown.
She produces The Susan Conklin Show (stories of courage, creativity, commitment
and compassion in the greater Berkshire area) for more than 3 years on
Willinet.
PSYC 014 Science and Television
Commercials
Television commercials often refer to the results of
"scientific" experiments and surveys to promote products. An
examination of the methods they use, however, suggests that T.V.'s rendition
of science portrays the real world to about the same degree as the rest
of its programming. The intent of this course is to use sound scientific
methodology in replicating the experiments used as the basis for these
commercials. The initial part of the course will consist of a brief overview
of basic scientific methodology. Students will then divide into groups,
select a commercial that is based on an experiment that uses "suspect"
methodology, and replicate the study using proper procedures. Students
will submit a written report of their findings and then present them orally
to the class. A "Pass" will be contingent upon satisfactory
completion of both oral and written presentations.
Evaluation will be based on class participation, paper proposal, and minimum
10-page paper.
No prerequisites. Enrollment limit: 16.
Cost to student: $40 for materials.
P. SOLOMON
PSYC 015 Principles of Psychotherapy
Outlining the principles underlying the "talking
cure", this course represents the kind of overview of psychotherapy
the instructor wishes he had received as an undergraduate. Topics covered
will include the particular arrangements for therapy, how they differ
from other social situations, the initiation of therapy, and principles
of transference, counter-transference, personal history investigation
and interpretation. Of particular interest will be to describe how, during
psychotherapy, persons change. Using both imagined therapy dialogues and
published student auto-biographies, efforts will be made at each stage
to illustrate ways in which the general principles work out in practice.
For the course paper, students will be asked to describe an issue of concern
in the student's own experience and to imagine how a therapist might collaborate
in working on that issue. At the end of the course the instructor will
discuss each paper individually with each student.
Requirements: readings, class discussion, and a 10-page paper.
No prerequisites. Enrollment limit: 10. Preferences given to juniors
and seniors.
Meeting time: mornings.
Cost to student: $25.
RICHARD Q. FORD (Instructor)
G. GOETHALS (Sponsor)
Richard Q. Ford received his Ph.D. in Clinical Psychology
from the University of Chicago in 1970. For twelve years, on the medical
staff on the Austen Riggs Center in Stockbridge, Massachusetts, he has
(for the past eighteen years) been in the private practice of psychotherapy
in Williamstown. He is co-author with Sidney J. Blatt of Therapeutic
Change: An Object Relations Perspective.
PSYC 016 Social Justice and Mental
Illness in America (Same as History 016)
The historical and current treatment of mentally ill
people in the United States reflects our social and political beliefs
and values as much as it does the state of scientific knowledge. By studying
the history of and making intensive visits to institutions for treating
people who are mentally ill, we will seek to answer questions such as
how and why did "asylums" evolve? Why are so many people with
mental illness found in jails today and why do some hospitals resemble
jails? How are social justice and civil rights issues related to the practical
issues facing mental patients and their families? Throughout the course,
we will integrate historical and psychological perspectives.
Evaluation will be based on class participation and a 10-page paper.
Prerequisites: At least one regular semester course in Psychology.
Enrollment limit: 20.
Meeting time: mornings.
Cost to student: $30 for books and Xeroxes.
WILDER and HEATHERINGTON
PSYC 017 Teaching Practicum
Students interested in teaching may submit applications
for a Winter Study assignment as a teacher's aide at Mt. Greylock Regional
High School or at the Williamstown Elementary School. Those accepted will
work under the supervision of a regular member of the teaching staff and
submit a report on their work at the end of the Winter Study Period. This
project involves a four-week commitment to full-time affiliation with
the school. Interested students should consult before winter study registration
with Professor Friedman, 304 Bronfman. He will assist in arranging placements
and monitor students' progress during the four-week period.
Criteria for pass include full time affiliation with the school and a
final 10-page report. The final report should summarize the student's
experiences and reflections as drawn from a daily journal. Prerequisite:
Approval of Professor Friedman required. Enrollment limited to number
of places available at the two participating schools.
Cost to student: none.
FRIEDMAN
PSYC 018 Institutional Placement
Students interested in a full time January placement
in a mental health, social service or applied psychology (e.g., advertising,
law) setting may consult with members of the Psychology Department to
make appropriate arrangements. Students should first make their own contacts
with an institution or agency. They should also arrange to obtain a letter
from a sponsor at the institution who will outline and supervise the student's
duties during January. The student must agree to keep a journal and to
submit a final paper summarizing and reflecting upon the experiences outlined
in the journal.
Requirements: satisfactory evaluation from the institutional sponsor and
a 10-page final paper.
No prerequisites. Enrollment limit: 20.
Cost to student: none.
FRIEDMAN
PSYC 031 Senior Thesis
To be taken by students registered for Psychology 493-494.
RELIGION
REL 010 Training the Body-Mind:
Introduction to Traditional Karate
Cancelled!
REL 012 Tibetan Buddhism and the
Practice of Meditation
CANCELLED!
REL 013 Biblical Hebrew in a Month (Same as Classics
013)
(See under Classics for full description.)
(See under Classics for full description.)
REL 014 Language of the Holocaust
How name what is unnameable, unthinkable, unimaginable?
Is silence the only response to unspeakable acts? Or, if you can articulate
a name, an authority, an identity, a reason for genocide, for the annihilation
of the Jewish people, how do you express or represent the experience without
the luxury of artifice? What are the terms of such expression? What claims
does the experience make on those who wish to define it? Is there an ultimate
fiction greater than fact that such an event requires? This course will
concentrate on the relationships between historical/recorded (mimetic)
interpretations (i.e., first person accounts, religious and historical
texts, documentary footage) and constructed (poesis) interpretation of
the Holocaust. The latter will include a sampling of films, novels, poems,
art of victims and survivors and others using the material of genocide
as primary source for the creation of a work of art. Within this framework
questions regarding both the particular and universal nature of the Holocaust
will be addressed. Course readings and material will offer provocative
pairings to sharpen and question the necessary yet paradoxically unstable
distinction between the mimetic and poetic mode: These might include Wiesel's
Night; selections from the Old Testament (Akidah and
Book of Job) and the Zohar, Borowski's This Way
to the Gas Chambers, Ladies and Gentlemen and Scrap of Time and
Other Stories; Charles Reznicoff's Holocaust and Artie Spiegelman's
Maus I and Maus II ; Expressionistic and concentration camp art;
various historical accounts; and selections form the work of Paul Celan,
Nelly Sachs, A. Sutzkever, Edmund Jabes, Aharon Appelfeld, Andre Schwarz-Bart,
Terrence Des Pres and Daniel Goldhagen. Films might include Europa
Europa, Nasty Girl, Shop on Main Street, Shoah
and Schindler's List.
Requirements: a 10-page paper, class participation and regular attendance.
No prerequisites. Enrollment limit: 25.
Meeting time: mornings, three times a week, two hours per class.
Cost to student: $60 for books and xeroxes.
DAVID RAFFELD (Instructor)
DREYFUS (Sponsor)
A poet and writer, David Raffeld has written widely
on the themes to be developed in this course. In addition to offering
this course several times, Raffeld has taught Winter Study term courses
at Williams in the Departments of Religion, Philosophy, and English. He
has also been a Writer-in-Residence in the Department of Theater for the
production of his Isaac Oratorio, which was written in part in response
to the Holocaust.
REL 025 Explorations in Solidarity:
A Meeting of Minds and Hearts in Rural and Urban Nicaragua
This course will explore the lived realities of the
hemisphere's second most impoverished nation, through the eyes of subsistence
farmers, urban factory workers, and those working for progressive social
change. The effects of an increasingly globalized economy, a series of
natural disasters (most notably hurricane Mitch), and the changeable attentions
of the developed world will be explored through conversations with ordinary
people, using some of the methods of popular education and oral history.
Significant attention will also be given to the effects on the material
and spiritual well-being of people of liberation theology and the base
Christian community movement as well as other influences, Christian and
Marxist. The experience of the course will include approximately one week
of living (with minimal amenities) in a subsistence farming community.
Travels and encounters in Nicaragua will be facilitated by Elena Hendrick
and Luis Aguirre of the Asociacion Kairos para la Formacion, an organization
that links Christian communites north and south through solidarity toward
the goal of transformed relationships. Throughout, students will be invited
to enter as deeply as possible the story of Nicaraguans, and to reflect
on their own stories as North Americans and the sometimes-volatile interaction
between these stories. The goal is to begin to discover what it would
mean to shape a relationship with the people of Nicaragua according to
a paradigm of solidarity-contrasted with the more familiar paradigms of
national self-interest, on the macro level, and charity on the micro level.
The course will entail daily reflection sessions, for which a journal
will be kept.
Requirements: attendance at three orientation sessions prior to departure;
an oral presentation to the class at the conclusion of the experience;
participation in a group presentation to the College community upon returning
to Williamstown; and a final 10-page paper. Conversational knowledge of
Spanish, though not required, will be helpful. Willingness to live in
physically demanding situations is essential.
Enrollment limit: 15.
Cost to student: $1,800 (including all food, lodging and in-country transportation)
plus round-trip airfare to Managua (approx. $450-700, depending on point
of departure).
R. SPALDING (Instructor)
DREYFUS (Sponsor)
Rev. Richard Spalding is the Chaplain of the College.
REL 026 Archaeological Tour of
Greece (Same as Classics 026)
(See under Classics for full description.)
REL 031 Senior Thesis
To be taken by students registered for Religion 493
or 494.
ROMANCE LANGUAGES
FRENCH
RLFR S.P. Sustaining Program for French 101-102
Students registered for 101-102 are required to attend
and pass the sustaining program during the Winter Study period. There
are three 50-minute meetings per week.
Meeting time: 9:00-9:50 a.m.
CORLAY and DESLUS (Teaching Associates)
RLFR 010 Asterix the Gaul: French
Culture through the Prism of the Comic
The longevity and popularity of the Asterix comic strip
series over successive generations of French (and foreign) readers can
be explained, in part, by its subtle and incisive rendering of Europeanism
through caricature. This course will examine some of the most enduring
texts in the Asterix saga as interpretations, first, of French culture
and the way the French view themselves with respect to the rest of Europe
and, second, of the way they view Europe in dialogue with French cultural
norms. Such issues as "la patrie" (homeland), linguistic characteristics,
the idea of France, French provincial distinctiveness, France's view of
homogeneous national character seen through its own cultural diversity,
and the relationship of France to other specific regional cultures will
be studied as a way not only of defining the nation's historic legacy,
but of coming to terms with the way it sees its place within the vision
of the European Union. Among the texts to be studied will be Asterix the
Gaul, Asterix and the Banquet, Asterix and the Normans, Asterix in Corsica
, Asterix in Britain, Asterix and the Goths, Asterix in Belgium, Asterix
in Switzerland. Analysis of the primary texts will be complemented by
secondary cultural readings by prominent interpreters of French culture.
The course will be conducted in English; readings will be in English,
but those students who wish to read the texts in the original French should
make arrangements in advance with the instructor. Three 2-hour meetings
a week.
Requirements: class participation and a 10-page paper.
No prerequisites. Enrollment limit: 10.
Meeting time: mornings, three 2-hour meetings a week.
Cost to student: books and reading packet only.
NORTON
RLFR 012 Roland Barthes: The Romance
and Poetry of Criticism (Same as Comparative Literature 012 and English
023) (Cancelled)
(See under Comparative Literature for full description.)
RLFR 030 Honors Essay
To be taken by candidates for honors other than by thesis
route.
RLFR 031 Senior Thesis
To be taken by students registered for French 493-494.
ITALIAN
RLIT S.P. Sustaining Program for Italian 101-102
Students registered for 101-102 are required to attend
and pass the sustaining program during the Winter Study Period. Three
50-minute meetings per week.
Meeting time: 9:00-9:50
NICASTRO
SPANISH
RLSP S.P. Sustaining Program for Spanish 101-102
Students registered for 101-102 are required to attend
and pass the sustaining program during the Winter Study Period. Three
50-minute meetings per week.
Meeting time: 9:00-9:50 a.m.
LÓPEZ and RODRÍGUEZ (Teaching Associates)
RLSP 030 Honors Essay
To be taken by candidates for honors other than by thesis
route.
RLSP 031 Senior Thesis
To be taken by students registered for Spanish 493-494.
RUSSIAN
RUSS S.P. Sustaining Program for Russian 101-102
Required of all students enrolled in Russian 101-102.
Three meetings per week, 50 minutes per session. Practice in speaking
and comprehension based on material already covered as well as some new
vocabulary and constructions. Designed to maintain and enhance what was
acquired during fall semester, using new approaches in a relaxed atmosphere.
No homework.
Regular attendance and active participation required to earn a "Pass."
Open to all.
Meeting time: 9:00-9:50 a.m.
RUSS 013 Food on Film (Same as
Special 013)
(See under Special for full description.)
RUSS 025 Williams in Georgia (Same
as Special 025) (Cancelled)
Williams has a unique program in the Republic of Georgia,
which offers students the opportunity to engage in three-week-long internships
in any field. Last year's students worked in the Georgian Parliament,
helped in humanitarian relief organizations like Save the Children, interned
in journalism at The Georgian Times, taught unemployed women
computer skills at The Rustavi Project, studied with a Georgian sculptor,
did rounds at the Institute of Cardiology, and learned about transitional
economies at the Georgian National Bank. In addition to working in their
chosen fields, students experience Georgian culture through museum visits,
concerts, lectures, meetings with Georgian students, and excursions. Visit
the sacred eleventh-century Cathedral of Sveti-tskhoveli and the twentieth-century
Stalin Museum, take the ancient Georgian Military Highway to ski in the
Caucasus Range, see the birthplace of the wine grape in Kakheti and the
region where Jason sought the Golden Fleece. Participants are housed in
pairs with English-speaking families in Tbilisi, Georgia's capital city.
At the end of the course students write a 10-page paper assessing their
internship experience. Knowledge of Russian or Georgian is NOT required.
No prerequisites. Enrollment limit: 8.
Cost to student: $2000.
GOLDSTEIN
RUSS 030 Honors Project
May be taken by candidates for honors other than by
thesis route.
RUSS 031 Senior Thesis
To be taken by students registered for Russian 493-494.
SOCIOLOGY-See under ANTHROPOLOGY AND SOCIOLOGY
THEATRE
THEA 010 Shakespeare in Performance
Translating Shakespeare from the page to the stage has
compelled centuries of actors. Responding to a play or a moment in a play
and distilling that response into a performable one, accessible to an
audience, is a process that is defined and redefined by theatre practitioners.
In this course, students will take several scenes from Shakespearean plays
and realize them for performance. Examining the text and the clues and
signs offered by the structure of the poetry, students will direct and
perform in these scenes. The final presentation will be fully mounted
scenes presented to the college community entitled "SHAKESPEARE-SEX,
DRUGS AND ROCK 'N ROLL!" Evaluation will be based on class participation,
the final presentation and attendance.
No prerequisites. Enrollment limit: 10.
Meeting times: TWR, 1 to 4 p.m.
Cost to students: $50 (one field trip to New York on Friday, January 4th
through Saturday, January 5th)
EPPEL
THEA 011 Embodied Learning (Same
as Japanese 011)
(See under ASST-Japanese for full description.)
THEA 012 Puppets and Puppet Traditions
Puppetry is one of the most fascinating, ancient and
diverse forms of performance. This course will examine multiple styles
of puppetry through readings, videos and hands-on practice. Students will
study and create puppets in a variety of styles including shadow puppets,
contemporary found-object theatre, toy theatre, (miniature proscenium
performance), shadow puppetry, and large puppets that involve multiple
operators and choral speaking. In addition to creating puppets and performing
with them, students will complete a 10-page research paper on one aspect
of puppetry and a presentation of their research to the class.
Evaluation will be based on class participation, paper presentations and
attendance.
No prerequisites. Enrollment limit: 12.
Meeting times: MWR, 1-4 on the MainStage in the AMT.
Materials Fee: $40.
HAMILTON
THEA 025 Performance in New York
City
New York City is recognized throughout the world as
the nexus of the performance arts. Drawing upon Williams' proximity to
New York, this course allows students to attend an expansive selection
of theatre, dance, and other types of performance in New York City over
the course of three trips of three days each accompanied by Professor
Anna Bean of the Department of Theatre. In addition to attending performances,
a three-hour seminar is scheduled in New York each week to discuss short
critiques and readings students have prepared. There will be a mandatory
preliminary class meeting on Monday, 10 December 2001 at 10:00 a.m. in
the AMT Library. The first class trip to New York will commence on Tuesday,
8 January 2002.The format is to attend performances each Winter Study
week at a Wednesday matinee, on Wednesday night, and on Thursday night.
Students will be transported back and forth from NYC via van to the Metro
North station in Wassaic. Accommodations will be at the Williams Club.
Meal locations will occur in various locations throughout the city, and
will be geared toward exploring New York's gastronomic diversity
Evaluation will be assessed through the generation of three 5-page critiques
and participation in class discussion. Attendance to all performances
is mandatory.
No prerequisites. Enrollment limit: 10. Preference will be given to
theatre majors.
Costs to student:$1552.
BEAN
THEA 030 Senior Production
May be taken by students registered for Theatre 491,
492 but is not required.
THEA 031 Senior Thesis
May be taken by students registered for Theatre 493,
494 but is not required.
WOMEN'S AND GENDER STUDIES
WGST 022 Virginia Woolf (Same
as English 022)
(See under English for full description.)
WGST 030 Honors Project
To be taken by candidates for honors other than by thesis
route.
SPECIALS
SPEC 010 Quest for College: Early
Awareness in Berkshire County Schools
Today's extremely competitive higher education market
places significant pressure on students nationwide to start planning for
college at an increasingly early age while simultaneously demanding ever-higher
standards of excellence for admission to top schools. "Early Awareness"
initiatives aim to educate middle school students as to what lies ahead
on the college horizon, empowering them to make sound academic and extracurricular
choices that will keep open a maximum of options. The first week of this
course will be spent in the classroom, exploring and discussing problems
and issues germane to the national trends towards greater (and earlier)
college-related pressures. Students will respond to a series of readings
dealing with such issues as tracking, paid test preparation and untimed
testing, early decision, parental and peer pressures, special interests,
misrepresentation of information, independent counseling, and others.
Class time will also be devoted to familiarizing students with both the
nuances of the college admission process and the administration of the
early awareness game, Quest for College. Students will spend the next
two weeks visiting 10-12 Berkshire County middle schools, administering
the game and inviting students to the culminating College Day. All 8 students
will then work together to plan and run College Day activities for students
and their parents. This day will include a) campus tours, b) general higher
education info sessions, and c) financial aid/scholarship info for the
parents. If student and community interest is sufficient, the course may
culminate in a public presentation and open forum early second semester.
Evaluation will be based on completion of field work (school visits),
organization and execution of project to bring local middle school students
to the Williams Campus for a day of early-awareness related activities
and a final paper (approxiamately 10 pages) reflecting on a course-related
issue of the student's choosing.
No prerequisites. Enrollment limit: 8. Preference given to a) students
with prior education/admission experience, b) students with access to
transportation c) juniors and seniors. Interested students must consult
with instructors prior to registration. Students will be selected
according to the following criteria: a) experience in teaching or admission,
b) access to transportation, and c) seniority. Provision will be stated
that interested students must consult the instructors before registration,
that instructors may determine depth of experience and focus of interest.
Meeting time: afternoons.
Cost to student: transportation to field work sites and purchase of text.
GINA COLEMAN '90 and MATTHEW SWANSON '97 (Instructors)
DREYFUS (Sponsor)
Gina Coleman '90, is Associate Director of Admission,
Director of Multicultural Recruitment, and in her fifth year as women's
rugby coach. Coleman, who holds an MA in education from MCLA, designed
the game, Quest for College. Matthew Swanson '97 is in his third year
as Assistant Director of Admission. Swanson has spent the past seven summers
teaching/leading in various educational environments. Both Gina and Matthew
have been involved with Early Awareness initiatives in Berkshire County
schools.
SPEC 011 Science for Kids (Same
as Chemistry 011)
Are you interested in teaching? Do you enjoy working
with kids? Do you like to experiment with new things? Here is a chance
for you to do all three! The aim of this Winter Study Project is to design
a series of hands-on science workshops for elementary school children
and their parents. Working in teams of 2-4, students spend the first two
and a half weeks of Winter Study planning the workshops. This involves
deciding on a focus for each workshop (based on the interests of the students
involved) followed by choosing and designing experiments and presentations
that will be suitable for fourth-grade children. On the third weekend
of Winter Study (January 19, 20) we bring elementary school kids with
their parents to Williams to participate in the workshops. You get a chance
to see what goes into planning classroom demonstrations as well as a sense
of what it's like to actually give a presentation. You find that kids
at this age are great fun to work with because they are interested in
just about everything and their enthusiasm is infectious. You also give
the kids and their parents a chance to actually do some fun hands-on science
experiments that they may not have seen before, and you are able to explain
simple scientific concepts to them in a manner that won't be intimidating.
It is a rewarding experience for all involved.
Lecture/discussion/laboratory. Evaluation is based on participation in
planning and running the workshops. Each group is expected to prepare
a handout with descriptions of the experiments for the kids, parents,
and teachers.
No prerequisites. You need not be a science major; all that is needed
is enthusiasm. Enrollment limit: 25.
Meeting time: Because the calendar this year allows only a brief preparation
time for the workshops, classes meet as necessary until the workshops
are completed. A "dress rehearsal" will be on January 16. The
workshop is run on the third weekend of Winter Study (January 19, 20)
and attendance from 9:00 a.m. to 3:00 p.m. is mandatory that weekend.
There are also one or two brief meetings held in the fall term for preliminary
planning.
Cost to student: none.
KAPLAN
SPEC 012 How to Write Popular
Science (Same as Chemistry 012 and English 012) (Cancelled)
Science writers' work is important because they are
the chief conduits between scientists and the public, responsible for
covering fields that are experiencing some of the most rapid advances
in history. Their reporting must translate scientific subjects into clearly
understandable ones and attempt to objectively put science news into personal,
historical, political, economic, and social context. In this course, you
will analyze examples of successful science writing for the general reader-science
writing that entertains people while fascinating them. You will master
library research methods. And, you will develop your talents for writing
clearly, accurately, and with an interesting flair. We will read a lot,
and by emulating good writing about science, you will develop skill in
the art of explanation, which will serve you well in other courses. There
will be numerous short writing assignments, including a longer final article
popularizing a topic in science or technology of your choosing.
Format: discussion. Evaluation is based on class participation and completion
of all reading and writing assignments.
Prerequisite: One Division III course prior to this course or permission
of the instructor. Enrollment limit: 10.
Meeting times: MWF mornings.
Cost to student: $30 for books.
JO PROCTER (Instructor)
D. RICHARDSON and ROSENHEIM (Co-Sponsors)
Jo Procter is news director at Williams College. She
has a B.S. in communications from Boston University. Her media experience
includes Popular Science Magazine, Mutual Broadcasting, and WGBH-TV (Boston);
she has written about science for Harvard University and Bostonia Magazine.
SPEC 013 Food on Film (Same as
Russian 013)
Food figures prominently in many great films, provoking
not only the senses but also the appetite. This course will explore the
use of food as both sustenance and metaphor in a variety of international
films, from the serious to the comic, from documentary to fantasy, from
short to full-length feature. Films viewed will likely include La
Grande Bouffe; The Cook, The Thief, His Wife, and Her
Lover; Like Water for Chocolate; Woman on Top; Delicatessen;
The Blood of the Beasts; A Touch of Spice; Tampopo; and Henry Jaglom's
Eating. We'll also look at cooking-show clips from the TV Food
Network to see how they reflect contemporary culture.
Requirements: active class participation and a final project involving
research and food preparation.
No prerequisites. Enrollment limit: 20.
Meeting time: Students are required to attend 3 evening film screenings
a week and 3 morning discussion sessions (75 minutes each).
GOLDSTEIN
SPEC 014 Winter Emergency Care,
CPR, Ski Patrol Rescue Techniques
The course is in three parts. When successfully completed
it can lead to a certification as a National Ski Patrol member and certification
in Professional Rescue CPR. It will also be designed to teach wilderness
and outdoor emergency techniques. The Winter Emergency Care Course designed
by the National Ski Patrol is the main ingredient. It will be supplemented
by the Red Cross CPR for the Professional Rescuer. An additional
18-hour outdoor course in Ski Patrol rescue techniques will be taught.
Passing all three courses will certify the student as a National Ski Patrol
member if he/she is a competent skier. The course will deal with and teach
how to treat wounds of all types, shock, respiratory emergencies, poisoning,
drug and alcohol emergencies, burns, frostbite and other exposures to
cold, also bone, joint, and back injuries, and sudden illnesses such as
heart attacks, strokes, convulsions, etc. It will also teach the use of
all splints, backboards, bandages, and other rescue equipment. It will
teach extrication and unusual emergency situations and the use of oxygen.
The outdoor course will include rescue toboggan handling, organization
of rescues, and outdoor practical first aid. Classroom work will include
lectures, seminars, and practical work.
Requirements : There will be a mid-term and a final exam which will be
both written and practical. Each week there will be 17 hours of classroom
work plus 8 hours of practical outdoor work at Jiminy Peak ski area. Attendance
at all classes is mandatory.
No prerequisites. Enrollment limit: 18. Students will be chosen on
the basis of skiing interest and ability and prior first aid experience.
Meeting time: mornings and afternoons.
Cost to student: $100 which will include all materials, books and registration
fees.
JAMES BRIGGS (Instructor)
SHEEHY (Sponsor)
Jim Briggs was the Outing Club director at Williams
for many years. He has led trips to the Alps on a number of occasions.
He is both a certified OEC instructors and a certified CPR instructor.
SPEC 015 Deaf and Proud: An Introduction
to Deaf Language and Culture
The aim of this course is to introduce students to the
world of deafness. Although it is not a sign language course, we will
learn about the differences between American Sign Language (A.S.L.) and
invented sign systems such as Signed English. Students should expect to
develop a basic understanding of the linguistic status of American Sign
Language (A.S.L.), a language in which the grammar is expressed on the
face and which does not share the grammatical structures of English. We
will give specific attention to the social and economic status of the
deaf community at large and to the social and political constraints imposed
upon them by a hearing community which denies them education in their
own language. Three approaches to deaf education will be addressed: oral,
signed English, and A.S.L. Several native signers will be invited to lecture
and engage in dialogue with students about deaf politics and culture.
The course will be taught by an instructor with extensive experience as
an interpreter in the deaf community. In addition to exploring deafness
from the perspectives of deaf people, students will learn about the role
of the interpreter in both deaf and hearing communities. Major texts for
the course may include the following: In This Sign by Joanna
Greenberg, a child of deaf adults, The Mask of Benevolence by
Harlan Lane, Voices from a Culture by Padden and Humprhies, and
a collection of articles and videos.
Evaluation will be based on brief journal entries which record responses
to videos, discussions and readings following each class, a 5-page critical
response essay to an assigned topic, class participation, and a final
project (i.e., oral presentation, performance, essay, etc.).
No prerequisites. Enrollment limit: 15.
Meeting time: Students will be required to attend two afternoon class
meetings per week from 1-4 p.m.
Cost to student: $30 for books.
LAURIE BENJAMIN (Instructor)
SAWICKI (Sponsor)
Laurie Benjamin is a graduate from the University of
Massachusetts in multicultural and international education. Ms. Benjamin
has taught deaf students at the secondary level. She is a nationally certified
A.S.L. interpreter for the deaf with extensive experience in a wide range
of interpreter settings including mental health and performance interpreting.
SPEC 016 Ayurveda: Art of Healing
(Same as History of Science 016)
(See under History of Science for full description.)
SPEC 017 Introduction to Acting
(Same as Mathematics 017)
(See under Mathematics and Statistics for full description.)
SPEC 018 Sports Writing
In this introduction to Sports Writing, students will
learn the fundamentals of sports writing and how it differs from news
writing. Students will explore different reporting, interviewing and editing
techniques; learn how to develop leads and approach feature articles.
Students will examine the differences in sports writing styles of newspaper
and magazine publications (i.e., Sports Illustrated, New
York Post, Boston Globe). Skills will be developed through
in-class and on-campus writing assignments and discussion.
Requirements will include submission of articles for deadline and written
text on the craft of interviewing and reporting.
No prerequisites. Enrollment limit: 15.
Meeting time: afternoons, twice per week.
Cost to student: approximately $20.
KRIS DUFOUR (Instructor)
SHEEHY (Sponsor)
Kris DuFour is a graduate of SUNY Old Westbury and has
an M.A. from the Syracuse School of Communication. He has been the Sports
Editor of the North Adams Transcript for the last 6 years after
previous positions in New York, Georgia and Texas.
SPEC 019 Medical Apprenticeship
A student is assigned to a local physician, dentist,
or veterinarian to observe closely his or her practice in the office and/or
at the North Adams Regional Hospital, Berkshire Medical Center (Pittsfield,
MA), or Southwestern Vermont Medical Center (Bennington, VT). It is expected
that a student will spend the better part of the day, five days a week,
with the physician or a period mutually agreed upon by the student and
the physician as being educationally significant. The program has proven
to be extremely successful in giving interested students a clear picture
of the practice of medicine in a non-urban area. An effort is made to
expose the student to a range of medical specialties. A 10-page report
written on some aspect of the month's experience is required.
Prerequisite: Interested students must attend a mandatory information
meeting in early October, prior to applying for this course. Enrollment
limited to 44. (Preference is given to juniors, and then sophomores,
whose course work has been suggestive of a firm commitment to preparation
for medical school.)
Cost to student: none, except for local transportation and vaccinations.
TEACHING ASSOCIATES (Instructors)
DEBORAH AUGUST, M.D. GORDAN KUHAR, M.D.
TIM J. BAISCH, M.D. ANDRE LANGLOIS, M.D.
DANIEL I. BECKER, M.D. IRA LAPIDUS, D.M.D.
JAMES BOVIENZO, D.O. JOAN E. LISTER, M.D.
PEGGY CARON, D.V.M. PAUL MAHER, M.D.
BRIAN CUNNINGHAM, M.D. JEFFREY MATHENY, M.D.
RUTLEDGE CURRIE, M.D. RONALD S. MENSH, M.D.
PAUL DONOVAN M.D. JOANNE MORRISON, D.V.M
STUART DUBUFF, M.D. PAMELA NATHENSON
DAVID ELPERN, M.D. STEVE NELSON, M.D.
ROBERT FANELLI, M.D. CHARLES O'NEILL, M.D.
STUART FREYER, M.D. JUDY H. ORTON, M.D.
ERIC SCOTT FROST, M.D. NORMAN PARADIS, M.D.
MICHAEL L. GERRITY, M.D. MICHAEL C. PAYNE, M.D.
CYNTHIA GEYER, M.D. FERNANDO PONCE, M.D.
HENRY M. GOLD, M.D. RICHARD PROVENZANO, M.D.
DAVID M. GORSON, M.D. DANIEL S. ROBBINS, M.D.
AMY GRIFFIN, M.D. OSCAR RODRIQUES, M.D.
BONNIE H. HERR, M.D. CHARLES SILBERMAN, M.D.
DOUGLAS V. HERR, M.D. JULIE SILBERSTEIN, M.D.
ROBERT HERTZIG, M.D. ANTHONY M. SMEGLIN, M.D.
JUDITH HOLMGREN, M.D. ERWIN A. STUEBNER, JR., M.D.
ROBERT C. JANDL, M.D. KATHERINE URANECK, M.D.
LAURA JONES, D.V.M. KATHRYN WISEMAN, M.D.
THOMAS KAEGI, M.D. RICHARD WISEMAN, M.D.
COLLEEN KELLEY, M.D. CHARLES I. WOHL, M.D.
JOSHUA KLEEDERMAN, D.M.D. JEFFREY A. YUCHT, M.D.
JONATHAN KRANT, M.D. MARK ZIMPFER, M.D.
SUSAN SALKO, Health Professions Advisor
SPEC 024 Justice and Public Policy
The course will examine four or five significant public
policy matters which have been resolved by the court system. These might
include abortion, affirmative action, death penalty, election laws, free
speech/obscenity. The focus of the course will be on the process involved
in resolving the issues in the courts, the competing interests involved,
the public impact of the decisions and, in most cases, the difficulty
of resolution. This will not be a course in Constitutional Law because
students won't be expected to master the many substantive areas of Constitutional
Law. Students will have an opportunity to make oral presentations during
class periods. Students will spend two to three days in Boston where they
will have the opportunity to witness activities at the Middlesex County
District Attorneys Office and meet with representatives of the federal
and state judiciary.
Evaluation will be based on a 10-page paper, an oral presentation, and
regular participation in class.
No prerequisites Enrollment limit: 12. If the course is overenrolled,
students will be asked to write a short essay to determine selection.
Meeting time: MR mornings (all day while in Boston). Students will meet
in December prior to the break to discuss logistics and expectations for
the course.
Cost to student: $150 for hotel accommodations in Boston and course materials.
MICHAEL B. KEATING '62 and MARTHA COAKLEY '75 (Instructors)
G. GOETHALS (Sponsor)
Michael B. Keating '62 is a trial lawyer with the Boston
law firm of Foley, Hoag and Eliot. Martha Coakley is District Attorney
for Middlesex County.
SPEC 025 Williams in Georgia (Same
as Russian 025)
(See under Russian for full description.)
SPEC 026 Healthcare in Havana:
A Comparative Study of Resource Allocation and Public Health Policy (Same
as Political Economy 026)
(See under Political Economy for full description.)
SPEC 027 Teaching and Writing
at Theodore Roosevelt High School
Students choosing this Winter Study project will live
in New York and travel daily to Roosevelt, a large comprehensive high
school in the Bronx. A typical day includes: conducting small group work
in selected classes (mostly English and Social Studies, but others are
possible), working one-on-one with selected students, working in school
departments (e.g., college guidance office, tutoring center), and seminar-style
meetings in which we discuss and write on issues that emerge from the
work with students and teachers.
Requirements: active and reliable participation in tutoring and discussion
during January; participation in several brief orientation meetings before
January (possibly including a half-day trip to TRHS), a journal during
the program, a written report in a format of the student's choice at the
end.
Prerequisites: Strong interest in working with young people. Enrollment
limit: 15 sophomores, juniors and seniors.
Cost to student: $350 for transportation and food. We will attempt to
provide housing for tutors. Consult with instructor.
G. NEWMAN (Instructor)
German and Russian Departments (Sponsor)
SPEC 028 Teaching Practicum, the
Bronx and Manhattan
Participating sophomores, juniors and seniors will be
expected to pursue a full day's program of observing, teaching, tutoring,
and mentoring at Christopher Columbus HS in the Bronx or at A. Philip
Randolph HS in Manhattan. Each of the schools will provide a resident
supervisor for the Williams teaching interns who will meet regularly to
assist with questions and to monitor individual schedules.
Criteria for a pass include full-time affiliation with the school for
the entire winter study, keeping a daily journal, participating in the
weekly after school seminars held for all of the NYC teaching practicums,
and submitting a 5- to l0-page report at the end of Winter Study reflecting
upon and summarizing the month's learning experience. Orientation meetings
and a visit to the high school prior to the start of winter study will
be arranged.
Cost to student: $400 for food and transportation. Housing in NYC will
be arranged where necessary.
P. SMITH Coordinator of High School/College Partnerships
SPEC 029 Junior High School Teaching
Practicum, the Bronx and Manhattan
Participating sophomores, juniors, and seniors will
be expected to pursue a full day's program of observing, teaching, tutoring
and mentoring at PS 45 in the Bronx (a feeder school to Roosevelt HS)
or at Roberto Clemente Junior High School in Manhattan (a feeder school
to A. Philip Randolph HS). Each of the schools will provide a resident
supervisor for the Williams teaching interns who will meet regularly to
assist with questions and to arrange individual schedules.
Criteria for a pass include full-time association with the school for
winter study, keeping a daily journal, participating in the weekly meetings
for all of the Williams Teaching Interns, and submitting a 5- to l0-page
report at the end of Winter Study reflecting upon and summarizing the
month's learning experience. An orientation program and a visit to the
school will be arranged prior to January.
No prerequisites.
Cost to student: $400 for food and transportation while in NYC. Housing
will be arranged for those needing it.
P. SMITH Coordinator of High School/College Partnerships
SPEC 035 Making Pottery on the
Potter's Wheel (Same as ArtS 035)
Each class will begin with a lecture-demonstration,
followed by practice on the potter's wheel. Each student will have the
use of a potter's wheel for each class. We will work on mugs, bowls, pitchers,
plates, jars, lids, vases, and bottles, and will finish these shapes as
required by trimming and adding handles, lugs, lids, spouts, and knobs.
We will also work on several different handbuilding projects. After the
tenth class session, all class work will be biscuit-fired. The eleventh
class will be devoted to glazing the biscuited pieces. Glazing techniques
will include pouring, dipping, layering, brushing, and stamping, and using
wax resist and other masking techniques to develop pattern and design.
The completed work will then be glaze-fired. The last meeting will be
devoted to a "final exam" gallery show of your best work. Woven
into lecture-demonstrations will be presentations on various topics relating
to the science and history of pottery making.
The two most important requirements for this course are attendance at
all class sessions and enthusiasm for learning the craft of pottery making.
No prerequisites. Enrollment limited to 9.
Meeting time: mornings.
Cost to student: $145 plus makeup class fees ($30 per class) if applicable.
RAY BUB (Instructor)
FILIPCZAK (Sponsor)
Ray Bub is a ceramic artist and potter at Oak Bluffs
Cottage Pottery in Pownal, Vermont.
SPEC 036 Teaching Practicum: St.
Aloysius School, Harlem
An opportunity for up to five sophomore, junior or senior
students to observe, tutor, teach and mentor at St Aloysius School in
Harlem under the direction of Principal Laurel Senger. An orientation
session and a visit to the school in December will be arranged prior to
Winter Study.
Criteria to pass include full-time participation at St Aloysius for the
month, keeping a daily journal, participating in the weekly meetings of
all NYC practicum students, and submitting a 5- to l0-page report at the
end of WSP reflecting upon and summarizing the month's learning experience.
Enrollment limit: 5 sophomores, juniors or seniors interested in teaching.
Cost to student: $400 for food and transportation. Housing in NYC will
be arranged where necessary.
P. SMITH Coordinator of High School/College Partnerships
SPEC 039 Composing A Life: Finding
Success and Balance in Life After Williams
To be at Williams you have learned to be a successful
student, but how do you learn to be successful in life? How will you define
success in both your career and in your personal life? How will you resolve
the inevitable tradeoffs and achieve balance between the two? In short,
what will constitute the "good life" for you? We will borrow
the concept of "composing a life", from a book by Mary Catherine
Bateson, as a very apt metaphor for the ongoing process of defining success
and balance in life. This course is designed: (1) To offer college students,
on the threshold of entering adulthood, and opportunity to examine and
define their beliefs, values, and assumptions about their future personal
and professional lives, and to consider how they might achieve a successful
balance; (2) To encourage students to gain a better understanding of how
culture, ideology, and opportunity affect their life choices; (3) To provide
an opportunity for students to consider different models of success and
balance through an emphasis on case studies and "living cases"
(in the form of guests from various professions who have made different
life choices); and (4) To aid students in contemplating their career options
through individual advising and introducing various career and life planning
resources. Through the use of selected readings, cases, guest speakers
and field interviews, we will explore both the public context of the workplace
as well as the private context of individuals and their personal relationships
in determining life choices.
Evaluation will be based on regular attendance, class participation, field
interview, and a 10-page paper.
No prerequisites. Enrollment limit: 15. (If you have questions about
the course, please contact Michele Moeller Chandler at 458-8106 or chandler@bcn.net.)
Meeting time: mornings.
Cost to student: $30 for case materials and photocopied course packets.
MICHELE MOELLER CHANDLER and CHIP CHANDLER (Instructors)
TOOMAJIAN (Sponsor)
Michele Moeller Chandler ('73) and Chip Chandler ('72)
have taught this Winter Study course for the past five years. They have
been both personally and professionally engaged in the course topic. Michele's
career has been in college administration, and she has an M.A. from Columbia,
and a Ph.D. from Northwestern. Her Ph.D. dissertation focused upon the
career/family decisionmaking of professional women who altered their careers
because of family obligations. Chip is a senior partner with McKinsey
& Company, an international management consulting firm, and he has
an M.B.A. from Harvard. He will share the teaching load on a part-time
basis.
WILLIAMS PROGRAM IN TEACHING
Students interested in exploring one or more of the
following courses related to teaching and/or working with children and
adolescents should contact Susan Engel, Director of Education Programs,
who will be able to help you choose one that best suits your educational
goals.
WILLIAMS-MYSTIC PROGRAM IN AMERICAN MARITIME STUDIES
An interdisciplinary one-semester program co-sponsored
by Williams College and Mystic Seaport which includes credit for one winter
study. Classes in maritime history, literature of the sea, marine ecology,
oceanography, and marine policy are supplemented by field seminars: offshore
sailing, Pacific Coast and Nantucket Island. For details, see "Williams-Mystic
Maritime Studies Program" or our website: www.williamsmystic.org.
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